Sep 142011
 

That's cheating, man!

These days politics pretty much disgust and depress me. Growing up I wanted to be Mayor of Philadelphia. No joke. I read books about my hometown mayor, Frank Rizzo; Chicago’s Richard Daley; and those corrupt big city mayors from earlier in the 20th century. I wanted to learn from their successes and mistakes. I wanted to wield power for the good of The People, shape civic pride, throw out the first pitch on Opening Day… I wanted to shake hands with strangers and kiss babies… I wanted to call out Public Enemies for my political gain now and then. Most of my priorities were in the right place. At some point in the mid-’80s, the dream ended along with so many other idealistic notions from my youth. The ’80s were a dream assassin, man.

As politics revealed itself as a world too cynical for even me, Ronald Reagan did usher in one fascinating trend: Presidential Hair. Harkening back to the idealistic coif of JFK, Reagan’s ‘do set the tone for future political campaigns. The humble strands of hair remaining on a candidate like Paul Tsongas would forever be at a disadvantage. The team of scientists and architects behind Joe Biden‘s hairline would be only Vice Presidential in reach. Presidential Hair does not ensure a seat in the Oval Office, but since the triumph of Reagan, each election sets a new crop of hair-hoppers across American campaign trails.

If we ever get around to conducting Townsman alexmagic‘s long-promised election of an international President of Rock, we should prepare for the role that Presidential Hair might play in the race. Simply put: What rockers have the most Presidential Hair? How do we define Presidential Hair as it applies to our future President of Rock? Is Elvis the JFK of Rock Presidential Hair? A particular era in Beatles hair styling?

Chances are the book has yet to be written, but it won’t hurt us to see if we can’t take a peak at the outline.

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Sep 122011
 

Thank the iPod Shuffle gods for re-introducing me to The Wallflowers. I was a big fan of their universally ignored 1992 debut album (s/t The Wallflowers) and 4 years later was surprised that they got another shot, Bringing Down the Horse, and that it was a huge hit record. The two singles, “One Headlight” and “6th Avenue Heartache,” were good Adult Rock tunes (aka Dad Rock) in an era where there were plenty of them to choose from (Counting Crows, Hootie, Better Than Ezra, The Rembrandts, BoDeans, Cracker, and CU beneficiaries The Gin Blossoms), and since the record is so front loaded with hits, I tended to move on after my first 5-song fix. That was my mistake.

My iPod must be a big Wallflowers fan, because I hear them all the time, and not the singles usually.

Jacob Dylan sounds more or less like the other “sons of Dylan” (eg, Springsteen, Petty, Mellencamp, Knopfler), in fact his clean Tele strum sounds very Petty-ish and the organ, from Walflowers’ MVP Rami Jaffee, is “Like a Rolling Stone” meets the bands that wish they wrote that one (see list above). Jacob writes a good sad song, not quite to the level of Dire Strait’s “Romeo and Juliet,” but in that vein. He has some Elvis Costello in him as well; there is some anger behind his sadness.

Continue reading »

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Sep 102011
 

Sounds of the Hall in roughly 33 1/3 minutes!

Our planned live Shakedown at Urges in Atlantic City has been postponed due to damage the club suffered from recent flooding along the east coast. We will make it down to Urges for one last summer jam before summer is too far in the rearview mirror. Meanwhile, enjoy tonight’s studio broadcast.

In this week’s edition of Saturday Night Shut-In Mr. Moderator reveals the identity of yesterday’s Mystery Date and generally gets lost in the music. Get lost with him, won’t you?

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2011/09/RTH-Saturday-Night-Shut-In-44.mp3|titles=RTH Saturday Night Shut-In, episode 44]

[Note: The Rock Town Hall feed will enable you to easily download Saturday Night Shut-In episodes to your digital music player. In fact, you can even set your iTunes to search for an automatic download of each week’s podcast.]

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Sep 102011
 

Pink Floyd: The "The" Years

The Kills. The Killers. The Liars. The White Stripes. The Hives. The Ravonettes. The Black Keys.

Mr. Royale and I have noticed that many of the new garage-y bands have affixed a “The” to the start of their name. It seems to be a nod to some previous rock era (’50s–60s) when band names began with “The.”

But then there is another retro era (late-’60s–’70s?) when bands started to dispense with “The” as a start to their name. Cream. Fleetwood Mac. Procol Harem. Iron Butterfly. Love. Pink Floyd. Steppenwolf.

What happened to take away the “The?” And how radical was that? Am I missing something here or was there a paradigm shift? Who was the first band to go it alone and ditch the “The?”

For the musicians among us, how did you decide whether to append the “The?” Was it a way to create a “look” or signifier to a previous rock era? A friend who was in a pseudo-well-known band in the ’90s shared that it was very important that the “The” not be attached to the start of their name. Ditto Pixies, Talking Heads, et al.

And then there are the bands whose names start with Thee…

I look forward to The Commentary.

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Sep 102011
 

I’m not a great fan of J. Geils Band. They have all the elements of a band I should love: Jagger-esque singer, tough guitars, all the swagger rock ‘n roll can handle, but usually their songs leave me flat. “One Last Kiss” is a giant exception…at least for me. I love this song. When I was a kid and it was a very minor hit on FM radio I used to wonder why I didn’t hear it more often, like as regularly as one of Blue Oyster Cult‘s hits. It’s the only song by them beside their super-charged cover of “I’m Lookin’ for a Love,” that holds my interest and doesn’t get bogged down in Peter Wolf‘s jive act. It sounds like any number of anthemic Graham Parker & the Rumour songs that I love. Passion is no ordinary word, but I don’t think I’ve ever run into another rock nerd who will go to the mats for “One Last Kiss.” Does anyone like this song as much as I do?

What song do you possibly like more than anyone else you know? What typically unheralded song do you suspect you like more than anyone else on the planet?

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