Mr. Moderator

Mr. Moderator

When not blogging Mr. Moderator enjoys baseball, cooking, and falconry.

Apr 172012
 

This is your Rock Town Hall!

If you’ve already got Back Office privileges and can initiate threads, by all means use your privileges! If you’d like to acquire such privileges, let us know. If you’ve got a comment that needs to be made, what are you waiting for? If you’re just dropping in and find yourself feeling the need to scat, don’t hesitate to register and post your thoughts. The world of intelligent rock discussion benefits from your participation. If nothing else, your own Mr. Moderator gets a day off from himself. It’s a good thing for you as well as me!

Share
Apr 142012
 

Sounds of the Hall in roughly 33 1/3 minutes!

Who knows where the time goes? In this week’s edition of Saturday Night Shut-In Mr. Moderator experiences an unexpected attack of early ’90s nostalgia. Join him, won’t you, on this journey through a palette-cleansing decade that may not have set the stage for much but wasn’t bad while it lasted.

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2012/04/RTH-Saturday-Night-Shut-In-75.mp3|titles=RTH Saturday Night Shut-In, episode 75]

[Note: You can add Saturday Night Shut-In episodes to your iTunes by clicking here. The Rock Town Hall feed will enable you to easily download Saturday Night Shut-In episodes to your digital music player.]

Share
Apr 142012
 

Reports are circulating that one of the 2 surviving Bee Gees, Robin Gibb—he of the most vibrato-laden voice in that trio—doesn’t have long to live. If, as expected, 3 of the 4 Gibb brothers will be dead at a young age, this puts the Bee Gees in contention with Lynyrd Skynyrd for rock’s equivalent of “Curse of the California Angels” status. Considering that the Gibb-related deaths are all in one family, this may put them “ahead” of Skynyrd. However, Andy Gibb was not a member of the singing group, so his inclusion in the Rock Band Tragedy count might not qualify, as would be expected if the Van Zandt brother from .38 Special had died young. Tell that to Momma Gibb, right? All horrible joking aside, Robin Gibb did some remarkable work in all phases of the band’s history, perhaps no better than kicking off the following song.

Few Townspeople beside shawnkilroy are likely to support me on the following, but I also feel this awkward disco track also showcased Robin’s unique talents.

Continue reading »

Share
Apr 132012
 

My family and I were having lunch in a hipster diner in Philadelphia the other day when the radio station or playlist switched from fun ’60s songs like The Zombies‘ “Time of the Season” to early ’90s hits, from half-remembered Britpop bands to that Janet Jackson video shot in sepia tone, when she’s super-buff and frolicking in the sand with an equally buff model-type of guy. Remember that song?

The music made me unexpectedly nostalgic for the early ’90s, a palette-cleansing decade of sorts, following the most culturally offensive decade of my life to date, the ’80s. I mainly got to enjoy the early ’90s during the year my wife and I lived in Budapest, Hungary, from October 1993 to October 1994. Living over there by ourselves, watching Ray CokesMTV’s Most Wanted on EuroMTV, without our network of like-minded culturally snobbish friends to insulate us, I could appreciate artists like Blur; Suede; Darryl-Ann; some heavyset, black, super-corny English “hippie” guy…and those mainstream videos from back home with drop-the-cat moments by the likes of Janet Jackson and Madonna. I even learned to love a song by The Cure, a remix no less with some Sid and Marty Krofft-style “undersea” video. I can never remember the name of that song. Some day, when I do, I’ll purchase it and add it to my iPod.

It was during that year abroad that Townsman andyr sent me cassettes with Matthew Sweet‘s Girlfriend, Crowded House‘s Together Alone, and Martin Newell‘s Greatest Living Englishman. It was inspiring to hear albums with that ’60s-based vibe. Even the cheesiest of those Britpop bands, like Jesus Jones, had a groovy ’60s vibe beneath the surface. Then there was “Groove Is in the Heart.” Now THAT was a song (and video) that made the early ’90s worth living.

Curly hair came back into fashion, and all-cotton fibers. Grunge bands were kind of like ’70s burnouts of my youth. Elaine on Seinfeld was cute and funky the way women had not been during long stretches of mainstream ’80s living. The early ’90s held mild promise. Beck came along and seemed poised to take it to the next level, maybe even put our culture over the top to my long-awaited Peace Warrior era. But it was not to be. Maybe Bill Clinton getting busted for his Monica Lewinsky affair did us in. Now we seem to be living through the most prudish stretch since the 1950s. Or maybe we’re too far onto our own little social astral planes.

Where were you in the early ’90s? What was your musical world?

Share
Apr 122012
 

John Doe displays his bass-fueled rock superpowers.

My close personal friend Townsman chickenfrank recalled a show in which one of his former bands played on a bill with John Doe. This was probably 1995, when Doe’s second solo album, Kissingsohard, came out. I bought his 1990 debut solo album, Meet John Doe, when it came out, but I couldn’t convince myself that I liked it. Nevertheless, we both loved X. I was sure his solo stuff would sound better live.

Doe took the stage that night playing guitar. He didn’t look right with a guitar in his hands. He didn’t have the same cool stage stance I was accustomed to when I saw him in X, playing bass. I even used my ears that night to assess that he did nothing special on guitar. It’s not like he’s an especially skilled bassist, but he drives the band from that instrument. Doe’s rock superpowers as a bassist were immense. He was a mere mortal on guitar.

John Doe in his guitar-wielding "Clark Kent" mode.

It goes without saying that probably any usually “hands-free” lead singer loses his or her rock superpowers when strapping on and, most likely, holstering a guitar.

Not all musicians, however, lose their rock superpowers when they switch to a secondary or even tertiary instrument. Paul McCartney, in fact, is a quadruple threat and then some. Brian Jones is another example. He retained his rock superpowers on even the daintiest of instruments.

Nick Lowe? It’s debatable. I would argue that his rock superpowers were sapped during his mid-’80s years on guitar owing to the malaise of His Cowboy Outfit more than his instrument. Since he’s mellowed and grown into his older age, he’s as cool as he ever was in his Rockpile days.

What musician possessing rock superpowers on his or her main instrument do you feel is sapped of those same powers when they switch instruments? And can you think of an artist who actually gains rock superpowers when he or she reaches for a secondary instrument?

Share
Apr 122012
 

This one goes to zero!

Rock Town Hall has a long and honored tradition of rock video analysis, with Townspeople often incorporating the distinctive technique of commenting on videos with the sound off. In honor of alexmagic‘s recent analysis of a video of Tom Jones performing with Crosby, Stills, Nash & Young, we are instituting a new feature, Sound Off!

The way a Sound Off! thread works is simple:

  • A video is posted for us to view with the sound off.
  • We comment on what we’re seeing with the sound off.
  • We most likely share in the sense of wonder that there’s much to learn about music with the sound off.

You will be entrusted to view the following video with the sound off. If we could disable the video’s sound we would, but something tells me the copyright holder of the video might object to that. Trust us, for the purposes of this thread the sound will get in the way. Beside, you may be viewing this at work, in which case coworkers will only be distbured by your giggles; you won’t have to worry about the artist’s music leaking into their cube.

After the jump, why don’t you turn the sound off and watch the following video!

Continue reading »

Share

Lost Password?

 
twitter facebook youtube