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KUSF Goes Internet Only; Damn Classical Music Takes the Airwaves!

Jan 182011

Lou Reed...The Way His Records Were Meant to Be Filed

Although the University of San Francisco, California website attempts to pitch this with a positive Spinal Tap-style spin, this seems like a bummer for radio listeners in that area who had 90.3 FM programmed on their radio dial, not to mention the DJs, whose work now holds no more value than that cat who does episodes of Saturday Night Shut-In.

The move to online-only distribution gives KUSF a powerful opportunity to grow its worldwide audience. Previously, the station was limited to 100 online listeners at a time, but capacity will be increased to accommodate thousands of listeners.

In the station’s place the airwaves will be filled by a Public Radio station playing long cover tunes, primarily from the 15th through 19th centuries.

Thanks to Townsman dbuskirk, a former KUSF DJ, for passing along this news.

Donnie Kirshner is gone…

Posted by latelydavidband

Jan 182011

We’ve lost Don Kirshner. Now maybe The Archies can play their own instruments.

Read all about the late, great rock impressario here.

Bruce Springsteen Initial Recipient of Rock Town Hall’s Rock Badge of Courage for “Born in the USA”

Posted by Mr. Moderator

Jan 182011

The Boss holsters a la Rambo!

Popular music discussion blog Rock Town Hall has awarded Bruce “The Boss” Springsteen its first-ever Rock Badge of Courage for His heroic efforts to lift “Born in the USA” to the anthemic heights the song required.

The Rock Badge of Courage is the highest artistic decoration awarded by Rock Town Hall, even higher than induction in the Hall’s Foyer of Fame. It is bestowed on musicians who distinguish themselves “conspicuously by gallantry and intrepidity at the risk of his or her artistic cred above and beyond the call of duty while engaged in an action against The Man, apathetic bandmates, or any other enemy of The Power & Glory of Rock.”

Although the song “Born in the USA” first saw the “light of day” while being composed for possible inclusion in the Michael J. Fox/Joan Jett movie of the same name, the rocking studio version had yet to be recorded as Bruce and His E Street Band neared completion on their 1984 album. With the band off for Presidents’ Day and The Boss anxious to record this passionate tribute to veterans of the Vietnam War, he took matters into his own hands. For the rhythm track He looped a recording of Max Weinberg‘s kick-and-snare drum check at the old Meadowlands. For the distinctive synth riff He called on the services of His 12-year-old nephew, Nelson, who had recently received a Casio keyboard for Christmas. Bruce played the rest of the tracks and singlehandedly carried the slipshod arrangement on the strength of his lyrics and vocal performance.

Rock Town Hall’s Rock Badge of Courage Commission is accepting nominations for future recipients of this honor.

Six-Pack or Shotgun: Russell Brand and, More Specifically, the Notion of the “Rock ‘n Roll Comedian”

Posted by Mr. Moderator

Jan 182011

A picture of Russell Brand, with his self-conscious gaze, sculpted eyebrows, and 5 o’clock shadow jumped out from the pages of Entertainment Weekly yesterday, and I quickly checked to make sure my shotgun was in reach. Although after seeing him a few times on talk shows I’ve come to realize that Brand can be a slightly amusing storyteller, in a poor man’s Peter O’Toole way, that guy really annoys me. Believe me, I know nothing about him (he may be a fantastic human being and all that), but every time I look at him he strikes me as a world-class wannabe! Specifically, he’s a wannabe of a sort that immediately turns me off: the Rock ‘n Roll Comedian.

I can’t put my finger on when, exactly, the notion of the Rock ‘n Roll Comedian was hatched. In the ’70s there were plenty of comedians who were tuned into rock ‘n roll culture: the hippified George Carlin, Richard Pryor, Cheech and Chong… Although they often appeared on the same stage with rock ‘n rollers, partied just as hard, and pushed the envelope of “rock ‘n roll values,” they never seemed to think of themselves as rock ‘n rollers. They ran paralell the Beat/hippie strain of rock ‘n roll, but they didn’t strike me as trying to ride on the coattails of a rudimentary understanding of rock ‘n roll.

Someone probably beat this guy to the punch, but Sam Kinison is the first Rock ‘n Roll Comedian who comes to mind for me, the first comedian who directly promoted himself as a rock ‘n roller. He was occasionally funny, but if rock ‘n roll was about nothing more than outrageous behavior, wild partying, and elaborate headwraps to keep a few dozen strands of long hair in place, then count me out! Along with Kinison the ’80s gave us another hair-farmer comic of moderate talent and poor taste in music, Howard Stern. Whatever…

Maybe more troubling yet was Denis Leary, another comedian of some talent who tried too hard to come off as a rock ‘n roller. What was really so rock ‘n roll about that guy? Did he even inhale his prop cigarette? I don’t think so.

Once that run of ’80s Rock ‘n Roll Comedians got rolling any mildly funnyman was free to make his rock ‘n roll dreams come true: Adam Sandler, Jimmy Fallon, my man Conan… These three axe-wielding comedians, however, bug me much less than Russell Brand, because they’re not equating their work as a comedian with that of a rock ‘n roller. They’re not reducing rock ‘n roll to the human bong resin that is Tommy Lee. Brand does self-consciously play with the notion of being a Rock Star; is he also vying to be an-honest-to-goodness Rock ‘n Roll Comedian? I’m not sure, because I’m turned off by him as soon as I see his preening face.

Beyond Brand, specifically, I don’t know if a comedian can equate him- or herself with rock ‘n roll without making me feel ashamed for loving rock ‘n roll. Comedians can’t really really be cool, can they, and rock ‘n roll depends heavily on being cool.

Anyhow, now you know where I fall on the six-pack or shotgun spectrum of the notion of the Rock ‘n Roll Comedian. Am I missing a Rock ‘n Roll Comedian who deserves the six-pack? For those of you who are unfamiliar with the six-pack or shotgun question, read on. Continue reading »

The Bigger Lovers Reunite

Posted by Mr. Moderator

Jan 182011

Don't worry...

Philadelphia’s The Bigger Lovers, the town’s torchbearers for guitar-pop at the start of the millennium, have reunited for the 10th anniversary reissue of their debut album, 2001’s long-out-of-print How I Learned to Stop Worrying. The remastered vinyl and digital reissue is coming March 8, 2011 on the band’s Miles Above imprint. The digital version will include two bonus tracks. To mark the occasion the band will also release a new Maxi-Single and treat hometown fans to a March 12th show at Johnny Brenda’s. Details on all this good stuff can be found at the band’s website, thebiggerlovers.com.

For a limited time, from now through February 1, the band is offering a free download of “Little Giant,” the lead track from the Maxi-Single. You can download it here. If you find that too troubling, click on the Rock Town Hall Player, below.

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2011/01/The-Bigger-Lovers-Little-Giant.mp3|titles=The Bigger Lovers, “Little Giant”]

The Little Giant Maxi Single, including 4 newly finished tunes (plus a remix), began its life in the 2005 and finally wrapped up with the help of Tony Goddess (singer-guitarist of Papas Fritas). It will be available February 1 through the band’s website and iTunes.

The reunion show at Johnny Brenda’s in Philadelphia will take place on Saturday, March 12. Tickets are available now through the Johnny Brenda’s website. Dennis Diken (Smithereens drummer) and Bell Sound will open.

Six Degrees of The Everly Brothers: The a-ha Connection!

Posted by Mr. Moderator

Jan 182011

If some rock nerd ever challenges you to play Six Degress of The Everly Brothers with the ultimate throwdown of linking Phil and Don to a-ha, here’s your answer:

It turns out a-ha played this post-peak Everly Brothers’ gem, “Bowling Green,” on their farewell tour, in tribute to a-ha’s manager, Terry Slater, who wrote the song! He’s not even from Kentucky—or America, for that matter!

Since I Stole You

Posted by ladymisskirroyale

Jan 152011

Last weekend’s New York Times Magazine contained an article about Girl Talk entitled, “The 373-Hit Wonder.” In it, there is a brief history of the Mash-Up, starting with a 1906 entry of Charles Ives progressing through the Beatles‘ 1968 “Revolution 9”; K-Tel Records; Lee Scratch Perry‘s production of Blackboard Jungle Dub; Stars on 45; the 1989 Plunderphonic by John Oswald; 1996’s Endtroducing…, by DJ Shadow; the Avalanches‘ Since I Left You; The Grey Album, by Danger Mouse in 2004… and then craziness ensues with samples going wild.

The article states that Girl Talk’s “sound collages are radically different from their sources, far more than the sum of their parts,” but notes the potential for a “gold mine” of lawsuits that could ensue from gaining permission to use the samples. Gregg Gillis, aka Girl Talk, reported that he has never been sued or asked to desist, and that “one of the acts he samples…proudly put a link to Girl Talk on their home page.”

I have the last two Girl Talk “compositions” and I thoroughly enjoy them…at times and for certain purposes. It’s great fun trying to identify the samples, many of which are from Classic Rock (I’m hopeless at the Hip-Hop/Rap ones). The juxtaposition of some of the music and the lyrics can be very funny or ironic. Or it can just be good listening. I find that Girl Talk can be very good to listen to, especially on long stretches of freeway when I’m not necessarily actively listening but just driving to the rhythm. However, I don’t know if these “albums” will stand the test of time and be dusted off in another decade.

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