Feb 102012
 

At the end of Stephen Malkmus‘ long guitar jam “No More Shoes” he begins singing the chorus of the KISS disco atrocity “I Was Made for Loving You,” a direct musical reference to another song through a brief performance within the contemporary song. That’s what I’m talking about! Songs that merely mention other songs don’t count; the referenced song must be included as part of the performance, be it a direct vocal (with original lyrics) or key instrumental passage. Got it?

Beside the Malkmus reference I can immediately think of 3 other examples, 2 of which are by the same band (and 1 of those 2 is a reference to one of that band’s own songs). Collectively, you are much smarter than me, so I trust we’ll come up with at least 5 entries in this difficult challenge.

Two more exclusions:

  • The referenced excerpt must be performed specifically for the newer recording; the inclusion of previous recordings, such as the early Buzzcocks records heard on the “radio” at the beginning of “I Believe,” do not count.
  • References to songs within the same album on any concept album/rock opera DO NOT QUALIFY. Sorry, those of you who were planning on loading up this LMS with Who self-references from their rock operas.

As always, don’t bogart this thread: one entry per post, please.

Make me proud!

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Feb 092012
 

Semifinals, Legacy Conference: The Crickets vs The Texas Playboys

Finally, we enter the Semifinals round of our tournament to determine—once and for all—rock’s greatest backing band ever! The first three rounds have been completed. The attached grid shows where we stand entering the Semifinals: backingband-tournament-64_SEMIS

The final two backing bands in the Legacy Conference battling to move forward are The Crickets and The Texas Playboys. The winner of this match will play the winner of the upcoming Expansion Conference match.

Through the long, painstaking course of this tournament adequate arguments have been made on behalf of all the semifinalists. That doesn’t mean you’re not encouraged to continue arguing for your selection in this round, but you are welcome to cast your vote now. Voting in this match will run through 11:59 pm on Friday, February February 10, 2012.

Semifinals, Legacy Conference: The Crickets vs The Texas Playboys

  • The Crickets (57%, 16 Votes)
  • The Texas Playboys (43%, 12 Votes)

Total Voters: 28

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Feb 092012
 

Has anyone caught the Cameron Crowe-directed documentary on the Elton John–Leon Russell collaboration that premiered on HBO last week?

I am an unabashed big fan of Leon Russell. I think his early ‘70s albums were as good as it gets. (An early RTH thread on best string of albums probably didn’t mention Leon Russell, Shelter People, Asylum Choir II, and Carney but should have.)

I always liked Elton John’s early hits and had his first two albums. He’s also an artist that I have grown to like more and more as time passes. Back about a half-dozen years ago I bought all the early albums when they had the reissues cheap at the BMG club and was pleasantly surprised by just how much I liked them.

So, not unsurprisingly, I greatly looked forward to The Union, the Elton-Leon collaboration that came out in late 2010. And if it wasn’t as great as I wished it might have been, it was a lot better than I feared it might be – and that’s not as much damning with faint praise as it sounds.

I greatly enjoyed this documentary. It’s really Elton’s show but then so was the collaboration. The backstory, for those who need it, is that Russell was a great inspiration and hero for Elton way back when. They hadn’t been in contact for decades and somewhere along the way Elton became aware of Russell’s circumstances—Russell’s apparently pretty much broke, playing small clubs, health issues—and Elton wanted to get him the recognition he (John) feels he (Russell) deserves.

Continue reading »

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Feb 092012
 

The Little Man!

You’ve probably heard this already but Bruce Springsteen is bringing Clarence Clemons‘ nephew, Jake “Little Man” Clemons, on the road to cover some of The Big Man’s sax parts. I had no idea this guy existed until today, but just last week, during the Super Bowl, chickenfrank, sethro, and I were saying it would be good if Clarence had a son or small-in-stature kid he rescued from the streets who could replace him in the E Street Band. The Legacy is served.

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Feb 072012
 

This is your Rock Town Hall!

If you’ve already got Back Office privileges and can initiate threads, by all means use your privileges! If you’d like to acquire such privileges, let us know. If you’ve got a comment that needs to be made, what are you waiting for? If you’re just dropping in and find yourself feeling the need to scat, don’t hesitate to register and post your thoughts. The world of intelligent rock discussion benefits from your participation. If nothing else, your own Mr. Moderator gets a day off from himself. It’s a good thing for you as well as me!

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