Mr. Moderator

Mr. Moderator

When not blogging Mr. Moderator enjoys baseball, cooking, and falconry.

Jul 262012
 

Have any of you seen something called Heavy Metal Parking Lot? I don’t recall it coming out; heavy metal was and still is off my radar. Looks like it might be worth tracking down and watching. Can anyone recommend this?

I’m also thinking about taking the plunge and watching the Beulah tour doc that came out a couple of years ago, A Good Band Is Easy to Kill. I like those guys and have been interested in tracking down Miles Kurosky for an RTH interview.

Time permitting, I’m thinking about ending the summer by hosting a party in my backyard and projecting a rock movie on my garage wall. Should I be able to organize this, what rock movie (fictional or documentary) should we look to screen?

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Jul 242012
 

Who’s your rock ‘n roll doppelganger? What rocker have you been compared to, or what rocker do you see when you look in the mirror?

As well, real or imagined, what rock ‘n roller’s face do you put to the words of a fellow Townsperson? For instance, in the above clip by The Shadows, I see Hrrundivbakshi in lead guitarist Hank Marvin. Not HVB’s face, but plop a pair of oversized British Prime Minister specs and a tuxedo on the real HVB and my man would have himself a good start on a hip rock ‘n roll-themed Halloween party. It’s his overall RTH Aura that I see in Marvin. Look at Marvin’s calm, collected confidence as he plays the twangy melody from “Apache” and tell me if you don’t see the threads and comments forming from the hands of our resident Master of Fun and Games.

Hrrundivbakshi's next Halloween outfit.

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Jul 242012
 

I saw this little blurb in my newspaper back home about a New Yorker article on Bruce Sprinsteen (aka “The Boss”). Dave Marsh, who is quoted here,  has long been rock’s reddest, rawest smacked ass, but The Boss does his part, as always, to build his legend. I don’t care if he ever writes 30 songs I love, I’ll always be annoyed by this guy’s routine and the fawning that refuses to die. Too bad. He does and stands for some things I love.

I’ve been in Monterey, California the last 24 hours. It’s my second or third time in this delightful town. One thing, however, really bugs me: the only reason I ever knew and cared about Monterey growing up was the Monterey Pop Festival of 1967. The film of that festival was part of young hippie education. I’ve not yet found a Monterey Pop Festival t-shirt in this town. No offense to fans of Steinbeck, sea life, and the old canning industry, but is that too much to ask?

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Jul 232012
 

What’s your favorite B-side? Not “the best.” Not “the coolest” or most obscure or collectible. Your favorite, perhaps from your very own collection.

Take your time on this one. I’ve got a possible selection among my own B-sides to suggest, but I’ve got to check whether any other B-side in my collection tops it.

If you really have trouble selecting a sole favorite, the RTH Cop-Out Car is in the shop for repairs. You can probably get away with listing your Top 3 Favorite B-Sides.

I look forward to hearing about your favorites.

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Jul 222012
 

Big Star‘s “Thirteen” is just the sort of song tough-guy me typically recoils from hearing: fingerpicked acoustic guitars; lyrics about 13-year-old lovebirds walking home from school, holding hands; Rug harmonies. It’s so close to soundling like an Eagles song, or Poco. And what’s worse, Eagles or Poor Man’s Eagles? But I love it. It came on my iPod the other day and I realized it may be the most surprising song I love.

When I first came across my original radio station promo copy of Big Star’s #1 Record in a pile of records that Northwestern University’s radio station, WNUR, was throwing away, I often lifted the needle over that song. Although I was just 5 years removed from the song title’s age, I was too cool for school to like a song that sounded so much like the candy-ass tripe of mid-’70s AM soft-rock. This was the taunting soundtrack of my miserable early adolescence. The airwaves were ripe with self-satisfied love songs while my family was tearing apart, while I didn’t have a clue how to approach any of the budding pubescent girls around me, while I was the furthest thing from cool. The music of that era was nothing but false promises as far as I could tell.

Come freshman year in college, as I was becoming fully ensconced in ’60s and punk rock music, I wanted no business of the wistful teenage love songs of my unfulfilled early adolescence. I needed no further reminders that I had not yet walked home from anywhere holding hands with some sweetheart. Over the coming years, while my budding rock nerd friends agreed that “India Song” was the prime needle-lifter on that first Big Star album, I often held my tongue about my dread in hearing “Thirteen.” Plenty of my cool friends were big fans of that song, and I didn’t want to expose myself as uncool owing to the reasons I had for not liking it. It’s only been over the last 10 years that I’ve let that song play through when it comes on, and it’s only been over the last 5 years that I’ve ever intentionally placed the needle (or selected on my iPod) that song directly. I’m more at peace with my youth, and the song is great.

It makes me wonder, will I one day enjoy hearing a similar style Eagles song, or will I always be put off by what I perceive as a “smug,” insincere tone in the voices of Don Henley and Glenn Frey? Beside my own personal growth, does Big Star’s underdog status forgive them for sinking to such sappy depths? Is there something about how naked and direct the lyrics of “Thirteen” are compared with just about all other “walking home from school/holding hands in the rain” songs that make it special? You tell me.

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Jul 212012
 

Sounds of the Hall in roughly 33 1/3 minutes!

On tonight’s episode of Saturday Night Shut-In Mr. Moderator presents some of his favorites from a batch of Robert Pollard/Guided By Voices-related releases from 2011, courtesy of Pollard’s friend and GBV label colleague Kpdexter, our old friend and founding Townsman.

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2012/07/RTH-Saturday-Night-Shut-In-85.mp3|titles=RTH Saturday Night Shut-In, episode 85]

[Note: You can add Saturday Night Shut-In episodes to your iTunes by clicking here. The Rock Town Hall feed will enable you to easily download Saturday Night Shut-In episodes to your digital music player.]

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Jul 212012
 

In our recent Stones-oriented Dugout Chatter, Townsman Oats hit the nail on the head regarding the question in the thread that most interested me: What’s Mick Jagger‘s finest hour (or 30 seconds) as a vocalist?

Certainly it’s the verse in “Beast of Burden” that begins with  “Now you can put me out on the street…”!

First of all, Mick is commanding. The tension for leadership within the Glitter Twins axis has always been a key feature to the band’s success. In this one moment Mick takes the wheel—and he doesn’t screw it up with one of his blackface or country bumpkin routines. Twenty-five years into his career Mick has finally become the soul singer he always wanted to be—on his own terms. This verse picks up on the work Jagger started in the ’60s, on songs like “Satisfaction” and “Under My Thumb.” Bravo.

Second, through the entire Some Girls album Mick’s voice is treated with the most-effective, straightforward vocal effects in the history of rock ‘n roll. If I could figure out exactly what effects are applied to that song and if I could apply to every song ever recorded I would. My apologies to all other great vocal effects ever used, but that’s the way I feel.

So there, Mick Jagger’s finest vocal hour is that verse from “Beast of Burden.” You’re welcome, in advance, for the role Oats and I have played in settling this debate.

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