I don’t have satellite radio. Perhaps this is already happening, but if not, why don’t record labels simply own their own stations and play almost nothing but their own music, the way television stations play their own productions? This would do away with any concerns about payola, in whatever forms. Why shouldn’t radio stations be tools of particular labels?
Believe it or not, this one came to me in a dream last night: I noticed for some reason that by changing just one letter in the name “The Doors,” the band went from being a shirtless bunch of hedonists on a drug-fueled pleasure cruise to the center of the sun…
… to “The Dours” — a scowling, uptight Amish bible-study group.
I woke up thinking this might provide good RTH fodder — and an activity at which I know punny Townsmen like mockcarr would excel. I suppose the rules are clear enough from my example — just know that you get extra credit for producing a big change in meaning with a little change in letters.
I look forward to your responses.
HVB
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Johnny Rotten/John Lydon is forever sandwiched between two archetypal career points. Not even years of mocking his legacy and “selling out” both the Sex Pistols and Public Image Ltd. with shows at casinos has freed him from his past. He seems fine with it, but not all artists are so comfortable trading in on their past glories.
Name an artist you feel has transcended his, her, or their initial, archetypal image, and name one you feel has tried at least once but failed miserably.
As a way of developing conversation around today’s new poll, please feel free to expand on your answers to the poll here.
Which form of band name is the most reliable indicator that the music of said band will stink?
- Band name is nothing but a city or state name (eg, Boston but NOT New York Dolls, in which “New York” functions as a modifier).
- Band name is composed of nothing more than three or more band members’ surnames (aka, “law firm” format).
- Band name is a phrase of four or more words.
- Other, which I will discuss in this thread.
Friday night, April 16, in Philadelphia marks a long-awaited reunion show for Baby Flamehead, a late-’80s local (at least) sensation featuring two of our regular contributors. The show will be at the M Room. There’s not a whole lot more I can say about the band and how much I intend on enjoying this show. For this reason and others that I’m too classy to explain, I’m getting a headstart on our occasional Friday Flashback feature. Enjoy!
This post initially appeared 12/6/08.


I saw this photo of Baby Flamehead, a cool Philly band from my youth, featuring two old friends and Townspeople, General Slocum (Andy Bresnan) and Mrclean (Dean Sabatino), and took a walk down memory lane. Your memories might differ, but won’t you join me?
Baby Flamehead, “Badadadadup (Live on KCRW in 1990)”
Long before he achieved rank as General, I met the young Mr. Slocum, if memory serves, through an English class at Temple University that we blew off almost as often as we attended. The lure of checking out the latest arrivals in the record bins at the Temple bookstore sometimes took precedence over the instruction of our Paul Simon lookalike professor. For some reason the bookstore had a line on cutout Klassic ’60s Kinks albums (cheap Spanish pressings), the EMG catalog (ie, Eno, Fripp & Eno, Jon Hassel, Penguin Cafe Orchestra, etc), and some high-brow jazz (eg, Anthony Braxton) I would not otherwise have risked more than a precious $1.99-$2.99 on checking out.
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I enjoy hearing rock ‘n roll songs mentioning specific blends of tea. Such references always bring a smile to my face, in part for reminding me of The Rutles and in part for reminding me of a Rutles-inspired band in which I once played. We got a lot of mileage out of tea references, probably too much – and for that reason I’ll refrain from suggesting any songs I was involved in writing and performing with this long-forgotten side project.
Driving to work this morning I turned up the volume on a favorite late-’60s anthem, of sorts, only to hear a specific blend of tea reference that I’d never noticed before. I wqn’t tell you what song it was now, and I’ll only play that card if no one else lists it and I see a chance to win this whole ball of wax. Who among us will be the last man (or woman, it goes without saying) standing to list a rock ‘n roll song mentioning a specific blend of tea? Remember, it’s got to be a rock ‘n roll (or closely related) song (ie, no pre-rock ‘n roll Noel Coward number) and it’s got to cite a specific blend of tea. For instance, this legendary tea anthem, The Kinks‘ “Have a Cuppa Tea,” does NOT qualify because it does not cite a specific blend of tea. I checked to see whether “Rosie Lea” was a blend, but it turns out it’s Cockney rhyming slang for “tea.”
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Because there may be so few options in this Last Man Standing competition, I’ll leave it to you to kick off the opening salvo!




