Dec 032007
 

Please!

Puh-leez.

Sorry to hijack this thread, Mod, but come on: this “best of the Zeez versus best of Thorogood” concept was dead on arrival. Why? Because the Reverend Billy G and company are so far superior to General George and his band of frat-boy blooz abyoozers that it just ain’t fair to throw them both in the steel cage at the same time. Now, a Handicap Match — *that* might be a little more balanced. So here’s what I propose: I’ve gathered a choice selection of tracks — six, as you requested originally — from across ZZ Top’s career, and they’re making their way to the ring. But note: these are tracks few may have heard; they’re some of the deepest of ZZ’s Deep Traxx. No hits, but, as always, huge chunks of funk and tons of Texas ‘tude. I feel certain they’ll still mop up the ring with the *best* your lame-ass, stogie-chompin’, Mid-Atlantic has-been can offer. Bring it on!

In chronological order, then, here are the members of ZZ Top’s six-man tag team of undeniably rockin’ obscurities:

Salt Lick — from ZZ Top’s first single. Just wanted to prove that this band *always* had what it takes to stomp a mud-hole in Thorogood’s ass.

Move Me On Down the Line — from ZZ Top’s Texas nationalist masterpiece “Tres Hombres.” Smokin’!

Have You Heard — also from “Tres Hombres,” but this time a deep, blue testament to the band’s abiding love for red-state, colorblind, gospel preacherman music.

Moving forward a year or two, from “Fandango!”, a live track that documents just what a monster rock machine these guys were live: Thunderbird. The actual performance, while fun, is sloppy as all hell, but that entrance — POW, right between the eyes!

From the underappreciated “Tejas” album, Arrested for Driving While Blind. I’m assuming you’re bringing one of those jive-ass Thorogood drinkin’ songs to the ring. Be my guest, SUCKER — here’s mine.

Lastly, to prove I’m not stacking the deck, here’s a track from the first of the processed 80s albums, “Eliminator.” If I could Only Flag Her Down proves that you can’t hide good music behind crappy production, no matter how hard you try.

So there you go, Mod. I urge you to simply hand over the belt, right now.

Accompanied to the ring by the greatest boogie rock band of all time,

HVB

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Dec 032007
 


Townspeople,

This is not a throwdown I can promote and take part in with even the slightest bit of pride, but upon hearing about 8 seconds of George Thorogood’s “One Bourbon, One Scotch, One Beer” while flipping channels on the drive in this morning, I feel compelled to book the following Steel Cage Match, pitting ZZ Top against the Delaware Destroyer. Hear me out.

Let’s throw out all notions of Critical Acclaim, Authenticity, Cool, and Self-Respect. Let’s line up Team Top vs Team Destroyer, and throw in a half dozen examples of “best” songs by each artist, as chosen by each team of relative, possibly reluctant supporters, against the other in terms of Listenability.

We will ask ourselves – and debate – which artist’s best songs are easiest to listen to, if forced to do so.

Also, each team will have the option of choosing three “skeletons” from the other artist’s catalog. There may be a need, if your team finds itself “winning” this debate by positive means, of embarrassing the other team’s artist.

Let me know what you think about this. Today we can start lining up in support of one artist or the other. Maybe we start developing the list of 6 “best” songs and 3 skeletons. Then we’ll gather those audio examples and see how this plays out in the Steel Cage. Are you game?

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Dec 012007
 

Portrait of the artist as a young man

Greetings, fellow seekers of the occasionally rare, the frequently unusual, and the always cheap! I have returned from my peregrinations with a noteworthy artefact that I thought you and the rest of the world might enjoy — Browning Bryant‘s eponymous 1974 release on Reprise Records. Why is this record worth listening to, you ask? Because it was almost entirely written, arranged and produced by Allen Toussaint at the arguable height of his powers — and because a large portion of it was performed by funky Crescent City residents The Meters!

Portrait of the writer/producer/arranger as THE MAN

As you know, the purpose of the Thrifty Music series is not to delve into the rockeological minutiae of session detail — there are other, fine, even geekier sources for that information out there. I will tell you that this album was crafted by Toussaint while in the employ of Reprise Records as a staff producer, and was evidently the first record to be recorded at his own Sea-Saint studios. Why Reprise chose Toussaint to deliver a hit record for former child TV/country music B-lister Browning Bryant is anybody’s guess, but there you go.

Will the real Browning Bryant please stand up?

As one might imagine, the comparatively weak link on the album is Browning Bryant. For the most part, his voice is a bit thin and precious for the material. And I’ve spared you the real needle-lifters on the LP, which essentially get worse the further you drift from Allen’s strong guiding hand. (Note that I didn’t upload the other strong track from the album, “Blinded By Love”, as it’s floating around the Internet already.) My thoughts on the tracks I’m sharing follow:

Liverpool Fool

Liverpool Fool — fans of the Thrifty Music series may remember this track from the old list, where I posted it after finding an incredibly beat-up promo 45 in a junk store in rural Virginia. After falling in love with the 45, I began an intensive eBay search for the album, and managed to find it for one measly dollar, unopened! Thanks to the Internet, this album has since been discovered by hordes of Toussaint fans, and those days of cheap discovery are over. I believe the least expensive version of this album you can find now is a Japanese CD pressing that’ll cost you $39 and up. Anyhow, here’s my rip from my LP — literally the first time this (or any of these other tracks) was ever played on a record player!

I’ve said it before, but I just love this song — I have a hard time understanding why it wasn’t a hit, for crying out loud! It’s funky, swinging, pleasant, melodious… it’s got it all!

This Is My Day

Next up: This Is My Day — what a winner, and a huge triumph of pop music arrangement. Notice how the outchorus takes the track from dreamy, quasi-swamp psychedelia into foot-stompin’, field-hollerin’, biscuit-eatin’ goodness. Brilliant!

You Might Say

You Might Say — once you get past Browning’s inept soul ululations, this track really blossoms. Is it pop? Sure! Is it soul? Yeah! Is it funk? Yup. How about ska? Ska?! Well, yeah, that, too!

Leave the Rest to Molly

Leave the Rest to Molly — how many of you agree with me that this should’ve ended up on a Levon Helm album? Man, he would’ve knocked this one out of the park! In Browning’s hands, it’s a ground-rule double at best.

Anyhow, folks, there may be one or two other tracks worth listening to on the album, but these are the best of the bunch. As always, I’d be curious to get your thoughts here.

Salagahle,

HVB

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Dec 012007
 

It’s about time

Thought I’d share a few treats I’ve picked up over recent weeks. As usual, with the exception of Art Bears, a band I’ve long dug, I can be considered late to the party on these bands, but better late than never…

I’d read mention of The Glands whenever seeing if there was anything else to check out from that Elephant 6 scene. On eMusic, there was a review for an old album that Ira Robbins, I believe (or maybe Yo La Tengo’s Ira) said sounded like what the Pretty Things would have sound like had they been from the South blah blah blah… Give me a break! It sounds like a more rocking version of most Elephant 6 stuff. Nevertheless. I like the album I downloaded. Wish I could give you more details, but that would make me a real rock critic!

The Glands, “When I Laugh”

I’ve been keeping an eye on The Saturday People‘s self-titled album from some time ago. It’s funny, I’d heard songs from this album a long time ago and always liked them. There’s also a reviewer for The Big Takeover whose taste in music and writing style I’ve always liked. One day I put it together that this writer was the leader of The Saturday People! I had to buy the album. It took me a couple more years to remember, but I’m real happy with this purchase! I think I read that the band has since broken up and the writer/leader has a new project. I’ll try to catch up with that before this decade’s over!

The Saturday People, “Find Out”

The Saturday People, “That Settles That”

The Saturday People, “No Matter Where You Are”

Eno approved

On eMusic I also saw some blurb for an album by The Books in which Brian Eno said it was the most interesting album he’d heard in ages, or something like that. After those U2 and James albums it’s still hard to resist the temptation of checking out whatever Eno says he digs, so I checked it out. I dug most of it, especially the more instrumental tracks. Reminded me of something Townsman General Slocum might do.

The Books, “Tokyo”

The Books, “There Is No There”

Finally, Art Bears have always been my favorite setting for the noodlings of Fred Frith and Chris Cutler. For a “weird,” artsy woman singer, Dagmar Krause is surprisingly appealing. This song ends with a pretty rocking exploration of The Power and Glory of Rock, a rare treat from this crew.

Art Bears, “In Two Minds”

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