Sep 092011
 

As our recent playoff series to determine, once and for all, the Best Song on the Original Nuggets got underway and Townsfolk began debating the essential “Nuggetness” of the entrants, I thought to myself, Wouldn’t it be funny if, like Woody Allen pulling Marshall McLuhan out from behind a wall to correct a pontificating moviegoer in Annie Hall, I could pull Lenny Kaye out to set us straight on our interpretations of the Nuggets collection he compiled for Elektra Records under the direction of Jac Holzman? Of course the regulars at Rock Town Hall are not the type to pontificate unduly, right? We keep it all in perspective, but still, Lenny Kaye had struck me as a sort of godfather to our shenanigans. He’d get where we’re coming from.

In short time he wrote me back, saying he’d be happy to chat. “Sounds like fun,” he wrote. “Went to the link, seems everybody has different ideas on what actually is Nuggets…” I was psyched.

A week later we were on the phone, waiting for the near-hurricane that swept through the northeast to hit. Lenny was as cool and friendly as his work and stage demeanor would suggest. His enthusiasm for his work in compiling this landmark collection of oddball psych-pop singles 40 years ago was impressive. Nuggets wasn’t some youthful fling for Lenny Kaye; the experience was clearly a springboard to and, to this day, a guiding light in his work with Patti Smith and beyond.

On our best days, as I see it, much of what we work to culture and share in the Halls of Rock is our initial, personal sense of love for music and the role it’s played in our lives. I couldn’t help thinking, while talking to Lenny Kaye, of my initial experiences with Nuggets in my late teens, how the album helped validate my childhood take on music and give me and my like-minded rock friends a toehold in developing our musical identities. My childhood friend and musical partner in crime Townsman andyr and I knew the significance of his old Disco Teen ’66 hits collection, which we used to analyze as yon’ teens. By freshman year in college, however, a thousand miles away from my blood brother, that album meant nothing to the new rock nerds I was befriending. Nuggets spoke to all of us, regardless of shared experiences and regional differences. The hyper kid from North Jersey, the wiseass from the suburbs of Chicago, and the long, lanky, laconic kid from Colorado all found this collection as stimulating and inspiring as I did. It was a happening.

As for my silly Annie Hall fantasy, fear not: Lenny’s not the type to put down any of us. I hope you’ll enjoy this chat at least half as much as I did. Read on!

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Sep 092011
 

Hang on to the flavor: this is YOUR Rock Town Hall!

If you’ve already got Back Office privileges and can initiate threads, by all means use your privileges! If you’d like to acquire such privileges, let us know. If you’ve got a comment that needs to be made, what are you waiting for? If you’re just dropping in and find yourself feeling the need to scat, don’t hesitate to register and post your thoughts. The world of intelligent rock discussion benefits from your participation. If nothing else, your own Mr. Moderator gets a day off from himself. It’s a good thing for you as well as me!

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Sep 062011
 

Townsman BigSteve has passed along the news that New Orleans arranger Wardell Quezergue has died at 81. Not being that knowledgeable about New Orleans music, I had never heard of Quezergue. I sure as hell grew up, however, digging the syncopated arrangements for songs like “Mr. Big Stuff” and “Groove Me,” two smash songs (as I just read) that he arranged on the same day! In my high school and college years I was tormented by the chestnut “Iko, Iko,”  but that’s because I’d only suffered through hearing it played by the Grateful Dead. The Dixie Cups’ version that Quezergue arranged is pretty cool.

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Sep 042011
 

Who remembers that guy Paul Harvey? He used to do that radio series The Rest of the Story. He’d give the story behind the story, often in an O’Henry kind of way.

There seem to be lots of rock & roll stories where it would be good to have Paul Harvey give us the rest of the story.

Consider John Lennon & May Pang.

So, John was acting…something…and Yoko sent him off with May Pang to…something. And then John came back after his lost weekend…cured.

Anyone want to speculate on the real story here (real or fictional)? What other rock & roll stories are there of which you wish you knew the “rest of the story?”

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Sep 032011
 

Sounds of the Hall in roughly 33 1/3 minutes!

In this week’s edition of Saturday Night Shut-In Mr. Moderator reveals the identity of yesterday’s Mystery Date, a coming interview with a Very Special Person in our recent Nuggets showdown, the most annoying thing David Bowie’s ever done to him, and the most heinous prison experience that can never be shown on film!

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2011/09/RTH-Saturday-Night-Shut-In-43.mp3|titles=RTH Saturday Night Shut-In, episode 43]

[Note: The Rock Town Hall feed will enable you to easily download Saturday Night Shut-In episodes to your digital music player. In fact, you can even set your iTunes to search for an automatic download of each week’s podcast.]

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Clearly The Best

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Sep 032011
 

Clearly The Greatest, but "The Best?"

(This was drafted before Mr. Mod’s recent Scarface thread. I didn’t send it since I was concerned that it might be less than well defined. I doubt it could be as misinterpreted as Scarface, but who knows. An RTHer grasp should exceed his reach…)

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2011/08/2-01-Tell-Me-Momma.mp3|titles=Bob Dylan & The Hawks, “Tell Me Momma” – Manchester Trade Hall – May 1966]

I was thinking about and discussing with Townsman geo the topic of 1966 & prior Dylan and post-1966 Dylan. Now, there are varying opinions of how great post-1966 Dylan is (and that will be the gist of a future thread), but I think it’s generally agreed that 1966 & prior Dylan is clearly the Best Dylan. Or if someone wants to disagree about “clearly the best” than perhaps we should say the “consensus best.”

This got me to thinking about other artists. Do any other artists have such a “clearly the best” portion of their career? The clearest other example I can think of comes from outside rock. There’s Columbia-era Sinatra, there’s Capitol-era Sinatra, and there’s Reprise-era Sinatra—and you’ll find little disagreement that Capitol-era Sinatra is the best.

The Beatles are often broken down into Revolver & prior and Sgt. Pepper & after, but is there a consensus on which era is greater? Others?

Let’s narrow things down a little though. An artist’s non– “consensus best” period has to still be noteworthy (so if you want to opine on Brian Jones Stones vs. Mick Taylor Stones, that’s fine but not pre- and post- Tattoo You). And death can’t be a demarcation (eg, pre- and post- death of Jimi Hendrix).

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