Apr 202012
 

Will Your Mystery Date Be a Dream or a Dud?

As our recent Mystery Date sponsor tonyola predicted, the song “Freedom,” a 1971 single from an obscure English group called Rocky Cabbage, was met with a few off-base guesses that it was from the 1990s. Rocky Cabbage also went under the name Majority One and had a couple of very minor UK hits. Some members of the group backed UK singer Barry Ryan on his over-the-top 1968 hit “Eloise.”

As your reward for playing along, tonyola offers you “Get Back Home,” released in 1970, under the Majority One moniker. Enjoy.

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2012/04/Majority-One-Get-Back-Home.mp3|titles=Majority One, “Get Back Home”]
Share
Apr 202012
 

Gov. Christie plays "The Big Man" to (NOT) Bruce Springsteen.

This (and the stories to which this piece links) may be among the Top 5 newspaper stories I’ve ever read. New Jersey Gov. Chris Christie responded—in depth—to reports that he fell asleep during a recent Bruce Springsteen show at Madison Square Garden. Love or leave the man’s politics, I think there’s something refreshingly pathetic and true in Christie’s retort. He’d be a lot of fun to have posting here in the Halls of Rock.

“When I was fist-pumping during ‘Badlands’ I’m glad nobody took pictures of that. When I was singing to ‘Out In The Street,’ no one took pictures of that. When I was contorting myself to ‘Because The Night’ no one took pictures of that,” he said.

So try this: ask a friend or loved one to read this story to you. As the governor did while listening to that “spiritual” new Boss song, lean back your head and close your eyes. Then try to imagine the all the photos Christie is thankful no one shot that night.

Share
Apr 182012
 

I’ve been a bit quiet around here lately because I’ve just landed myself a new job in as a technician in a town planning department, and I’ve been in a bit of a panic brushing up on (and learning from scratch some of) the things I will need to be able to do the job.

I ran my own business for a few years, but managed to get out just at the tipping point before heavy depression gave way to a nervous breakdown, and somehow in the midst of this found myself working for the local council.

This was about a year before the recession hit, and I spent a year being mocked for describing how people had simply stopped buying stuff from me and predicting that the mother of all depressions was about to happen. My father was self-employed all his working life and has described to me how he was a day away from bankruptcy several times, so I grew up knowing what recessions felt like, and also that they happen even if politicians tell you that this time they’ve brewed the snake oil to stop it from happening.

The three of us who had been taken on to do the most mindless task ever created by local government were sat just by the toilets, which gave ample opportunity for breaking off what we were doing to chat to people, or “network” as it is known these days according to Mrs H (MBA), and one day I was conversing with a town planner who has since become one of my best friends about music.

It transpired that neither of us had ever met another human being on the planet or any of the other planes we inhabit who admitted to enjoying An Evening With Wild Man Fischer, and certainly never met anyone else who owned a copy, before moving on to discover that both of us owned the record and that it had given both of us a great deal of pleasure, but that neither of our spouses would let us play it while they were in the house. Or the street. Or under any circumstances ever.

A few weeks later he told me that his administrator had walked out and asked if I might be interested in applying to be her replacement. I asked him what an administrator did and he told me he had very little idea, but thought that it was just “doing stuff.” I told him I could probably “do stuff,” so they sorted out the paperwork, and I’ve been “doing stuff” ever since. Before he moved on, we spent many happy minutes singing Larry duets at the start of our working day, until asked politely but firmly to desist by our colleagues.

I have often found myself humming this song since (although to be truthful I often found myself humming it before I became one). John Peel used to play it quite often, and I was always extremely fond of it.

Anyway, I’m not going to be a government administrator any more, but will have to think of myself as on the way to being a planner.

As a leaving present for the gang, I’d like to make a compilation of appropriate songs for planners, and also have some tunes in my head to hum when I’m thinking hard in my new job.

So I’ll start with the obvious: XTC, “Making Plans for Nigel”

Share
Apr 182012
 

Dick Clark, Bobby Rydell, and the Kidz

Dick Clark died at 82 years of age this morning of a “massive heart attack.” Although Clark probably resonates deeply with our demographic’s collective pre-rock nerd childhood, he probably doesn’t inspire the hipster love that the recently departed Don Cornelius did. Nevertheless, it goes without saying that he was a great man.

That said, can any Townsperson cite a more cherished American Bandstand moment than the following? He and his audience had it coming to them, no?

NEXT: Rock Town Hall’s Official Eulogy
Continue reading »

Share
Apr 172012
 

A friend passed along this sad note on Levon Helm‘s Web site. I knew Helm had been battling cancer, and he didn’t look like the picture of health over the last few years, but it saddens me to think that yet another member of a band that has meant so much to me since childhood, The Band, is about to cross maybe the greatest of divides.

The Band’s second, self-titled album is one of the first albums my uncle gave me when I was a little boy. I played it to death and wore out the textured gatefold album cover with all the time I spent gazing at those beards, almost groping at the pictures of them recording such magical music in regular-looking surroundings. Robbie Robertson was The Genius, but Levon had the best beard—and he sang “The Night They Drove Old Dixie Down” like his life depended on it. No, that’s not right: like the South’s legacy depended on it. I still get chills every time I hear that song. As a little kid the gave me a “living” sense of a significant piece of our nation’s history. A young Yankee felt a kinship with those ancient Southerners. I still do, despite the fact that I’ve hardly spent any time in the South excluding trips to tourist traps in Florida.

When The Last Waltz was released my childhood love of rock ‘n roll was rekindled in a big way. I started learning all sorts of nerdy things about The Band that I wasn’t aware of at the age of 6, including the band members’ Canadian roots, all but Helm’s, that is. He was the real-deal Confederate of my boyhood Civil War fantasies. Watching him sing with his head cocked, his shoulders hunched, and that half-smile was a revelation. I was used to seeing Ringo happily bashing away and singing “Boys” or whatever crowd pleaser he was assigned, but Levon was something else. He brought funk and fire to The Band that never came off hokey, the way the performances of a then-peaking Southern rock hero like Ronnie Van Zandt could to a private school-educated kid from the Northeast.

Continue reading »

Share
Apr 172012
 

Dear RTH, I’m writing to ask for your help. After my trip to the Experience Music Project, where I was able to see and hear lots of beautiful guitars, I’m still confused about this concept of “wet” vs “dry” sound. I’ve been trying to understand the differences, especially in light of Mr. Moderator’s musical preferences, and just when I think I have it sorted out, some track completely throws me into the spin cycle.

Could you please post your favorite “wet” and “dry” tracks so that I can better understand these sonic labels?

Much obliged, LMKR

Share

Mystery Date

 Posted by
Apr 172012
 

Let’s review the ground rules here. The Mystery Date song is not necessarily something I believe to be good. So feel free to rip it or praise it. Rather the song is something of interest due to the artist, influences, time period… Your job is to decipher as much as you can about the artist without research. Who do you think it is? Or, Who do you think it sounds like? When do you think it was recorded? Etc…

If you know who it is, don’t spoil it for the rest. Anyone who knows it can play the “mockcarr option.” (And I’ve got a hunch at least one of you know this one.) This option is for those of you who just can’t hold your tongue and must let everyone know just how in-the-know you are by calling it. So if you know who it is and want everyone else to know that you know, email Mr. Moderator at mrmoderator [at] rocktownhall [dot] com. If correct we will post how brilliant you are in the Comments section.

The real test of strength though is to guess as close as possible without knowing. Ready, steady, go!

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2012/04/Mystery-Date-041712.mp3|titles=Mystery Date 041712]
Share

Lost Password?

 
twitter facebook youtube