Jun 272007
 


More than a few of you may be aware of my love for Roy Wood’s solo masterpiece, Boulders. This one-man band outing represents, for me, a landmark in Prock, that is the as-yet-not-fully defined subgenre of progressively self-referential rock and pop music.

Wake Up
Rock Down Low

You may have heard my spiel before, even if you’ve never heard the album. You may have heard the album before, but even if you couldn’t stand it, I encourage you to grab a copy out of a dollar bin – hell, sadly almost no one wants their old copy – and listen to it in order, preferably a few times. I believe it’s an album of obsessive, whimsical craft and strange beauty. You’ve heard me rattle on about a song’s ability to meet the True Objectives of Rock. An album like this one surely was not part of the original plan. However, in the post-Sgt. Pepper’s era, when the artifact of a rock ‘n roll recording and album could hold as much value as the record’s emotional and rhythmic content, a special place was carved out for rock ‘n roll shut-ins to enjoy in the privacy of their own room. Boulders is just such an album. Do not expect to throw this on at a party and proceed to high-five your friends. See if you can stick in there for the first three tracks, and then see if you can hang on through track 7. If you can get that far, I beg of you to hold tight for track 9, the aptly named “Rock Medley”.

Effin’ Jeff Lynne! The guy used every move in Wood’s book, dating back to his pre-Lynne work with The Move through this stuff and the worst boogie-glam of Wizzard. Wood was the real deal, so real that he often sucked in his overreaching, high-concept flights of fancy. I don’t mean to get down on Jeff Lynne too much, because a Townsman played me the new album by that 40-piece band in the brightly colored robes. My god, Jeff Lynne’s worst work with ELO outshines that crap, but Lynne never put his Prock talents to work on such an inner plane as Wood did on Boulders. This album is sorely in need of some explanation. I’ve got some questions for Wood, and don’t think I haven’t been trying to track him down.

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Jun 262007
 

Work it now, work it!

What’s your favorite aside in a song (eg, Jimi’s “Move over Rover, and let Jimi take over!”)?

What’s your “go-to” insincere compliment for a show or record you really don’t like a whole lot?

What’s the most overrated studio overdub (ie, not part of the band’s standard live arrangement and not including double-tracking)?

What’s the worst part in a song you otherwise like?

Have you heard the new albums by Bryan Ferry and Nick Lowe, both due out today?

If 2000 Man can see the need for rewriting rock history through a Stones perspective, through what perspective could you imagine yourself rewriting rock history – provided you had the time, of course?

I look forward to your responses.

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Jun 222007
 


OK, as much as I’d love to turn a deaf ear to some of our Townspeople, for this weekend only I will open Rock Town Hall to the listing of Your Top 10 Rock Songs. Before you start listing, let’s get a bunch of things straight:

  • Lists without comments will be deleted from the record.
  • No Pretenders, no Contenders, no Honorable Mentions, no Ties…just give us Your Top 10 Rock Songs. 10.
  • I believe the call was for top 10 rock songs. In honor of that, soul songs will be allowed, but I’m not allowing pre-rock music (eg, Mwall’s borderline 1951 blues songs), classical music, or jazz. You know what it is you guys want to list, so deal with it!
  • What Mwall calls “problems” in selecting the list can be discussed as part of the comments that accompany lists, but we shall not use this space to debate any metaphysical issues that might arise in as you develop your personal selections. This is your decision. No one can help you make it. If you can’t make up your mind about what your top 10 rock songs are and you need assistance in determining guidelines for making these decisions, you probably don’t have a Top 10 list that would qualify as a Gold Standard, which is how I believe E. Pluribus described his Top 10 list the other day.

I’m sure other rules of order will develop as this thread continues, and I’m sure some rules will be allowed to be broken so long as they’re being broken creatively. As you post Your Top 10 Rock Songs list, you may want to ask yourself the following questions:

  • Do these songs meet the true objectives of rock ‘n roll?
  • Am I going to be perceived as cool, sincere, or both by posting these choices?
  • What song did I add to the list to make sure I was “covering a base” (eg, trying to avoid criticism for not including an artist or type of artist I think I should include to appear “well rounded”)?

Take your time. Make a good showing. I dread your responses.

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Jun 212007
 

Circa 1991, writing under an assumed name for the long out-of-print photocopied, folded, and stapled publication HEADline, Townsman E. Pluribus Gergely wrote the following piece on Eric Clapton. We’ve uncovered a rare copy of said publication and transcribed this piece to accompany this week’s discussion. Enjoy.

Must I wake up everyday with a splitting headache? The gods believe I should, or they would have done something about it long ago. I envy their sense of humor. To play with my existence as if it were nothing but a mere tinker toy obviously provides them with much delight. They will live eternally, knowing they have plenty of time to continually create things of value. I have not been allotted this time. The possiblilty that I will create anything even remotely beneficial to humanity is most probably improbable. Much precious time is indeed wasted on the so called practicalities of life, negatives in my book. If only I could learn the trick of creating something, anything, from the purely negative. The Judeo-Christian God supposedly created man from mere dirt (yeah, dirt, earth is way too kind). Celine, doctor and author of one my all-time favorite tomes, Death on the Installment Plan, earned a whole lot of extra money by showing the public what real filth is all about. Come to think about it, maybe there’s an angle to all this after all. Continue to follow me through this insufferable rambling, dear reader, and you’ll soon see what I’m getting at.

When I awoke yesterday, around 3:00 in the afternoon, my world appeared to be out of focus. Some commonplace images around the perimenter of my bed – a half-eaten bag of pork rinds and a well-thumbed copy of a late ’70s wrestling magazine, to name two – appeared to be blurry. The problem? No glasses! After placing my spectacles on the bridge of my nose the objects now had the illusion of being in focus. I use the word “illusion” because everything had the appearance of clarity, but old E. Pluribus knew better. He knew that a polished apple can be rotten to the core. He knew there was still something out of kilter, and the faint sound of a radio in the adjoining apartment provided the plausibilty for his inklings. Imagine the ensuing nausea that occurs when one is forced to start his day with a broadcast of “I Shot the Sheriff” by Mr. Eric Clapton, the so-called “bluesman”. Now there’s a word out of focus! Let me and my howitzer have have 5 minutes with Mr. Clapton, and he’ll find out what real shooting is all about!

Doris, my ball and chain, says that Eric Clapton has made a career out of singing through his beard. What she’s getting at is this: the beard is more or less a mask, or disguise of sorts, to cover up the fact that he is none of the things he thinks or says he is.
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