Jun 052008
 



The other day, when Townsman Sammymaudlin took it upon himself to drop a huge electronic dump on The Germs, I gladly dropped my drawers and added to the dung heap. It turns out I was not alone in having my issues with that band and with hardcore in general. Others were mystified by the negative reactions, telling us we “had to be there” to appreciate these bands, that neither sounded good on record nor, for that matter, in concert. Townspeople candidly shared stories, displayed scars, and acknowledged their own shortcomings. I’m OK, You’re OK, was the prevailing sentiment. It was a moving day, yet one Townsperson was not satisfied. SoCal transplant Mwall still needed an explanation as to why some of us felt The Germs sucked. He was not satisfied by the resulting inability of Germs sympathizers to explain why they were good. It’s as if he thought we were obligated to adhere to American values like Innocent until proven guilty.

To his credit, Mwall did not back down. He kept at us, finally recommending particular songs that we should hear – without prejudice. And so I acquired the songs he recommended; cleared my mind of all memories of hardcore dudes scoffing at my own band’s particular brand of “pussy” music; and cleared my mind further of those same dudes, a few years earlier, before they gave up on their aspirations of being the next Tony Iommi and took up hardcore instead, even then scoffing at my friends and I for being such pussies. Let’s just say I was very clear and open-minded before revisiting The Germs. I’m, like, totally Pacific as I revisit these Germs songs I dismissed on one listen nearly 27 years ago. Following are my thoughts and the songs, for you to play and revisit alongside me.
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Jun 052008
 

To get California Day on Rock Town Hall rolling we’re posing a set of “Going to California”-themed questions that ask for your gut responses. We’ll keep it mellow, though. Why don’t you put down the top and follow us up the Pacific Coast Highway? Our special Going to California Edition of Dugout Chatter follows the jump!
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Jun 052008
 

Hey, I remember reading about this band! This was Tom Petty‘s Gainesville, FL band before he was signed as a solo artist, putting Mudcrutch bandmates Mike Campbell (guitar) and Benmont Tench (keyboards) on the payroll. Last month saw the release of an honest-to-goodness Mudcrutch album, with guitarist Tom Leadon and drummer Randall Marsh easing back into what must have been a 32-year interrupted dream. Meanwhile, the three who carried over to the Heartbreakers get a chance to cultivate their beards, get their garage band improv back on, and stray-with-permission from the endless open marriage that is the Heartbreakers.. As Campbell told The Boston Herald, “One of the problems with the Heartbreakers is too many hits…There’s very little room for spontaneity and discovery. This band is all about that. As a musician, that’s just a gift.”

Petty and his Heartbreakers buds have been showering lovers of well-crafted, old school rock ‘n roll radio with gifts for years, so they’re more than welcome to treat themselves to a quickly produced getaway with the old gang, but someone’s gotta listen to this album. Considering that Petty long ago fired Heartbreakers’ powerhouse drummer Stan Lynch; played bassist Ron Blair like a yo-yo; made solo albums, per se, without the Heartbreakers that were indistinguishable from the albums with his backing band; and got to mix it up with The Traveling Wilburys, it was hard to imagine how different the reunited Mudcrutch could sound with Petty on bass and two other guys replacing the members of the Heartbreakers with more tenuous grips on their jobs. Was this some elaborate plot to ditch Blair for a second time along with drummer Steve Ferrone and the band’s “Oliver”-turned-fulltime member, Scott Thurston? Was this a softball for director Peter Bogdanovich, who directed last year’s Petty and the Heartbreakers biography, Running Down a Dream, to develop a screenplay?

“Lover of the Bayou”

As I spun this thing the first couple of times, sure enough Mudcrutch sounded very much like Tom Petty and the Heartbreakers, with three key exceptions.
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Jun 052008
 


I just found out about this new compilation this week. It’s a collection of Randy Newman compositions from his songwriter-for-hire days in the ’60s. Artists featured include Dusty Springfield, Eric Burdon and the Animals, and Fats Domino. It appears that album came out in April of this year on Ace Records, a British label. Hey, BigSteve and Dr. John: You guys hear about this album? Looks pretty cool. Details here.
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Jun 052008
 

California Grass

Take a good look at this simple map listing California towns. How much California grass can we cover powered solely by songs citing specific California towns? Feel free to cite songs citing towns not specified on this map. I don’t need songs citing the entire state. There’s no blanket song citation. We need to go town by town. Got it? Let’s get to it!

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Jun 052008
 



In celebration of California Day here at RTH — and feel free to correct me if I’m wrong — I submit that “Those Shoes” by The Eagles is The Most Coked-Out Song Ever.

First, take the arrangement. It’s not enough to have one talk box guitar. No, here, all the guitars have bendy mouth things on them, the better to convey the sound of snorting noses. Then, there’s the mix of drum machine and Henley beats. (Guess which of the two has more swing.) The relentless, unchanging bass line convinces me that even mellow nice-guy Timothy B. Schmit is feelin’ kinda nervous right now, man.
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Jun 052008
 

Wiley Publishing recently contacted The Back Office with a request that Rock Town Hall review their upcoming release of Heaven and Hell: My Life in the Eagles (1974-2001) by Don Felder and celebrity biographer Wendy Holden. Our request for an interview with Mr. Felder (we even told them we had a correspondent in Australia) was politely responded with an offer for a free review copy of the book. We don’t even have to return it!

RTH lurker, avid rock bio reader and spouse of The Back Office, took on the task of summing up this Topanga-tinged tome.

There is suffering even if you are a ’70s rock star …well, in a rock band in the ’70s…Don Felder was never really allowed to be the star of The Eagles because Don Henley and Glen Frey sucked all of the oxygen out of that jar.

Heaven and Hell is Felder’s co-written autobiography of his rise from dinky Florida house without air conditioning to Malibu Beach House and then back again to one-bedroom, post-divorce apartment. I’ve read almost every rock autobiography and biography that I come across, and many share the same cycle:

  • Rags to riches.
  • Then rags again for awhile.
  • Then, not so many rags.
  • Many riches.
  • Lose all the riches, usually due to blow or legal fees.
  • Then Reunion tour.

Don Felder got fired in 2001, though, after Hell Froze Over. His manager, who also managed all the other Eagles, let him know over the phone that his services wouldn’t be required anymore. Ewww…almost like he was temping at Manpower.

Life in the Eagles sounds like hell. They shoulda all been banking their massive paychecks and counting the days until retirement arrived. Various forms of anesthesia helped everyone through the moments they were required to spend together.

Felder says that a good home life with a wife and kids helped him gain something to return to when he wasn’t touring or recording, but I couldn’t help but imagine how independent a wife would have to be to raise four kids without him around. When he was at home it must have been like having a guest in the house. His wife got a life, so he called her and fired her over the phone. Ewww…almost like she was temping at Kelly Girl.
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