Apr 262011
 

I love “Sweet Jane.” Although its chord progression and rhythm are probably part of the extended rock ‘n roll lineage of 3-chord classics like “Louie Louie,” “Wild Thing,” and “Gloria,” I would argue that its distinctive rhythmic hitch established the song as its own dynastic chord progression.

Last night, while watching the John Hughes “classic” Pretty in Pink for the first time in my life I kept waiting for the title track to play, hoping against hope that it would inject a little excitement into this simplistic, overly nice film that I felt justified for having been “too cool for school” to see when it was all the rage in my college years. Maybe the song plays at the beginning of the movie, the first 15 minutes or so of which I missed, but let me tell you, I was pretty pissed when… [SPOILER ALERT!] Continue reading »

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Apr 122011
 

In the recent Last Man Standing about river songs, the Mississippi was only allowed to be mentioned once because there are so many songs that reference it, which got me wondering: Are there more songs about the Mississippi than all other river songs combined? I doubt it but I call upon my fellow townsfolk to settle the issue.  So, I’m looking for songs which either specifically mention the Mississippi, or that clearly reference it geographically

I’ll start with “Big River.”

One Mississippi…

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Apr 082011
 

I love the musical device of an artist overdubbing cheering crowd noises in the middle of a clearly studio track. I love the device so much that I’d like to see how many we can cite—one entry at a time, of course.

Tracks from fake-live records, like Steppenwolf Live or that Rare Earth fake-live version of “Get Ready,” do not count. Ambient “party” noises do not count. The crowd noise has to be a blatant device, not an attempt to fool people into thinking they’re actually hearing Johnny Rivers live. (He did a lot of that stuff, didn’t he?) I’ll kick things off with probably the first example of this device that dazzled me as a kid: Continue reading »

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Apr 012011
 

Typically, Townspeople suggest one of two types of Last Man Standing topics: those that seem like they may be so specific that the topic is exhausted after 4 entries and those that promise to break the magical mark of 200 entries. Today’s Last Man Standing, suggested offlist by Townsman andyr’s better half, certainly opens the floodgates to the latter variety: songs about rivers.

Now, we can go at least 2 ways with this: songs about specific rivers or all songs about rivers in general. I briefly considered seeing if we could find a song for every river in the rocking, English-speaking world, until I looked it up and found that there are about 250,000 rivers in the United States alone. We’re good, but not that good.

Since I don’t want to exclude one of the most excruciating title tracks in rock history, Bruce Springsteen‘s nonspecific “The River” (now played and, therefore, off the board), let’s keep this competition open to all (almost, see next exclusion) river-referencing rock songs. The judges will, however, rule harshly against streams, creeks, bays, oceans, lakes, ponds, and any other tributaries that fall outside the category of river.

The only other exclusion, just because I need to be a bit of a dick and encourage a degree of difficulty, will be repeat entries of any songs citing the Mississippi River. The first “Mississippi River” entry will be the last one allowed.

Let it flow!

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Mar 252011
 

Excluding bands in matching suits, how many examples of bands performing (live or on video) in uniform can we cite? Also excluded are bands merely posing for a cover photo in uniform (eg, XTC on a few covers) and bands in non-functional costumes (eg, KISS and GWAR). The uniform(s – they need not be matching) must be related to a profession.

I’ll start with the following video, which I’d never seen until the other day: Continue reading »

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Mar 152011
 

This one’s gonna be hell to referee, but someone’s gotta do it: Jesus songs—Rock ‘n Roll Jesus songs—which we will define as songs including Jesus in the title OR prominently featuring Jesus, specifically, as the main character or subject matter of the song.

Songs referring broadly (or specifically) to God, Lord, Him, The Boss, or what have you are not eligible for this contest. The songs must be about Jesus, and address Him by name.

Songs in which a singer simply asks for Jesus’ help or take His name in vain as a throwaway line are not eligible for this contest, unless the throwaway or blasphemous reference to Jesus is in the song’s title.

The song must be, at least broadly, a rock ‘n roll song. Some gospel song that Little Richard did during one of his sacred periods does not count solely because Little Richard is “rock ‘n roll.”

Crystal clear? I thought so! In honor of our Jesus-obsessed Townsman of the Jewish faith, andyr, let’s kick things off with one of my favorite Jesus songs composed by a musician of Jewish heritage, The Velvet Underground’s “Jesus.”

The race is on.

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Feb 122011
 

This should be a rich topic, a fierce battle to see who’s Last Man (or Woman) Standing. Our goal is to cite—one song per post—songs that specifically cite a train, boat, or plane by name, number, or departure time. Descriptive terms that do not meet these criteria will not be accepted (eg, “Big Black Train”). Specifically identified rockets will also be accepted, but NOT cars, off-road vehicles, helicopters, dirigibles, buses (sorry, “Rudie Can’t Fail” and your famed 19 bus), bikes, or motorcycles. Identification by reference to a specific previous departure time will be accepted.

The time is yours…

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