Over the years I’ve thought I wanted to delve more deeply into George Harrison’s solo catalog. I know what the general feeling has been but All Things Must Pass is a classic by almost anyone’s standards. And Living in the Material World has enough charms that I bought the reissue a few yeas back to supplant the old vinyl copy. And I bought the big comeback, Cloud Nine, way back when and remember liking it well enough (even if I don’t remember too much of it very well now).
Over the last several decades I thought I should try some of the maligned records that came out between Material World and Cloud Nine but never had; after all, how bad could they be? Back a decade ago after George died a box set of all the Dark Horse material came out and that tempted me.
Thank the music gods that I resisted!
I recently borrowed the one disc Best of Dark Horse, 1976-1989, and it is stunningly pedestrian. There’s one cut that would deserve to go on a true Harrison best of, “Blow Away,” thanks to a stellar chorus. And I’d listen to “Got My Mind Set On You,” “Crackerbox Palace,” “When We Was Fab,” and “All Those Years Ago” all the way through if they came on the car radio (although “When We Was Fab” belongs more on an ELO album – and not a greatest hits ELO album).
And the other 10 tracks, well, if that’s the best of the Dark Horse albums then they must be horrible. I won’t subject any of you to any of them here; seek them out at your own risk.
Am I being too harsh? Why did he even bother putting out this dreck? And is there a worse Best of than this? No cheating on that last question; we all know Christopher Cross’ Best of sucks (at least I presume it does).