Jul 222012
 

Big Star‘s “Thirteen” is just the sort of song tough-guy me typically recoils from hearing: fingerpicked acoustic guitars; lyrics about 13-year-old lovebirds walking home from school, holding hands; Rug harmonies. It’s so close to soundling like an Eagles song, or Poco. And what’s worse, Eagles or Poor Man’s Eagles? But I love it. It came on my iPod the other day and I realized it may be the most surprising song I love.

When I first came across my original radio station promo copy of Big Star’s #1 Record in a pile of records that Northwestern University’s radio station, WNUR, was throwing away, I often lifted the needle over that song. Although I was just 5 years removed from the song title’s age, I was too cool for school to like a song that sounded so much like the candy-ass tripe of mid-’70s AM soft-rock. This was the taunting soundtrack of my miserable early adolescence. The airwaves were ripe with self-satisfied love songs while my family was tearing apart, while I didn’t have a clue how to approach any of the budding pubescent girls around me, while I was the furthest thing from cool. The music of that era was nothing but false promises as far as I could tell.

Come freshman year in college, as I was becoming fully ensconced in ’60s and punk rock music, I wanted no business of the wistful teenage love songs of my unfulfilled early adolescence. I needed no further reminders that I had not yet walked home from anywhere holding hands with some sweetheart. Over the coming years, while my budding rock nerd friends agreed that “India Song” was the prime needle-lifter on that first Big Star album, I often held my tongue about my dread in hearing “Thirteen.” Plenty of my cool friends were big fans of that song, and I didn’t want to expose myself as uncool owing to the reasons I had for not liking it. It’s only been over the last 10 years that I’ve let that song play through when it comes on, and it’s only been over the last 5 years that I’ve ever intentionally placed the needle (or selected on my iPod) that song directly. I’m more at peace with my youth, and the song is great.

It makes me wonder, will I one day enjoy hearing a similar style Eagles song, or will I always be put off by what I perceive as a “smug,” insincere tone in the voices of Don Henley and Glenn Frey? Beside my own personal growth, does Big Star’s underdog status forgive them for sinking to such sappy depths? Is there something about how naked and direct the lyrics of “Thirteen” are compared with just about all other “walking home from school/holding hands in the rain” songs that make it special? You tell me.

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Jul 212012
 

Sounds of the Hall in roughly 33 1/3 minutes!

On tonight’s episode of Saturday Night Shut-In Mr. Moderator presents some of his favorites from a batch of Robert Pollard/Guided By Voices-related releases from 2011, courtesy of Pollard’s friend and GBV label colleague Kpdexter, our old friend and founding Townsman.

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2012/07/RTH-Saturday-Night-Shut-In-85.mp3|titles=RTH Saturday Night Shut-In, episode 85]

[Note: You can add Saturday Night Shut-In episodes to your iTunes by clicking here. The Rock Town Hall feed will enable you to easily download Saturday Night Shut-In episodes to your digital music player.]

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Jul 212012
 

In our recent Stones-oriented Dugout Chatter, Townsman Oats hit the nail on the head regarding the question in the thread that most interested me: What’s Mick Jagger‘s finest hour (or 30 seconds) as a vocalist?

Certainly it’s the verse in “Beast of Burden” that begins with  “Now you can put me out on the street…”!

First of all, Mick is commanding. The tension for leadership within the Glitter Twins axis has always been a key feature to the band’s success. In this one moment Mick takes the wheel—and he doesn’t screw it up with one of his blackface or country bumpkin routines. Twenty-five years into his career Mick has finally become the soul singer he always wanted to be—on his own terms. This verse picks up on the work Jagger started in the ’60s, on songs like “Satisfaction” and “Under My Thumb.” Bravo.

Second, through the entire Some Girls album Mick’s voice is treated with the most-effective, straightforward vocal effects in the history of rock ‘n roll. If I could figure out exactly what effects are applied to that song and if I could apply to every song ever recorded I would. My apologies to all other great vocal effects ever used, but that’s the way I feel.

So there, Mick Jagger’s finest vocal hour is that verse from “Beast of Burden.” You’re welcome, in advance, for the role Oats and I have played in settling this debate.

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Jul 202012
 

It’s time for a little Dugout Chatter, when Townspeople provide gut answers to a handful of probing questions. You know the drill, right? In case you’re not sure, there’s no right or wrong answers, just honest ones. Today’s Dugout Chatter questions will test the honesty of even the most candid Townspeople. Here goes!

  • What’s Mick Jagger‘s finest hour (or 30 seconds) as a vocalist?
  • What’s Charlie Watts‘ finest hour (or 4 measures) as a drummer?
  • What’s Keith Richards‘ finest hour (or 5 strings) as a guitarist?
  • What’s Bill Wyman‘s finest hour as a bassist, which depending on how late a recording session started actually may have been Keith Richards’ finest hour as a bassist?
  • What’s Mick Taylor‘s finest hour as a guitarist, which if you’re like me and get who plays what on those records confused actually may have been Keith Richards’ finest hour as a guitarist?
  • If Brian Jones had lived long enough to experiment with a new hairdo, what might he have tried?
  • Finally, if Andrew Loog Oldham didn’t have that “Loog” stuck in the middle of his name would he have been able to have made a career out of doing almost nothing substantial? He seems to be the least-consequential manager of a major band ever.

I look forward to your responses.

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Jul 192012
 

Next week, Mr. Royale and I will be traveling to Portland, Oregon. I don’t know much about the city other than every single person I have ever talked to about it has said that we would love it. I associate it with the IFC show, Portlandia, food, the films of Gus Van Sant, rain, roses, Powell’s Books, more food, and a problematic art gallery (a separate story of getting friends of friends to hijack several pieces of Mr. Royale’s art from a non-paying gallery owner who just wouldn’t/couldn’t return them).

But you, RTH’s cultured readers, have certainly traveled to Portland before. Or if not, you most likely have knowledge of the city’s music scene. Mr. Royale and I will be there three days, and in between our eating and drinking, we hope to discover more about Portland’s music life. I ask you, please help us devise a tour of noted Portland rock and roll sites.

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Jul 182012
 

This is your Rock Town Hall!

If you’ve already got Back Office privileges and can initiate threads, by all means use your privileges! If you’d like to acquire such privileges, let us know. If you’ve got a comment that needs to be made, what are you waiting for? If you’re just dropping in and find yourself feeling the need to scat, don’t hesitate to register and post your thoughts. The world of intelligent rock discussion benefits from your participation. If nothing else, your own Mr. Moderator gets a day off from himself. It’s a good thing for you as well as me!

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