Mr. Moderator

Mr. Moderator

When not blogging Mr. Moderator enjoys baseball, cooking, and falconry.

Apr 172009
 


The title of this post asks the question – there’s no hidden meaning here. By “established artist/band you love” I’m not talking about your friend’s excellent band that you’ve shared a bill with or a cool “flavor of the month” band that you’ve had the honor of playing alongside, but an artist or band whose work you cut your teeth on, possibly years before you even banged out “Louie Louie” in a high school friend’s basement. The artist or band does not necessarily have to be one you idolized, but something along those lines. Any old famous band that you didn’t really care about much personally may not count. For instance, my band once shared a “spring fling” bill (and an elevator ride) with The Ramones. I like my share of Ramones music, but I never really cared about them or felt inspired by them. I have no interesting stories to tell other than the fact that I’d never previously nor since that elevator ride felt more like I was in the presence of stone-cold idiocy.

It should go without saying that your answer should inspire more than a simple “Yes” or “No” answer. How did it feel to rub elbows with a musical inspiration? Did you receive a nod of approval or, heaven forbid, a look of disdain? Did your musical inspiration invite you to drink from his/her/their bucket of fancy brews? You know what I’m saying.

Share
Apr 162009
 


I saw some preview on TCM last night for a cult classic (I suppose) I’d never heard of, The World’s Greatest Sinner. It looked hilariously bad. I need to hear from Townsman dbuskirk and other filmophiles on the merits of this flick. But that’s only an anticipated byproduct of this thread.

What I’d like to hear about are the most egregious instances of actors who could’t bother to learn to play an instrument (not even a couple of chords) while portraying a musician. Cartoon characters don’t count. We’ve got to cut them a break; they often have but 3 stubby fingers.

Share
Apr 152009
 

I know this is highly subjective, but let’s be honest and see if we can’t reach agreement on a few of our suggestions. I’ll start by suggesting King Crimson. I can’t say there’s a single King Crimson vocal melody or lyric that I’d miss if it had never existed. The whole point of listening to King Crimson, for me, is tolerating the vocal sections so that I can dig the music.

What band with vocals do you wish was strictly instrumental? Per Last Man Standing protocol, one suggestion at a time, please.

Share
Apr 142009
 

A range of mid-60s rock hairdos.

As a young boy in the late-60s/early-70s, I could have described then-fashionable rock hairdos. All you had to do was look at a half dozen popular groups shots on albums covers and in magazines.

Unmistakably the Disco strain of late-70s hairdos.

Later in the ’70s, it was just as easy, and we could clearly trace the divide between Rockin’ late-70s hair and feathered Disco-influenced hair.

Share
Apr 132009
 

I can’t believe I’m going to have to watch Phillies games without the voice of Harry Kalas, who died in the press box at the Washington Nationals’ stadium at 1:20 today. For those of you who did not grow up with “Harry the K” calling games since your childhood, the Baseball Hall of Fame broadcaster may be one more legendary voice you’ve heard in the background of ESPN highlights – and even imitated by ESPN broadcasters – but he’s THE VOICE of the team I first started following the same year Kalas came to Philly, 1971. From boyhood forward, every Philadelphia sports fan works on his Harry Kalas impersonation. It’s a good thing that we’ll be able to remember the sound of Harry’s voice a lot better than any of us try to replicate it.

Admittedly, we’ve got weird priorities in Philadelphia, and our beloved sports broadcasters often resonate more deeply in our hearts than our usually suspect teams. When Kalas’ old color man and Hall of Fame Phillies centerfielder in his own right, Richie Ashburn, died midseason in 1997, our city mourned like Rome might following the passing of the Pope. I’m sure the coming week here will be no different.
Continue reading »

Share
Apr 132009
 


I may soon find that my premise was not worth bringing to the Halls of Rock for possible scintillating discussion, but that’s the way it goes around here. Driving in this morning I was listening to a collection of obscure ’60s psych recordings that came with the recent edition of Mojo with a Who Sell-Out article and Nick Lowe interview. While enjoying the songs for what they were, I got to thinking about whether any “psychedelic” lyrics ever made an impression on me if they didn’t come from a band that had first established its lyrical cred through more traditional lyrics.

For instance, as a teenager I had no beefs with George Harrison‘s “The more one travels/The less one really knows” from The Beatles’ B-side “The Inner Light,” to show you how forgiving I could be. Same goes for a much better song, The Byrds‘ “Eight Miles High.” Cool music, cool enough sentiments. To this day I dig the lyrics of these songs. I’d already liked my share of songs and lyrics by these artists, so perhaps, based on some form of the Sincerity Fallacy, it sounded like progress when they moved into psychedelic territory.

On the other hand a song like “Journey to the Center of Your Mind,” cool as it is musically, never carried any weight with me musically. I don’t know if it’s because I didn’t have any prior respect for the lyrical content of The Amboy Dukes, but I’m more than willing to consider that to be the case. If “Strawberry Fields Forever” was the first single by The Beatles would I have brushed off the lyrics as nonsense plucked from the Psych Pshoppe? I’m equally willing to admit that I may not know how it is that I assess psychedelic lyrics from any source.

One band that trafficked in psychedelic lyrics from the starting gate, when they were “nobodies,” so to speak, and that hold up as well as any psych lyrics, in my mind, was Pink Floyd. Because I was not already a fan of later-day Floyd when I first heard the early stuff, I cannot say that they built up credibility after the fact. Those Syd Barrett lyrics actually sound original and inspired to me more often than not.

What are your experiences with psychedelic lyrics from artists who did not previously establish credibility as more conventional lyricists?

Share

Lost Password?

 
twitter facebook youtube