Apr 172009
 


The title of this post asks the question – there’s no hidden meaning here. By “established artist/band you love” I’m not talking about your friend’s excellent band that you’ve shared a bill with or a cool “flavor of the month” band that you’ve had the honor of playing alongside, but an artist or band whose work you cut your teeth on, possibly years before you even banged out “Louie Louie” in a high school friend’s basement. The artist or band does not necessarily have to be one you idolized, but something along those lines. Any old famous band that you didn’t really care about much personally may not count. For instance, my band once shared a “spring fling” bill (and an elevator ride) with The Ramones. I like my share of Ramones music, but I never really cared about them or felt inspired by them. I have no interesting stories to tell other than the fact that I’d never previously nor since that elevator ride felt more like I was in the presence of stone-cold idiocy.

It should go without saying that your answer should inspire more than a simple “Yes” or “No” answer. How did it feel to rub elbows with a musical inspiration? Did you receive a nod of approval or, heaven forbid, a look of disdain? Did your musical inspiration invite you to drink from his/her/their bucket of fancy brews? You know what I’m saying.

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Apr 172009
 

As a lead-in to a piece that Townsman KingEd is working up that touches on the influence of Jimi Hendrix on a well-known Friend of the Hall, I thought it would be a good time to revisit this discussion, initiated by Townsman Hrrundivbakshi almost 2 years ago. We’ve fawned over the magic and majesty of Hendrix before, and Ed’s upcoming piece probably won’t be the last time. While we await our next related Hendrix-centered thread, think about what HVB and others said way back when.

This post initially appeared 6/24/07.

Today’s burning question

Why do we love Jimi Hendrix so much?

That’s not a trick question, by the way, or a snarky way of letting the universe know that I think he sucks major ass. ‘Cause I don’t. I think Jimi Hendrix was an astonishing, timeless talent — one of the few “rock” musician types that truly deserves to be placed in that awkward “genius” category.

For me, Hendrix is simultaneously forward-looking and free; focused and intense; hippy-dippy and sweet; brutal and bludgeoning. He was avant-garde without being precious, snide, or academic about it. His virtuosity never — and I mean that literally — never ceases to amaze me. There’s always something new and unbelievable to hear in a Hendrix song, if you’re listening with those kind of ears. And if you don’t, or can’t, listen as a player, it don’t matter, ’cause his songs are strong.

He also had a dynamite Look — man, that (pardon me, and insert 1974 Rottun Teef Keef “tracksssss…” voice here) “super spade” thing, combined with a stage presence that turned him and his guitar into one giant, raging rock hard-on, was just fucking unbeatable. Think of Mick Jagger or Robert Plant or any other white front man contemporary of Hendrix’s — in their rock posturing prime, on their best night — and they all seem positively tea cozy and cardigan sweaters compared to this dude.

But look — I’m opening up this thread because I just want to know how and why you love Hendrix as much as you do. I’m also looking for those spine-tingling recorded moments that make you wait in eager anticipation — like the hair-singeing opening notes to “Foxy Lady” or the moment when “Ezy Rider” comes roaring back into the main riff after the bridge, or — well, you get the idea.

Why do you love Jimi Hendrix so much?

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Apr 162009
 


I saw some preview on TCM last night for a cult classic (I suppose) I’d never heard of, The World’s Greatest Sinner. It looked hilariously bad. I need to hear from Townsman dbuskirk and other filmophiles on the merits of this flick. But that’s only an anticipated byproduct of this thread.

What I’d like to hear about are the most egregious instances of actors who could’t bother to learn to play an instrument (not even a couple of chords) while portraying a musician. Cartoon characters don’t count. We’ve got to cut them a break; they often have but 3 stubby fingers.

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Apr 152009
 

I know this is highly subjective, but let’s be honest and see if we can’t reach agreement on a few of our suggestions. I’ll start by suggesting King Crimson. I can’t say there’s a single King Crimson vocal melody or lyric that I’d miss if it had never existed. The whole point of listening to King Crimson, for me, is tolerating the vocal sections so that I can dig the music.

What band with vocals do you wish was strictly instrumental? Per Last Man Standing protocol, one suggestion at a time, please.

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Apr 142009
 


I got an email the other day that’s the best news I’ve had all year. The Dexateens are releasing their new album, Singlewide and for the first time ever, they’re going to tour to promote it! You probably don’t know who The Dexateens are, but in my little part of the world, they get as much play as any other band I’ve ever followed. They were my New Favorite Band back before someone at Fox pissed me off and I quit my occasionally updated and hardly read blog. They have too many releases to maintain that title, so they just fall into the category of one of My All-Time Favorite Bands Ever category.

I found out about them in the best way to find out about a band. I was shopping at My Mind’s Eye in Lakewood, OH and in the miscellaneous “Ds” I saw their first album. I liked the cover, and I loved their name. I flipped it over and saw they were on Estrus and I figured the odds were damned good that this band was gonna have some guitar firepower. I have always shopped like that, and I usually have good luck. I had a few other things that day and when I got in my car I listened to those while I was driving around doing my job. I never got around to The Dexateens that day, but the next day I looked at the stack of new stuff and popped that in first and headed for the other side of town.

I don’t know what it is about twangy punk that I like, but it’s something. I never cared much for Southern Rock, mostly because I never much cared for The South, I guess. I live as far North as you can get in my part of the country, and if you go a few miles north in Lake Erie, you’re in Canada. So I feel a lot more in common with that nation than I do with the Deep South of my own country. I hate the racism and the stereotypes of The South, and my few dealings and visits there didn’t do anything to change my mind. When I popped in the first Dexateens album and “Cardboard Hearts” staggered up and slapped me in the face I knew I was gonna be hooked. This was fast, sloppy, loud and just made me want to knock off early, get some beers and make some noise!

The Dexateens, “Cardboard Hearts”

I had started listening to Drive By Truckers around that time, and I was seeing that the music coming out of The South was completely different from what I thought it would be. I like DBT, but I’m not one of their legendary fans. They just made me think I shouldn’t judge 50 or so million people by some hang-ups I had. I’d been listening to Lucero a lot and I was feeling pretty wrong about a lot of my preconceptions of The South, and here was a band that just seemed all fired up for fun. I was totally unprepared for “Cherry,” a 200 mph bitter diatribe against Bobby Frank Cherry, a white guy that bombed a Black church in 1963, killed four Black girls and lived free to boast about it until 2002. Then he was tried and put in jail, and that’s where the SOB died. These guys – The Dexateens – seemed like a band I could really get behind. By the time the Stonesy “Shelter” played, I really thought I might just play the first five songs on this album all day and never move past them. I started looking all over to see if they would play in Cleveland, because I couldn’t wait!

The Dexateens, “Cherry”

The Dexateens, “Shelter”

When their second album, Red Dust Rising, came out in 2005, I was ready for another sonic assault with some decent lyrics and plenty of guitars. They were still on Estrus and I was pretty sure that it would just be more of the same, but that sameness would be just fine by me. What I got was still plenty of guitars, but more twang, and a more deliberate pace. I was thinking maybe they needed a slow song so they could take a break a little during their shows, but this was different. I had tried finding out something about them, and it led me to a band called The Quadrajets who were a big influence on The Dexateens. I really assumed Red Dust Rising would be the same thing, and I was wrong. They still played some things fast and loud, but they were tighter and their sound was more their own. It’s definitely Southern Rock, but where that wall used to be impenetrable to me, their attitude and good sense to use many loud guitars whenever possible had me won over. I hate picking songs from this album for you, because I think everyone should have this one and there isn’t a weak spot on it. I think “Take Me to the Speedway” portrays their frustration of things in The South, but it works as a personal relationship, which I think is something Southerners feel more deeply than those of us up North. “Devoted to Lonesome” almost caught me by surprise, but that had already happened with the title track, and I knew I had found a band that I could really get behind. Still no Cleveland shows, though. I consoled myself with the boogie of “Pistol Totin’ Man.”

The Dexateens, “Take Me to the Speedway”

The Dexateens, “Devoted to Lonesome”

The Dexateens, “Pistol Totin’ Man”

(Much more after the jump!)
Continue reading »

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Apr 142009
 

A range of mid-60s rock hairdos.

As a young boy in the late-60s/early-70s, I could have described then-fashionable rock hairdos. All you had to do was look at a half dozen popular groups shots on albums covers and in magazines.

Unmistakably the Disco strain of late-70s hairdos.

Later in the ’70s, it was just as easy, and we could clearly trace the divide between Rockin’ late-70s hair and feathered Disco-influenced hair.

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