Oct 202007
 

Consider this another one of my It’s about time you weighted in with an opinion, old man! reports.


My wife and I watched Wes Anderson’s Bottle Rocket last night. To our amazement, it didn’t suck! In fact, it was really good. As is always the case with his films, the hip soundtrack almost drowned out the movie itself at times, but for once the action going on in the movie itself was worth watching. In contrast, years ago, when I suffered through the next two films he would make – you know which ones I mean – and some cool song came on to possibly put me out of my misery of watching a bunch of spoiled rich kids crying over the fact that their toy soldier collection was knocked out of place by the maid, I’d briefly dig the song I was hearing and then get more pissed that Anderson spent even more time shoving his toy soldier collection down my throat.

Bottle Rocket, unlike those next two films by Anderson, is simply funny and charmingly self-aware. There was a brief scene in which one of the Wilson brothers took time during a heist to rearrange a toy soldier that had been knocked out of place. Perfect! Part of the backstory was that Luke Wilson’s character had had a nervous breakdown. In his next two movies, Anderson would have harped on this, had Wilson sitting by his Close-and-Play, endlessly spinning a Leonard Cohen song. In Bottle Rocket, this fact is just a device to make the more handsome, serious, and less flexible (in acting terms) of the two Wilson brothers a little more credible regarding his choice of friends. But I’m not telling you anything you don’t already know. Surely I’m the last Townsperson to get around to seeing this film.

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Oct 182007
 


I know some of you manly men, those of you who have never for a one moment sized up another man’s looks will cringe at this suggestion, but Eric Clapton is a fairly good-looking man. He always has been, and he has worked hard a developing and varying his sense of style, or Look, as we like to say.

Clapton Gets Experienced

A great thing about Clapton’s commitment to developing his Look, especially in his first decade, before he began to setting into his bearded gentleman addict/recovering addict Look, was his willingness to adopt guitars that best fit his current Look. Check out the matching ensemble he put together for this Yardbirds-period shot.

Teleclapton

Here’s a guitar/Look combo that I’d never seen before. This one blows me away. I wish I’d seen this picture when I was much younger; I would have had more tolerance for the many bad recordings EC has made over the years.

Awesome!

Even into the ’70s he was working a pretty cool Look. You know this one.

Cheesy but cool

If there’s one thing we know about Clapton it’s his deep love for da blooz! If there’s another thing, it’s the incredible pain he’s endured. No wonder the man is so deeply attuned to the hellhounds on his trail. But I’ve come to the conclusion that the original burden on Clapton, his original sin, so to speak, was his role as the only good-looking guy in just about any band he played in. I mean, face it… Continue reading »

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Oct 182007
 


In a recent thread that developed to a healthy subthread, Townsman Mwall spun it one stitch further and asked:

What was the moment in your life when you most compromised your musical values for some other purpose. Getting wasted, getting it on, getting paid, all strike me as possibilities here, but there may be others.

In the interest of frank confessions and inevitable healing opportunities, I bring this topic to the Main Stage. You’re among friends. Even the best of us have had moments where our usually strong Rock Values have waned. I look forward to your sharing – and our collective healing.

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Oct 172007
 

I found this while searching for something else on YouTube, and was absolutely mesmerized. The lyric, the impassioned delivery, the shit-hot backing band (that manages to make a five minute-long, three-chord workout seem too short)… just fucking brilliant. So tell me: where can I find more Dylan like *this*?

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Oct 162007
 

Momma

What influential band, if any, do you feel has been milked dry by bands that have followed in their wake?

Slapp Happy, “Blue Flower”

The Velvet Underground are the first band that comes to mind for me. I feel the noisy/drone thing has been milked. G.G. Allin adequately squeezed the teats of the degenerate thing for all it was worth. The lighter, repetitive thing has been done over numerous times by the likes of Yo La Tengo. The surprisingly tender thing…ditto. If a woman in a band with a charmingly weak voice never steps forward to take lead on a song over the next decade, the world of rock will not suffer. No offense to anyone who’s milked any one of these rock teats, by the way. They are all part of the fantastic fabric that is the legacy of the VU. The only thing that was not milked dry in the VU’s music was the band’s ease with older forms of rock, but I’m not expecting any younger bands – bands that probably can’t play a journeyman cover of a Chuck Berry song if their lives depended on it – to pick up on that strain of VU magic.

I’m sure you’ve got your own legendary rock band teats you’d like to see retired. Give momma a break! you’ve been thinking. Now tell us why.

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Oct 152007
 


(Pretty sure that’s Brian Stevens on bass.)

Brian Stevens loves you.

After Gerry’s Cavedogs All-Star Jam the other day I got to remembering how much I liked that Joyrides for Shut-ins album.

I knew they had gone big label after that (Enigma) and supposedly that album, Soul Martini, was big-labeled to death. Produced by Michael Beinhorn it is reportedly overly-slick. (According to a certain AMG guy named Stewart Mason.) Can anyone refute Mr. Mason on this account?

This was all I knew the last time I looked into the Cavedogs. Turns out that all three ‘Dogs did stuff afterwards. Guitarist Todd Spahr went on to form the Gravy. Looks like they had two albums released, both available on eMusic.

MORE INFO AND GOODIES UNDER THE FOLD.
Continue reading »

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