Nov 112008
 


Poor George Martin – Sir George for our friends in the UK, right? The guy produces some of the finest albums in rock history, gets pushed aside for a bit, gets to come back and put a perfect finishing touch on his work with The Beatles on the songwriting-spotty Abbey Road, and then spends the rest of his producing career with the likes of America, Jeff Beck, the occasional McCartney production, and a possibly shark-jumping Cheap Trick. He did, however, do some nice work with The Muppets.

Martin’s reputation with The Beatles is sterling. He was the perfect producer for the band, managing to stay out of their way creatively while being attentive to their every sonic need. The two albums with Beck, Blow by Blow and Wired are among the greatest of fusion’s scant body of listenable works. I can’t – and won’t – speak for most of those other productions, although his work with Stackridge is funny in an although-intentionally-not-intentionally-not-intentionally funny way.


In 1998, an old, hearing-impaired Martin released what was to have been his swan song, In My Life, a “re-imagining,” if you will, of Beatles favorites by friends in both music and comedic acting. I guess the input of the comedic actors was a nod to his early Goon Show work. Nice idea, but as a recent posting of Jim Carrey singing “I Am the Walrus” demonstrated, Oh, my lord!

Robin Williams and Bobby McFerrin combine forces on a version of “Come Together” that shows off both contributors’ ability to mimic the sounds of a full band with nothing but their elastic vocal chords!

Robin Williams & Bobby McFerrin, “Come Together”

Goldie Hawn does some kind of Fabulous Baker Boys version of “A Hard Day’s Night.” (Oh, Goldie!)

Goldie Hawn, “A Hard Day’s Night”

Scottish funny man Billy Connolly murders “Being For the Benefit of Mr. Kite,” a song that was born on life support, if you ask me.

Billy Connolly, “Being For the Benefit of Mr. Kite”

Sir George’s actual musical contributors don’t do half bad, including creepy Jeff Beck on “A Day in the Life,” creepy Phil Collins on “Golden Slumbers/Carry That Weight/The End,” and the extremely creepy Celine Dion on “Here, There & Everywhere.”

Celine Dion, “Here, There & Everywhere”

I doubt you’ll thank me for allowing you to download this version of a tender Beatles classic, but at least the pro musicians separate themselves from the pack of comedic actors and future American Idol contestants.

The most astounding performance of all, though, is turned in by an actor not known for his comedic skills, although he has been the butt of many a comedic actor’s impressions.

The Most Astounding Performance on George Martin’s In My Life!

Thankfully, George Martin’s In My Life would not be the last we would hear from the man. With his son he re-imagined the soundtrack for that Las Vegas/Cirque du Soleil extravaganza, Love. I found the soundtrack for that thing annoying, but it had brief moments of interest. To his credit, Martin declined the chance to sign on as producer of the soundtrack of this planned exercise in poor taste. Maybe the coolest thing the retired producer has done in his twilight years is sign on as Chairman of the Advisory Board to Garageband. This brief promo clip for GArageband is a bit more fitting the legend!

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Nov 102008
 

It’s rare that we encourage unadulterated “Top 5” lists in the Halls of Rock, but every so often there’s the need for the sharing of such lists on a given subject. As we’ve seen in the past, they can say much about each of us and help us better navigate future discussions on an assortment of rock topics. I foresee a time when the knowledge we’re about to gather will come in handy…Ladies and gentleman, please post your Top 5 favorite songs by The Rolling Stones.

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Nov 102008
 

You may have read that the surving Beatles and the dead members’ spouses have signed off on the creation of a Beatles video game planned for release by Christmas 2009. The big Beatles fans in RTH Labs’ R&D department were briefly excited. Then we remembered how unimpressed, on a rock ‘n roll level, we’ve been by Guitar Hero and Rock Band, two groundbreaking rock video games that are for all purposes Dance Dance Revolution for the fingertips.

What key elements from the rock ‘n roll experience are missing from today’s rock video games that RTH Labs could provide in a new rock video game? We would like your input, Townspeople, on designing the perfect rock ‘n roll video game. You’ve witnessed the development of Strat-o-Matic Rock ‘n Roll. Now help us push into new frontiers!

Don’t worry: any suggestion you make here is fully protected by copyright and patent laws. By reading this post, you have acknowledged that RTH Labs will allow you to keep a small portion of the future earnings from your ideas. Thank you, Rock Town Hall!

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Now and Then

 Posted by
Nov 102008
 

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Last night, I hit a Kinks motherlode on YouTube — a collection of promo clips around the time of the release of the Kinks’ least-loved album, 1989’s UK Jive, for which I maintain a cockeyed affection.

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Of particular note is the VH1 documentary contained in these YouTubes. I watched this special when it first aired, and it was where my Kinks obsession began in earnest. It marked the first time I had heard “Waterloo Sunset,” “Dead End Street,” and other mid-’60s gems, and it was like meeting your best friend.

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Of course, there’s some embarrassing footage of latter-day Kinks, full of ’80s shoulder-pads and mullets. But there’s also a fair amount of insight into Ray’s creative process, and they managed to catch him on a day when he wasn’t consumed by bitterness over the band’s lot in life. Enjoy!

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Nov 082008
 


Where have I been, too busy with the Phillies’ World Series run and then an historic Presidential Election to have caught Joaquin Phoenix‘s announcement that he was retiring from acting to concentrate on music?


Don’t bother, Joaquin! We know you won an Academy Award for your reduction of Johnny Cash to a slobbering, life-sized punk who could only be saved by the love of a Strong Woman in a film that most moviegoers will never think about again in 2 years time, unless you don’t get your act together by then and that’s all the clips we have to run alongside your obit, but you’re not only no Johnny Cash. You’re not even River.

Your best acting role was the one that required the least amount of acting, the hopped-up halfwit kid Nicole Kidman‘s character seduces into killing her husband in the excellent To Die For. Get your act together. Enjoy your fate as a high-class Jim Belushi and keep finding movie roles that allow you to mumble and look hurt. You’re not completely talentless…as an ACTOR. The world’s got enough second-rate rock musicians. We don’t need you hogging precious space on Tuesday night gigs. You can make records on the side, just like JIm does.

There are worse fates, my friend.

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