Feb 172013
 

Following up on a story about the passing of the guy who wrote “Along Comes Mary,” Tandyn Almer, has unexpectedly turned me on to a bunch of great songs I’d never heard before — and one or two I’ve always loved that it turns out Tandyn wrote, in whole or in part. (“Shadows & Reflections”? “Sail On Sailor”?  Almer co-wrote both of those.)

Too many online remembrances and feature stories have focused on the more curious and “newsworthy” (in a VH1 Behind the Music kind of way) aspects of Tandyn’s life, and that’s a shame. By all accounts, he was happy and well liked, and that’s what really matters. A good, and seemingly well informed, accounting of Almer’s accomplishments can be found in this excellent career retrospective/obituary, found somewhat strangely on a Catholic faith-related blog.

Anyhow, I guess I just wanted to pass along my respects for a great artist I basically knew nothing about until today. Being able to hear the original Eddie Hodges version of “Shadows & Reflections” alone — that was totally wonderful; what an awesome arrangement! (Also, check out “Butterfly High,” a psychedelic masterwork performed by Hodges and Almer under the most excellent band name “Paper Fortress.”)

HVB

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Feb 172013
 
Jed Hoile (in chains).

Jed Hoile (in chains).

Despite opening the landmark decisions of Once and For All February to The People, one particular Townsperson has made such a strong case for settling a topic that we are compelled to suspend the RTH Poll on that topic and be done with any further debates on the matter—once and for all!

That’s right, thanks to a write-in nomination by Townsman cherguevarra, Rock Town Hall has determined—once and for all—the Least-Essential Sidekick of ’80s Rock.

Congratulations, Jed Hoile, better known as the mime who initially served as the sidekick for Howard Jones.

The Townspeople have spoken. Let this be the end of all debates on this subject.

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Feb 172013
 

Tomorrow’s NBA All-Star Game marks the 30th anniversary of Marvin Gaye‘s spine-tingling take on our national anthem. Here’s a great little piece on that performance (and a 1968 version by Jose Feliciano) from Grantland. Enjoy.

In the spirit of the No-D NBA All-Star Game, feel free to use this space to get your jam on—and check out Gaye’s earlier takes on “The Star-Spangled Banner”…after the jump!

Continue reading »

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Feb 152013
 

Peace Warriors, unite. Can we recapture the unfulfilled promise of this Eric Burdon & War performance and take it to the next level? I think we can. I think we can… Meet me in Copenhagen if you believe.

This is your Rock Town Hall!

If you’ve already got Back Office privileges and can initiate threads, by all means use your privileges! If you’d like to acquire such privileges, let us know. If you’ve got a comment that needs to be made, what are you waiting for? If you’re just dropping in and find yourself feeling the need to scat, don’t hesitate to register and post your thoughts. The world of intelligent rock discussion benefits from your participation. If nothing else, your own Mr. Moderator gets a day off from himself. It’s a good thing for you as well as me!

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Feb 152013
 
Groovy, baby!

Groovy, baby! (Click photo for full-size view.)

As we learn during Once and For All February, some rock debates have taken years to settle. Here’s one that has been debated hotly but not been resolved: Who’s Britain’s Best-Dressed Pop Star?

The nominees are right here in this photo: Brian Jones, Ronnie Lane, and George Harrison! (Apologies to Paul Weller.)

Who's Britain's Best-Dressed Pop Star?

  • Brian Jones (53%, 16 Votes)
  • George Harrison (40%, 12 Votes)
  • Ronnie Lane (7%, 2 Votes)

Total Voters: 30

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Feb 152013
 

We received a note from Steve Gadd‘s people informing us that he was a little bummed to have received no consideration, to date, in our ongoing discussion to determine—once and for allRock’s Greatest White Afro. The final paragraph of the note is worth sharing with our readers:

Although Steve would have been honored by the Hall’s consideration, he understands he would have been no match for his fellow drummer (and his personal selection) Sib Hashian. On Valentine’s Day, may we suggest that you run another thread to settle—once and for all—another age-old question: Rock’s Most Essential Drum Intro; that is, the one drum intro that is most essential to the success of the song that follows. Steve’s intro to Paul Simon‘s “50 Ways to Leave Your Lover” has got to rank among the Top 5 most essential drum intros in all of rock, possibly only challenged for the top spot by the intro to The Rolling Stones‘ “Honky Tonk Women.” Another Stones song to consider might be “Get Off My Cloud.” Would that song ever get off the ground without that intro? We ask that you bring this topic to your readers for them to determine—once and for all!

So there you have it, without the aid of an RTH People’s Poll, let’s determine—once and for all—the Most Essential Drum Intro in Rock, beginning with “50 Ways to Leave Your Lover” and “Honky Tonk Women.”

What is rock's most essential drum intro?

  • The Ronettes, "Be My Baby" (29%, 12 Votes)
  • Led Zeppelin, "When the Levee Breaks" (17%, 7 Votes)
  • The Rolling Stones, "Honky Tonk Women" (17%, 7 Votes)
  • Iggy Pop, "Lust for Life" (14%, 6 Votes)
  • Sweet, "Ballroom Blitz" (12%, 5 Votes)
  • Paul Simon, "50 Ways to Leave Your Lover" (7%, 3 Votes)
  • Elvis Costello & The Attractions, "This Year's Girl" (2%, 1 Votes)
  • The Clash, "I Fought the Law" (2%, 1 Votes)
  • Smokey Robinson & The Miracles, "Going to a Go-Go" (0%, 0 Votes)

Total Voters: 42

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Previously, you may recall, we suggested “50 Ways…” is a recipient of a Most Valuable Drum Part (MVDP) award.

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