Mr. Moderator

Mr. Moderator

When not blogging Mr. Moderator enjoys baseball, cooking, and falconry.

Aug 102011
 

Winner!

I may have mentioned this once before, but my mom first hit the nail on the head regarding Bono and U2 a few years ago, when the band played the halftime show at the Super Bowl. She called me the day after.

“Jimmy,” as she still calls me, “what do you know about this band U2? Do you like them?”

“They’re OK,” I said. “I like a few of their songs. They’ve been around since I was in high school.”

“Mmm,” she said, noting correctly that she didn’t recall me ever talking about them when I was living at home. “That little singer,” she continued, in this most unexpected telephone chat, “really makes that band. There’s not much to their music, but he works overtime!”

My first thought was, “Jeez, as if enough girls haven’t dug Bono, now my mom’s under his spell too!” As she continued extolling the virtues of “that little singer,” however, the years of hating Bono in his mullet, then ponytail and salt-of-the-earth hat and vests without shirts and those godawful late-’80s efforts to weave his way into the fabric of every strain of American roots music under the sun started to wash away.

After I got off the phone with Bono’s Newest Admirer, I remembered how much I liked the good bits of the band’s first two albums, before the grandstanding of War and the rhythm section’s clear musical limitations began to drive me away; before those serious videos involving ponytails, bare shoulders, and salt-of-the-earth hats put me way over the edge. I pulled out my copy of Achtung Baby, the band’s first attempt at winning back my muted admiration, which I came around to liking during the year my wife and I lived in Hungary. That album gave off a cooler, more UK ’60s vibe that put the band’s sepia-toned Americana wannabe vibe in the rearview mirror—but not out of sight. I still spent more time than any adult should spend cutting up on Bono and his mates. I still found myself watching bits of Rattle and Hum, whenever I came across the movie while flipping channels, just to sharpen my blade. Just thinking of that period of U2 again almost makes me want to take back what I’m about to say. Continue reading »

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Aug 062011
 

Townspeeps,

I need to cancel this week’s edition of Saturday Night Shut-In as I drive back from a quick trip to Pittsburgh, where I will get my first look at the Pirates’ supposedly awesome PNC Park and, hopefully, meet one of my childhood idols, Manny Sanguillen, at “his” barbeque stand in the park. To make up for this huge hole in your Saturday night festivities I bring you a Very Special Edition of Dugout Chatter, in which I post songs for your listening pleasure, of course, but more so for your gut comments on the tunes and the associated question I pose regarding each track. Here goes!

For those of you on the “Krappa” side of the divide, does the following make you feel better or worse about Frank Zappa?

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2011/08/Ruben-And-The-Jets_01_If-I-Could-Only-Be-Your-Love-Again.mp3|titles=Ruben And The Jets, “If I Could Only Be Your Love Again”]

I think I’m almost always disappointed by albums produced by Lee “Scratch” Perry. He strikes me as a more sham than shaman. The few tracks I have from an album by The Congos that he produced, however, are solid. Is this stuff and Junior Murvin‘s “Police and Thieves” the best I’ll ever hear from Perry (excluding The Clash‘s majestic “Complete Control,” that is, for which he probably did little more than roll joints and let engineer Bill Price produce)?

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2011/08/The-Congos_01_01_Fisherman.mp3|titles=The Congos, “Fisherman”]

Is this the last great song by David Bowie? I didn’t appreciate it in its time. Now I love it to the point that it might creep into my Top 5 Bowie Songs. Now that I think of it, what are your 5 favorite Bowie songs? 

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2011/08/David-Bowie_04_Ashes-To-Ashes-1999-Digital-Remaster.mp3|titles=David Bowie, “Ashes To Ashes”]

Has Lou Reed ever sounded more the way he was meant to sound?

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2011/08/Various-Artists_17_Peggy-Sue1.mp3|titles=Lou Reed, “Peggy Sue”]

I look forward to your comments.

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Aug 052011
 

Mr. Moderator’s on the road to Pittsburgh, way too late to catch Roberto Clemente‘s 3000th hit, but hoping to shake hands with Manny Sanguillen at Manny’s BBQ! That Clemente was a prophet, wasn’t he? What rock prophesy can you claim?

Hey, I know what you’re thinking when you think Pittsburgh + Rock ‘n Roll:

Continue reading »

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Aug 042011
 

Is there any instrument that takes more abuse than the keytar? And does anyone ever feel the slightest regret for taking said shot at the instrument and any musician who’s ever played one? Today I challenge you to state the best argument for this deservedly derided instrument. I present the above clip and challenge you, Townspeople, to make a better argument for the instrument! (And don’t think I haven’t made it to the 50-second mark of this performance.)

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Aug 032011
 

This week’s Mystery Date was submitted by Townsman misterioso.

Let’s review the ground rules here. The Mystery Date song is not necessarily something I believe to be good. So feel free to rip it or praise it. Rather the song is something of interest due to the artist, influences, time period… Your job is to decipher as much as you can about the artist without research. Who do you think it is? Or, Who do you think it sounds like? When do you think it was recorded? Etc…

If you know who it is, don’t spoil it for the rest. Anyone who knows it can play the “mockcarr option.” (And I’ve got a hunch at least one of you know this one.) This option is for those of you who just can’t hold your tongue and must let everyone know just how in-the-know you are by calling it. So if you know who it is and want everyone else to know that you know, email Mr. Moderator at mrmoderator [at] rocktownhall [dot] com. If correct we will post how brilliant you are in the Comments section.

The real test of strength though is to guess as close as possible without knowing. Ready, steady, go!

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2011/08/02-Mystery-Date-080311.mp3|titles=Mystery Date 080311]
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Aug 022011
 

Among those of us who lived through the New Wave era, that is, the minor boom of fun, late-’70s power pop/punk rock bands, not, as VH1 retro programmers, Entertainment Weekly writers, and youthful bloggers might have you believe, early synth-pop bands from 1983-1985, did you take great pains to examine where these bands fell along the fine line of “cool?” I did. Let me explain.

Despite what 98% of my fellow students would have said regarding my tastes in music circa 1979, I knew it was cool that I liked punk and new wave bands. I wasn’t cool—don’t think I was deluded into thinking such a thing—but my tastes were cool. That being said, it took only a few weeks of delving into this new music scene to realize that I, as a young rock nerd, had to uphold certain standards of excellence within this genre. Leaving out the punks, almost all of whom were cool, with possible reservations over the suspiciously phony Stiff Little Fingers, judging the coolness of artists loosely categorized/marketed as “new wave” was open to much interpretation. Elvis Costello, Rockpile, and Graham Parker were way cool. Blondie, despite what really cool cats in the New York punk scene had been whispering, were cool. The Police, when they first appeared on the scene, were pretty cool, even if the writing was on the peroxide bottle that they might have bigger fish to fry than empowering awkward teenage boys with a sense of cool. Tom Petty & the Heartbreakers and Cheap Trick clearly were so cool that we tried to drag him into our New Wave Army, whether they wanted to serve on the front lines for us or not. The Cars would surely pull their lesser new wave cohorts into the mainstream, no?

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