Mr. Moderator

Mr. Moderator

When not blogging Mr. Moderator enjoys baseball, cooking, and falconry.

Mar 172008
 

The challenge is simple: Let’s expose rock’s leeches and hangers-on. Like those websites that allow you to check whether a child molester or contributor to a political candidate you find offensive lives in your neighborhood, this day’s Last Man Standing will call out those figures in rock that we know too much about through countless rock bios and documentaries on a particular artist or scene without knowing much about what said figure contributed to rock ‘n roll.

To qualify, the rock leech or hanger-on must have had a longer run in the spotlight than Beatles’ sham studio engineer Magic Alex while actually contributing a little less to rock ‘n roll than Rolling Stones’ manager Andrew Loog Oldham.

If I may, I’ll kick off this challenge with one of probably a dozen qualifying Bob Dylan leeches and hangers-on… Continue reading »

Share
Mar 142008
 

This clip from Under the Covers, the actually interesting rock documentary of ’70s So-Cal album cover artists Gary Burden and Henry Diltz, is believed to be the “smoking gun” of the moment when ’70s rock ‘n roll first took a hard turn for the worse.

The back cover shot documented at the end of this clip is one of rock’s true “If only…” images.

Share
Mar 132008
 


While driving to a client meeting this morning I heard “Interstellar Overdrive” on our local AAA station. As I considered just how much of a waste of time that recording is and began thinking about – as I often do, when faced with revisiting what was once a treasured find in my record collection – how much more I like the two solo Syd Barrett albums than Piper at the Gates of Dawn, I realized something else: I can’t listen to my Syd Barrett albums with anyone else. Years ago I’m sure I spun them with friends in my presence, but today, beside the fact that my closest friends and wife have never cared for those albums, I don’t want to spin them with anyone else around. They’re for me to listen to in private. I have my own feelings about them, and I don’t want anyone else distracting me from the relationship the albums and I have.

I’m not sure why I feel this way about these Barrett albums, in particular, and I’m wondering whether I feel this way about any other albums in my collection. Some albums I choose not to play for others because they may be grating or too intense – in no way do the Barrett albums satisfy the “it’s got a good beat and you can dance to it” objectives of much music we choose to play in social situations. Although the Barrett albums are loaded with backstory and a unique mood, they’re not the same as playing the third Velvet Underground album or some mystical folk-rock or ’60s jazz album that your beard-stroking friends might appreciate hearing played in the background. When I want to spin my Barrett albums, I do so alone. Maybe I don’t want to get caught sucking my thumb.

Do you have albums that shun company?

Share
Mar 122008
 


As my oldest son slowly approaches adolescence and I begin to get a taste of the moodiness and angst that’s characteristic of teens, I’ve been having a recurring vision of coming home from work one day to hear the stereo in his bedroom cranked up, with one of two albums blasting through his closed door: Who’s Next or Dark Side of the Moon. If you’ve learned anything about me, you can probably guess which of the two albums I’d feel more comfortable hearing him blast to calm his worried, confused mind. You can probably guess why. But how ’bout you?

Put yourself in my hypothetical shoes: Would you feel more assured hearing one of these albums blasting from his bedroom over the other? Why?

Better yet…As a parent, have you ever walked into your house to hear your child blasting an album that either put at ease or troubled your parental instincts?

I look forward to your responses!

Share

Lost Password?

 
twitter facebook youtube