May 052011
 

Per Townsman misterioso‘s request in our recent appreciation of Bob Seger‘s “Night Moves” we are conducting a Mach Schaudown Battle Royale Texas Death Match between Jay Ferguson‘s “Thunder Island” and the Seeg’s “Hollywood Nights.” The videos follow. Please analyze and compare performances, hair (including facial hair) and overall Look, gear, audience participation, etc. I will ask misterioso to moderate discussion. Then you be the judge of which artist brings it best!

Jay Ferguson, “Thunder Island”

Bob Seger, “Hollywood Nights”

NEXT: Place your vote! Continue reading »

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May 042011
 

I’ve been thinking about this for a while now, and I’m finally ready. Ready to take a bold stand in shallow waters. Ready to ask for a massive critical upgrade for Bob Seger‘s “Night Moves.” This song — this grossly overplayed FM rock radio staple, this iconic coming-of-age saga, sung by Rock Town Hall’s gravel-throated patron saint of unintentional Rock mediocrity, Bob Seger — people, this song is Great!

I ain’t lying, and I ain’t crazy. The length of my years has taught me to open my eyes and ears to many things I sneered at as an ignorant youngster: funk music, lefty politics, agnosticism, and now this. And why not? Can you find any real, substantive flaw in this song? More to the point: can you name a song that covers the same lyrical ground better?

Let’s pause for a moment and consider just how hard it must be to write a song that involves wheat fields, Chevys, and young love. I point you in the direction of the collected works of John Cougar Mellencamp to see how not to do this. But Seger’s “Night Moves” is different.

There are so many — oh, how do I say it — moments in this song that just don’t sound like utter bullshit, when they otherwise totally should. You’ll find a few in the first half of the song: “we were just young and restless and bored”; “out past the cornfields where the woods got heavy” — Alex Chilton, eat your heart out!

Then, we grow up: “I woke last night to the sound of thunder. How far off, I sat and wondered.” Ow! Seeg, you got me again! This is followed by one of those minor miracles in performance that turn into private “wait for it” moments — the way dude sings the next line: “starting hummin’ a song from nineteen sixty two…” when the song comes full circle, eventually blossoming into one of Rock’s great everymanworkingbloke outchoruses — “workin’ and practicin’.”. Just workin’ and practicin’. Isn’t that all we ever do?

Come on, people — we make a lot of good-natured fun of Bob Seger ’round these parts. Can I at least get an “amen” on the Greatness of his “Night Moves”?

HVB

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May 042011
 

Leaving out first-generation rock ‘n rollers whose earliest recordings may have predated the blossoming of rock ‘n roll and leaving out novelty goofs on the genre by pre- or barely-rock artists like Pat Boone and his heavy metal album, what pre-rock ‘n roll musicians tried their hand at making an outright rock ‘n roll record?

Muddy WatersElectric Mud album springs to mind. It’s pretty bad, but it’s a wholesale rockified take on a well-established bluesman’s sound. I would think other blues artists who were being celebrated by 1960s rock ‘n roll kids made rock albums to some extent or another, but some old bluesman doing almost what he’d already done with the backing of The Yardbirds or Canned Heat isn’t really what I have in mind. Those records weren’t really the artist’s move into rock ‘n roll as much as they were sponsorship for a move into the rock ‘n roll bins of record stores.

Already established blues legends moving into rock ‘n roll must have been a fairly natural shift, as would some established country artists rocking up their sound, but I’m most curious to know whether the likes of a jazz musician or Big Band singer—someone from a genre that’s not considered a direct antecedent of rock ‘n roll—tried his or her hand at rock ‘n roll. Frank Sinatra dueting on a pre-rock or pre-rock style song with Bono doesn’t count.

Or if one doesn’t come to mind, let your imagination run wild. Which pre-rock musician would you have most liked to hear cut a real rock ‘n roll record, in a style of your choosing? Put the musician in a time machine, if you’d like, and speculate on the style of rock ‘n roll that may have best fit Nat King Cole, for instance.

I look forward to your comments.

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May 042011
 

Man, this was tough for me to sit through, simply because it was so boring. I confess: at the 1:18 mark I had to skip forward a bit. How long can you last? 

Roky Erickson couldn’t seem less committed to his own bullshit. Around the 2:20 mark he’s asked if he’s ever met Bob Dylan. You don’t need to be a poker player to get a read on the veracity of his answer, do you?

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May 032011
 

OK, musical tastes aside—and in full acknowledgment that your humble Moderator is not that cool—how many telltale signs of a rock ‘n roll asshole can you spot in this “Super Boogie” clip?

Before anyone gets high and mighty and accuses me of never having made a living off playing music like these super-duper road warriors—Jeff Beck, Carlos Santana, and Steve Lukather—and therefore am not qualified to hold an opinon on this matter, can we have a moment of honesty? Come on, even if you’re having fun and think you’ve earned the right to pull off some of these moves, such as tucking your jeans into your boots, deep down you know you’re pushing it, right?

So go ahead, these guys are big boys, they can take it. See how many rock ‘n roll asshole moves (ie, gestures, dress, gear accoutrements, faces, licks, etc) you can spot!

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May 032011
 

The Sound of Smog?

I’ve been reading about Bill Callahan and Smog for at least 10 years without ever knowningly hearing a single song by the man. I know more of his backstory than I have any business knowing. I know he’s amazing. I don’t know what he actually sounds like.

I have, however, developed an image in my mind of what his music probably sounds like: Fred Sanford‘s musty, roll-neck cardigan.

How about you? Is there an artist you’ve somehow managed not to ever consciously hear while creating a picture in your mind’s ear of how that artist’s music might sound? Do tell.

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