I’ve made my share of Charlie Watts jokes around here, including one running theme that I honestly think I may be right about, but learning just now that Charlie Watts has died at 80 is sad. He gets credit for my core sense of a rock ‘n roll beat: the 4-on-the-floor beat driving “Satisfaction,” the song I feel best lives up to the objectives of rock ‘n roll.
Charlie gets credit for contributing to possibly the smoothest, snakiest groove in rock ‘n roll, on “Under My Thumb.” As with so many legendary Stones grooves, it’s a team effort. There’s no showy performance in his repertoire that dominates a particular Stones song. In fact, I’m not even sure there’s a legendary fill to cite, since Jimmy Miller plays those excellent fills at the end of the choruses on “You Can’t Always Get What You Want.”
The beat that I think most typifies the greatness of Charlie Watts – and a beat that even I wouldn’t suspect was played by some other drummer in my most trolling moments – is “Beast of Burden.” It is the beat that appears when you look up “in the pocket” in the dictionary. It’s another team effort, as everyone is locked in. Charlie must have had a lot to do with keeping that lot locked in.