Somebody sent me a copy of the photo above, obviously meaning to get my dander up. My obvious first question, as I’m sure it was yours, was “who the hell are these two idiots, and why is my President shaking their hand?”
Turns out they’re the latest manufactured pop idols from across the pond — Ireland, I believe — and they call themselves “Jedward.” Their music — at least the small amount of it I’ve heard — is predictably terrible.
But look — I don’t have the time to rant about how awful their music is, or even how sick I am of pop music that relies on image-mongering at the expense of good songcraft. But I do have the time to rant about how this duo’s “act” is the closest thing I’ve seen to honest-to-God Nazi rally theatrics since you-know-when. Or at least the realization of every dystopian, sci-fi “rock star of the 23rd century” vision ever committed to film.
Don’t believe me? Check this out:
I have so many questions about this clip: are these two yucka-pucks even remotely aware of what they’re mimicking here? Does their audience get the same thrill people experienced when the Fuhrer rolled down the streets of Berlin in 1939? Did President Obama ever lean over to Michelle and whisper, “what the FUCK were people thinking, making us sit through this white-boy Kid-n-Play-meets-Riefenstahl bullshit?” And, also interesting to me: I wonder how the money breaks down in the Jedward deal. Is it, like, a Broadway thing, where each show costs an astonishing amount of money, but the take at the door is $80/seat? Jedward certainly can’t float that kind of cash — so you know the producers are making out here. But where does that leave poor Jedward? And how do acts like Jedward progress artistically, once they’ve committed temselves to this kind of career?
Sorry this is unfocused — my mind is still reeling.




