Mr. Moderator

Mr. Moderator

When not blogging Mr. Moderator enjoys baseball, cooking, and falconry.

Jan 102012
 

A recent comment in another thread by misterioso regarding my usually intense dislike of any “football anthem”-style song by The Jam (eg, “Billy Hunt”) got me thinking about singers I usually like who nevertheless have a certain vocal range or affectation I consider a “danger zone,” an area that usually saps their vocal superpowers, or at least my ability to enjoy their singing voice. Paul Weller sounds like he’s vomiting mud whenever he sings one of those hooligan chant songs. I’m curious to hear whether you share my feelings over the following singers’ vocal range or affectation danger zones, whether you find other zones to be hazardous to your enjoyment of their voices, and whether you want to identify another singer you like who has a a clearly dangerous vocal range of affectation.

As an example of what I’m talking about, although I will not include this singer in my list, because he’s got too many danger zones for my tastes, as soon as David Bowie slips into his “Anthony Newley” voice (eg, “Stay”) I’m most likely lifting the needle. To my ears, that is an incredibly unpleasant vocal affectation from a frequently enjoyable singer. He has other vocal affectations that have been known to spoil the party for me, but that one is really annoying.

Another example is Jim Morrison‘s voice almost any time he tries to “rebel yell.” For a guy with a deep, manly voice, he’s got one of the worst rock yells in history. Listen to him try to exhort his bandmates into a solo on “Break On Through” or “L.A. Woman.” I am willing to give Morrison plenty of rope, in part because he’s so unintentionally funny, but it’s sad hearing him attempt to do a rebel yell. Another rough-voiced singer who suffers from this weakness is David Johanssen. He can push it so far on those New York Dolls records and sound pretty good for a guy with a lousy voice, but push it one step too far and he sounds as phony as he would in any of his future performance guises.

Following are a few singers I like a lot so long they stay clear of their danger zone, at least as I hear it.

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Jan 072012
 

Sounds of the Hall in roughly 33 1/3 minutes!

In this week’s edition of Saturday Night Shut-In a home construction job forces Mr. Moderator to confront his rock ‘n roll hoarding tendencies, pulling out forgotten tracks from CDs buried in a closet that has since been demolished. Eventually the show takes a Philly-centric turn, although out of respect for his international audience your host spares you his recent social media rants against the demise in the quality of his beloved Tastykake Kandy Kakes, a beloved local snack cake and pie company that was bought out by a Georgia company a couple of years ago. Let’s just say the Moderator’s going to be chewin’ it old school!

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2012/01/RTH-Saturday-Night-Shut-In-61.mp3|titles=RTH Saturday Night Shut-In, episode 61]

[Note: The Rock Town Hall feed will enable you to easily download Saturday Night Shut-In episodes to your digital music player. In fact, you can even set your iTunes to search for an automatic download of each week’s podcast.]

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Jan 062012
 

"Put a quarter in the jar, Pete!"

When you get to the 1:25 mark of Pete Townshend‘s demo for “Doctor Jimmy,” from the spectacularly fascinating Quadrophenia box set, listen closely and tell me what’s missing from the album version, the version we know so well and listened to while trying to make sense of our teenage angst.

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2012/01/10-Doctor-Jimmy-DemoDemo-Version.mp3|titles=”Doctor Jimmy” (Demo)]

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Jan 062012
 

Consider this a Last Man Standing Speed Round of sorts. I’ve kicked things off with Pilot’s “January.” Now, in order, can we list—one song per post, in our well-established “don’t bogart that Last Man Standing thread” tradition—songs featuring the next 11 months?

To rule out cover-all-angles fall-back songs like Neil Sedaka’s “Calendar Girl,” the first month mentioned in each song is the ONLY month that can be used.

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Jan 052012
 

It is time to resume play in our tournament to determine—once and for all—rock’s greatest backing band ever.

The first two rounds have been completed. The attached grid shows where we stand as we enter the Regionals: REGIONALS 12/23/11

Feel free to think ahead to coming Regional battles as you begin work on the present conference match up. Meanwhile, tournament play resumes with the Legacy Conference. Four backing bands remain: The Crickets vs The Tennessee Two and The Texas Playboys vs The Famous Flames.

Because the selections from this point forward are so crucial to future generations’ understanding of rock history, play will follow a different course of action in this round. Before any voting can take place, Townspeople are encouraged to post comments and YouTube clips of the backing bands you support in this round. You may begin launching your campaigns now. After a few days of lobbying and counter-lobbying the poll for this conference’s regional round will open. We don’t want any rash votes on Day 1 that you may regret on Day 3 of discussion. Dig?

VOTING IS NOW OPEN THROUGH Monday, January 9 @ 11:59 pm.

Regionals, Legacy Conference: The Crickets vs The Tennessee Two

  • The Crickets (88%, 15 Votes)
  • The Tennessee Two (12%, 2 Votes)

Total Voters: 17

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Regionals, Legacy Conference: The Texas Playboys vs The Famous Flames

  • The Texas Playboys (52%, 14 Votes)
  • The Famous Flames (48%, 13 Votes)

Total Voters: 27

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Jan 012012
 

Hope your New Year’s celebrations were swell. Before 2011 is out of mind do tell what shocking musical revelations were revealed as the year came to a close!

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