Folks: it’s with a somewhat heavy heart that I have to open up a dialog on a topic of some internal conflict for me, namely: how much do I really like Jeff Lynne?
The truth is, I’ve always been deeply conflicted about this guy. On the one hand, he wrote, arranged, performed and produced some of the most pleasing ear candy to emerge from the 70s — an era when radio competition was particularly fierce. For a while there, the guy was unstoppable, and *prolific* to boot. And those songs! Pure pop perfection!
Even his lesser numbers — like the material he tossed off for the godawful Olivia Neutron Bomb vehicle “Xanadu” — kicked ass. What pop tunesmith wouldn’t give his right arm to be able to write something like “I’m Alive,” or the title track from that movie?
And it’s not like Mr. Lynne doesn’t also have an impeccable pop/rock pedigree, to boot. Lesser rock nerds will of course know that he was a critically important member of the underappreciated late-phase Move, along with Mod fave Roy Wood. Serious Prock aficionados will even have heard a track or two from his admirable early efforts with the Idle Race. And — Lord knows — he keeps all the “right company” *these* days.
So what is it about this guy that keeps him rattling around in the same box where I keep my Jellyfishes, Ringo solo albums, Badfinger singles and such? More than any artist, I want to say — at the same time — “he’s awesome!” and “he’s a hack!” I mean, I don’t feel this way about Hall & Oates, fercrissake!
Is it the signature, unmistakable production? The have-your-cake-and-eat-it-too attitude towards wanting to be “orchestral” and candy-coated at the same time? The awful Look? Just plain jealousy? What is it?
I’m hoping that hearing what the rest of you think about Mr. Lynne will help me come to grips with my feelings on the man.
I look forward to your responses.