Nov 272009
 

Although it’s Saturday, not Friday, the recent passing of Philadelphia singing and tv legend Al Alberts necessitates revisiting the following topic.

This post initially appeared 3/25/07.

True confession time: I envy the contestants on American Idol. For that reason alone I cannot stand to watch the show. That doesn’t mean I don’t secretly respect the show and all the good it puts forth.

Few of you know this, but I was a child talent show contestant.

Performing under the stage name James Meara III, I appeared on the legendary Philadelphia talent show Al Alberts Showcase. That was me, all right, Contestant #22. That day, on the air, I told Mr. Alberts I wanted to be a doctor, but that’s what my parents wanted to hear. In fact, there was nothing more I wanted to be than an entertainer: a singer, a dancer, a drummer, the works.

Mr. Alberts was so encouraging. He told me after the show that he thought I “had it.” Within weeks of that performance, however, I was kicked off the set of another children’s show, Romper Room. I can remember it like it was yesterday: I was sitting behind the set with a few other kids during a commercial break. One of the boys took my red, plastic stegasaurus and wouldn’t give it back to me as soon as I asked for it. In response, I did what I often did when confronted with such situations: I turned over the table, threw my chair at the boy, and then hit him with a left hook. When Romper Room came back from the commercial break, I was mysteriously missing from the cast, having been quickly escorted with my mother out of the studio.
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Nov 262009
 


Chances are we’ve all used rock ‘n roll as a vehicle for working out some taboo desire. Whether you’d like to think you’re deep into black coffee, brown sugar, white honey, or simply wanna be black – or a boy or a girl or a male model or what have you – what’s a song that’s helped you unlock a rock ‘n roll fantasy? No joke. It can just as easily be a nice fantasy. And sure, you’ll have to share something about yourself, but ultimately that’s the point of this place. Happy Thanksgiving!

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Nov 252009
 


Few details and eyewitness accounts remain of former Lone Justice guitarist Shayne Fontayne‘s stint accompanying The Boss on His controversial albums and tours following a move to LA and the dumping of His E Street Band. Even fewer free images survive on the Web of Fontayne alongside The Boss, with Fontayne’s knees bent, guitar slung low, and bandana tied around his thigh, as the scriptures describe him. For our fifth work of art in the Stations of The Boss series, mixed-media artist Cam Sutton, of Shelby, North Carolina, worked from stills of the live clip that introduced this piece.

“I had little choice,” says Sutton, “His people must have scrubbed the Web clean of photographic evidence of this collaboration.”

According to a document that Sutton uncovered identified only as “presskit_bio.pdf,” Fontayne was merely a passerby, compelled to serve The Boss at the request of producer Jimmy Iovine.

In January 1992, Shane received a call from Jimmy Iovine who said, “Hey Shane, a friend of mine wants to know if you want to go out on the road.” “Who’s your friend?” Shane responded. “Springsteen,” Jimmy replied. Bruce had just seen a rerun of Saturday Night Live on which Shane had performed with Lone Justice. Springsteen had taken a departure from his E-Street band and was looking for a different set of musicians to take out on the road. The only guitarist asked to audition, Shane was invited to join the band. To start, there was a small industry show at The Bottom Line. Then there was an appearance on Saturday Night Live. “Bruce had never done network television before. He asked my opinion on whether or not he should do Saturday Night Live and I told him it was one of the biggest rushes I had ever had.”

Although Fontayne is barely remembered by His fans, the video clip demonstrates the support he provided the beaten, weary Springsteen. Sutton premieres his work of art and explains his thinking behind it following the jump!
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Nov 242009
 


I was looking through a boxes of burned CDs looking for something (can’t even remember WHAT I was looking for) and found the CD of Martin Newell‘s Greatest Living Englishman. It’s been easily 10+ years since I listened to this disc (maybe because it was in with my “junk” cds and not in it’s proper case…and also then did not make the great migration to the iPod in 2005).

I played it this moring and thought “How Did This LP Get Away?”

Do any Townspeople have a CD/LP/cassette that you totally forgot about, found, and wondered how you let it get away?

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Nov 242009
 

You may recall the interview I conducted with former Television guitarist Richard Lloyd in 2007. Among other topics, I tried to engage Lloyd in a discussion of his time accompanying Matthew Sweet. We quickly veered off into other more pressing matters, but we were able to scratch the surface of guitar porn, or Gentleman’s Rock.

RTH: When I saw you with Matthew Sweet, every guitar player in Philadelphia at that time was gathered at your side of the stage –

RL: Yes, staring at my fucking crotch! OK.

RTH: I was surprised people weren’t shoving dollar bills down your jeans.

RL: I was saying to myself, Will you please move over and let me see some tits? At least if you’re gonna stand there staring at my crotch lend me your girlfriend after the show.

I’m not a guy who goes out of his way to get off on ax-wielding guitar heroes, but Lloyd’s playing was worth the occasionally embarrassing moments of bumping into another guy with a hard-on for the man’s fretwork.

Check out this live clip of Sweet from the tour I saw. I’ll still stand behind much of Sweet’s work from that period, but the guy wasn’t a dynamic performer. No wonder all the dudes stood in front of Lloyd’s side of the stage.

Whether you frequently attend stip – er – rock clubs to metaphorically shove dollar bills into the waistband of a lead guitarist or not, who’s your favorite “adult guitar player” – or “adult” player of any instrument?

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Nov 232009
 


I was listening to Big Star‘s “Watch the Sunrise” the other day, a song that I know is not considered “cool” in the Big Star catalog, but I like it anyhow. I like the hyperkinetic acoustic guitar strumming and the song’s fresh-faced, Hostess brand hippie idealism. It seemed to me that this particular type of song was common in the mid-’70s. I think these acoustic-based songs are a little different than the related country-rock songs by the likes of America and others working in that post-Neil Young/Eagles vein.

What led to these sunny, strumming number? I hear early Crosby, Stills, Nash & Young, like “Suite Judy Blue Eyes” and “Marrakesh Express” mixed with George Harrison‘s “Here Comes the Sun.” Is there some earlier template that I’m missing? Is it an English folk thing?

This style of music never eclipsed that of its country-rock cousin, but I think it led to two musical dead ends: Boston (the band) and the 128-String Guitar songs we’re frequently tempted to skip on Matthew Sweet‘s Girlfriend. Boston may not be so obvious, but there’s something about them, in songs like “Long Time,” that seem indebted to that style of early ’70s song, despite the big electric guitars and other pompous trimmings.

Does this make any sense, and has this style of music ever progressed beyond these perceived dead ends?

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Nov 232009
 

Greetings, fellow seekers of the weird, the wonderful, and the incredibly cheap! I’ve returned to you after an autumn filled with notable thrifty musical finds, scoured from the junk store bins, the yard sales, and the flea markets of our nation’s capitol. And I’m here to share!

Truth be told, this autumn was an embarrassment of riches — I’ve got about a dozen thrifty music finds I really want to play for you — and I’ve still got about 70-80 singles I’ve yet to go through. In fact, I’ve got so many choice tunes worth posting that I struggled to find a unifying theme among them — i.e., some silly Thrifty Music concept that would amuse, delight, and give me an excuse to pad my post out with mind-numbing prose.

So, instead, I decided to just go for the jugular with the three tunes that (so far) have jumped out as the strongest of the bunch. These tunes require no explanation, no contextual analysis, and certainly no excuses. They all completely kick mo-fo ASS, as far as I’m concerned. I trust you’ll agree.

First up: “Leave Me Alone” by Detroit’s own Nathaniel Mayer. The InterWeb tells me that Nathaniel Mayer was a peculiar soul artist whose voice and choice of backing instrumentation was so raw as to presage the whole garage/punk ethos of the mid-to-late-’60s. And, for once, I agree with the InterWeb! From the moment I threw this disc down on the turntable, I was hooked. It’s a winner.

Next, a song that has joined a select few at the top of my list of flawlessly sweet, tender, uncompromising love songs: Lee Williams and the Cymbals“I Love You More”. Good God, but — what could possibly be added to this tune to make it any better? The arrangement and instrumentation is sweet, in every sense of the word, the melody is total brain glue, and that chorus! “I love you more than anybody’s ever loved anyone…” Man, to be able to a) write that lyric; and b) sing it successfully, without the faintest whiff of cheese — well, it’s just brilliant.

Last up, The Vacels — an early ’60s white doo-wop group that somehow made the transition into the mop-toppin’ mid-’60s with toe-tappin’ aplomb. Their most famous (and that’s a very relative thing with these guys) track was a cover of a Dylan number (see illustration), but for my money, this B-side, entitled “You’re My Baby,” is the band’s big winner. I am extremely curious to hear Townsman Mockcarr‘s take on this song. He’s always sported a boner for riff-y ’60s rock that wasn’t afraid to make liberal, front-and-center use of the Rickenbacker 12-string, as this one does. So howzabout it, Mockcarr and all you other slavishly devoted mop-top wannabes? What’s your verdict on The Vacels?

So there you go — three songs that I didn’t look for, that just showed up in my musical life because I was patient and willing to spend 50 cents on musical commodities I knew nothing about. It’s true, I had to sniff a lot of dogshit to find these sweet-smelling gems, but I think it was worth the effort. I hope you agree.

There’s a lot more thrifty music to come, by the way. I just wanted to get these winners into your ear-bones as soon as possible. Let me know what you think!

Your humble, frugal musical servant,

HVB

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