Feb 042013
 


The Super Bowl is over. God has spoken. Pitchers and catchers don’t report for another week. To help ward off the February Blahs, Townsman Al has suggested we initiate Rock Town Hall’s very own Awards Season: Once and For All February.

To avoid the folly of trying to stay hip and current, the same folly that awarded Dances With Wolves and Christopher Cross, for instance, top honors mainly because they were new and voters didn’t have the necessary perspective to understand how quickly these works would wilt in the test of time, we will target only categories and entrants that are worthy of such a definitive honor. Once and For All February is an effort to get the year off to a regret-free start: settling age-old debates and giving credit where credit is due. As the year progresses, there may still arise a need to take a collective stand—once and for all—on a key issue in rock, but Once and For All February will put a number of debates that threaten to tear the fabric of the Hall behind us early in the new year, allowing 10 months of smooth-sailing consensus to come.

The first order of business includes identifying our categories and nominees. Targeting more than 10 topics to rule on—once and for all—in such a concentrated time, would be more than even our community could bite off. In the next 2 days, let’s determine 10 topics and 5 nominees worthy of settling—once and for all—the most heated, knowledgeable barroom debates. Once the topics and nominees have been settled we will discuss, debate, and vote on the winners. By month’s end we will know—once and for all—who’s who and what’s what.

Following are 6 suggested topics. Please suggest your own topic in need of a definitive, once and for all answer, and please suggest possible nominees for any or all of these categories. Through the month we will roll out individual threads dedicated to each of the categories.

  • Saddest Story in Rock ‘n Roll
  • Best Rock ‘n Roll Anthem
  • Best Band Under Another Name
  • Best Rock Instrumental of the ‘60s
  • Worst Album Naming Pattern
  • Coolest Beatles Look

Once and For All February will culminate in identifying—once and for allRock’s Most Recognizable Single Opening Note or Chord.

Al has spoken.

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Feb 032013
 

mbv

So it happened. It really happened. After a 22-year wait My Bloody Valentine has released its follow-up to Loveless. Take that, The La’s!

As I admitted last week, MBV totally passed me by. I was one of those people Slim Jade suspected knew more about the bands they influenced than the band themselves. I have not yet heard the new album. I can’t imagine what a next album by that band would sound like. Where does a band go with that sound…after 22 years?

Fans of My Bloody Valentine, as you get your head around this thing, was it worth the wait?

My friend Jonathan Valania at Phawker is getting enough satisfaction. The following sequence of observations from his Insta-Review may say it all:

…[the] album craps out midway (tracks 4-6) when they peel back the wall of noise to reveal that there ain’t that much there there. It’s like seeing your mom naked. I don’t need to see that. But it picks up again…

The FAQ page on the band’s new website ignores the most obvious question:

Continue reading »

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Feb 032013
 

lewiscrying

OK, so Super Bowl XLVII’s extravaganza doesn’t promise much kick-ass rock ‘n roll or sweet soul music entertainment value for our demographic, but if the other 2 women from Destiny’s Child have kept in half the shape of Beyoncé the halftime show promises to be BOOTYLICIOUS.

Normal, with-it people are speculating whether Jay-Z will appear onstage with his woman. Uh-huh. Yeah… I’m anticipating/dreading an appearance by Stevie Nicks, flying in on a Welsh broom.

Someone’s going to have to pretend to play the sampled riff from that godawful Nicks song. Who’s it going to be? Lenny Kravitz? Dave Navarro? Lindsey Buckingham? Our nation’s go-to mixed-race symbol of post-Hendrix guitar cool for the masses, Slash?

Long before the halftime show, to help raise our collective sense of patriotism, did I read correctly that Alicia Keys is singing the National Anthem? You know what I’m talking about, geo! Find a role for my other homegirl Eve to ensure that I salute the flag!

I bet some of you have more to say on this historic event than I can muster at the moment. Let it all hang out: Jesus, deer antler spray, Harbowl… This is the NFL. This is Super Bowl Sunday. This is America. God is never wrong!

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Feb 022013
 

For some strange reason I was listening to Delaney & Bonnie & Friends this week — and I just couldn’t get this old chestnut out of my head for a few days:

To me this is a great single — because as a kid — I knew the song, but had no idea who it was until many, many years later when I went through a fairly severe Eric Clapton phase.

I did a little RTH search and found this nugget by cdm on second-tier Supergroups:

https://www.rocktownhall.com/blogs/b-curve-super-groups

There are some great songs mentioned in that thread, but what is your favorite Supergroup single? I look forward to your responses.

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Feb 012013
 

watchit

There’s a detail from a photo of some Rolling Stones pinball game that sometimes appears in our rotating banner. Have you ever noticed that? The other day this image popped up for me and I noticed the words “Watch It!” near the image of Mick Jagger. You can see it in context in the second image at the following page I finally found, which includes multiple perspectives on this game. I thought about those words for a second, wondering what I might be watching for. Then it occurred to me: Is “Watch it!” the opening phrase that Mick exclaims before the riff of “Jumping Jack Flash” kicks off? Considering the game features Stones-related phrases throughout its face, perhaps that is the reference. I’ve never known what he says at the beginning of that song!

watchit2

I learned that there were multiple versions of Rolling Stones arcade games. This cheesy Start Me Up version is not remotely appealing to me.

This is a pretty excellent game.There’s at least one KISS pinball game out there. They’ve probably branded a douche.

It figures there are Beatles pinball games, including Yellow Submarine and Beat Time. A driving game involving the Abbey Road album cover may have been interesting.

Did Bally ever make an actual Who Pinball Wizard game? You would think that would have been a gimme. Here’s an interesting nod to the cinematic Pinball Wizard. Perhaps this was Bally’s way of getting around licensing issues. Oh, look here! Pete Townshend must have had a stick up his butt against officially licensing his song to Bally. An even more blatant workaround follows:

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Bad Seeds

 Posted by
Jan 302013
 

TTYONoir is a term that gets used all to gratuitously, but the music of Tindersticks does indeed conjure shadows, rain-soaked alleyways, French cigarettes, and a concealed stiletto. This long-running and dapper Nottingham sextet stood distinctly apart from ’90s Britpop, working their elegantly romantic, debauched gutter ballads and orchestral pop up to the present day.

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2013/01/02-Tyed.mp3|titles=Tyed] [audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2013/01/12-Jism.mp3|titles=Jism]

They are theatrical, volatile, visceral, and louche, with singer Stuart Staples’ rich baritone at the center of this confection. Think Lee Hazlewood, Nick Cave, Leonard Cohen, Serge Gainsbourg, and Dean Martin at his most slurred. Those vocals, in fact, may be a deal breaker for some listeners. It’s a conscientious voice, spinning mumbled and miserablist tales of appetites and desires thwarted by alcohol, mistakes, betrayal, lies, bodily fluids, death, and regret. It evokes the literature of Raymond Carver, Flannery O’Connor, and Charles Bukowski.

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2013/01/06-Ive-Been-Loving-You-Too-Long.mp3|titles=I’ve Been Loving You Too Long] [audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2013/01/1-20-Her.mp3|titles=Her]

The music is tightly wound, with melancholic orchestration, Stax soul, flamenco guitars, spaghetti western horns, Bernard Hermann stabs of violin, and Blue Note jazz touches. The aggregate of the band speaks softly, but carries the stab of cynicism, fatalism, and weighty moral ambiguity–the burden of mules, a carnival of lost souls.

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2013/01/tindersticks_ballad_of_tindersticks.mp3|titles=Ballad of Tindersticks] [audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2013/01/04-Can-Our-Love….mp3|titles=Can Our Love…]

 

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