Feb 152011
 


I’ve never seen this clip of Elvis Costello & The Attractions playing “I Can’t Stand Up For Falling Down” before. It’s from a 1980 appearance on England’s Kenny Everett Show. I’ve never heard this version before. Is it an outtake or recording they made especially for lip-synching on the show?

We ran the following clip, also from the Kenny Everett Show, some time ago. If memory serves it was another video-only mix. I’d love to find a straight audio clip of this version of Nick Lowe‘s “So It Goes”: Continue reading »

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Feb 142011
 

In a world that’s already given us Bob Dylan and Dustin Hoffman, why is Leonard Cohen celebrated as a rock ‘n roll treasure?

I enjoy Leonard Cohen in small doses, especially songs from Songs of Leonard Cohen, his debut, which should have been entitled Suzanne and 9 Other Songs That Have Essentially the Same Melody as Suzanne. I like the way his music was used to haunting effect through Robert Altman‘s McCabe and Mrs. Miller. I know he’s a hipster and a lover and a poet and all that. He’s made love to many of rock’s most-beautiful, least-talented hipster women – in candlelight, no less! The jacket he wore during his 1970 Isle of Wight appearance is something I could study for hours. I even get his appeal as a cult artist, but is he actually something more than that? Do you experience a deeper level of appreciation that I’m missing? Should I feel the world would be a better place if the music of Leonard Cohen was running through more people’s heads?

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Feb 122011
 

Sounds of the Hall in roughly 33 1/3 minutes!

This week’s edition of Saturday Night Shut-In features a mellowed Mr. Moderator, who’s smarting slightly from the news that the beloved Steppenwolf Live album of his youth was actually one of those fake, in-studio “live” albums, with overdubbed audience noises. Fear not, your host doesn’t harp on this news, but I think it affects the evening’s overall mood. Before this realization gets him down, however, there’s some ’80s neo-garage-psych, a stunning instrumental from someone called Delicate Steve, and more.

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2011/02/RTH-Saturday-Night-Shut-In-15.mp3|titles=RTH Saturday Night Shut-In, episode 15]

[Note: The Rock Town Hall feed will enable you to easily download Saturday Night Shut-In episodes to your digital music player. In fact, you can even set your iTunes to search for an automatic download of each week’s podcast.]

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Feb 122011
 

In a recent thread Townsman dickbonanza asked, “Why do I like Dylan’s melodies more than his lyrics?”

Has anyone else ever felt this way? As much as I love some of Dylan’s more direct, personal lyrics, I’m sometimes so mystified by his more impressionistic ones that I’m happy to sit back and enjoy the melodies. For instance, I love the song “Visions of Johanna,” but I’m not able to begin to contemplate the lyrics. I have a friend who’s spent so much time analyzing and appreciating the lyrics to that song that he wants to wrte an essay on the topic. He’s a lot smarter than me.

Think of all the relative “lightweights” with conventionally great voices who’ve sung their hearts out on Bob’s music. Some of them must be as confused as I sometimes am by the words. In fact, perhaps as much as 40% of Dylan’s lyrics hold little interest for me; those songs are carried by the melodies. How about you?

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Feb 122011
 

This should be a rich topic, a fierce battle to see who’s Last Man (or Woman) Standing. Our goal is to cite—one song per post—songs that specifically cite a train, boat, or plane by name, number, or departure time. Descriptive terms that do not meet these criteria will not be accepted (eg, “Big Black Train”). Specifically identified rockets will also be accepted, but NOT cars, off-road vehicles, helicopters, dirigibles, buses (sorry, “Rudie Can’t Fail” and your famed 19 bus), bikes, or motorcycles. Identification by reference to a specific previous departure time will be accepted.

The time is yours…

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1974

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Feb 122011
 

The A.V. Club‘s website has started a new series of columns in which writers talk about their favorite year of music. The first one came out this week, with a very RTH-friendly choice.

There are a lot of years, I could choose as my favorite, but my first response is always 1974. That’s because of four albums: Randy Newman‘s Good Old Boys, Richard and Linda Thompson‘s I Want to See the Bright Lights Tonight, Big Star‘s Radio City and Steely Dan‘s Pretzel Logic. These albums all form a bedrock for a certain kind of music I really value. All those albums are weird pop of a sort: The musicianship is often understated (on the Dan album, it’s understated for them), but not boring; the lyrics are literate and intelligent, but they require a bit of work to penetrate. These albums don’t exactly set out to dazzle, but they create perfect senses of place and character. Each record slowly reveals something, the way a book or film might. As the cliche goes, they show, they don’t tell. You could call these albums “Rubber Soul for English majors.”

So, gut check time, and don’t think to much about it: What’s your favorite year in music and why?

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