In the recent, bizarre Twins thread, MrHuman mentioned that Bruce Springsteen has an original song called “Tomorrow Never Knows” that is NOT a cover of the Beatles’ song by that name. What really stuck in my mind, however, was MrHuman’s belief that The Boss has never done a Beatles cover. That’s hard to believe (didn’t he sing “Imagine” the night Lennon was killed?), but I’ll take him at his word, especially because it got me thinking about what Beatles song I could imagine Springsteen covering, and how much I would be likely be irked by that cover.
I need your snap judgment on the following Letterman performance of “Lucy in the Sky With Diamonds,” by The Flaming Lips and Sean Lennon.
Is it possible that Curtis Mayfield & the Impressions‘ “I’m the One Who Loves You” is so strong a song that not even a cheesy ’80s cover by Santana can ruin it? You tell me…after the break!
I’d like to start this historic post by thanking “snyder” for alerting us to a problem with the Categories links. The Back Office will certainly look into why the “Users Guide” category, for instance, no longer links to all threads specified for that category. I SUMMON THE BACK OFFICE TO CHECK OUT THE CATEGORY LINKS AND SEE IF THEY CANNOT BE RESTORED TO THEIR INTENDED PURPOSE. Thank you.
Next, I would like to commend “snyder” for voluntarily leaving the H-block, coming into the light, and ending his RTH Hunger Strike. In the soft-spoken,, tactful manner that characterized his participation on our original listserv version of Rock Town Hall, he worked through the technical glitch of the Users Guide category and posted the following astute comment and thread-initiating question:
Where the fuck is this user’s guide? A fuckin’ comment box does not explain shit. If this is how one is greeted when coming out of the wilderness, better to be the Unibomber.
Well, I’ll put the point of things here and leave it to whatever circle of hell this will be trapped in:
Would someone explain to me the appeal of the Miracle’s “Save Me?”
I got an email the other day with this video:
Two acts in the Snyder pantheon, the Saints and Undertones, (as well who knows how many others) have also recorded covers of this in their day. Why is that? Why not a cover of “More Love” (my own slightly more personal favorite amongst dozens of other great Miracles songs)? It’s not that I dislike “Save Me,” but in it’s original time I have to say it barely made an impression on me. And even today I can’t say anything stands out about to me.
The man has spoken. In public. For all the world to see. Please explain to our old friend the seemingly exaggerated love for “Save Me” among punk artists.
Greetings once again, fellow seekers of the rare, the rockin’, and the rubbish-y! I come before you bearing two more dusty discs for your amusement, scrounged from the flea markets, thrift stores and garage sales in and around our nation’s capitol.
Over the years I’ve been buying my music this way, I’ve come across a number of tunes that were originally introduced to me through “cover versions” by artists I grew up with. Old, scratchy blues 45s and 78s show me what the Fabulous Thunderbirds were listening to back in the 70s, and there are any number of uptempo party/soul records that clearly had a treasured spot in the record collections of members of the J. Geils Band.
Every now and then, I run into singles that sound like they should have been covered by this or that band from my youth. I’m presenting two of them to you today.
The first is entitled “Good News,” by Eugene Church, and I think it coulda, shoulda, oughtta have been one of those foot-stomping party tunes cranked out by the J. Geils Band during their mid-70s heyday. I can hear Magic Dick and J. doubling down on the faux morse code intro, and Stephen Jo Bladd joining in on the “hoo… hoo”s during the verses. Of course, the thing would have been sped up and rockified like all their covers, but that’s okay.
Next up: a song called “We Need Love,” which I would have loved to hear by NRBQ, and sung by Big Al Anderson — who, quite frankly, already sounds like he stole a trick or two from the vocal playbook of Ray Scott, the artist you’ll hear here. I just love the enthusiasm Scott shows for the lyric, which he manages to transform into quite a lusty affair.
I hope you enjoy, and, as always, I look forward to your responses.