Let’s list them, Last Man Standing style! But remember, don’t bogart this thread: only one entry per post, please.


You may recall a piece E. Pluribus Gergely recently published in which he dismissed the first two Stooges albums and only showed mild appreciation for the more conventional Raw Power. I still can’t decide which opinion is more shameful. Speaking of shame, it’s a shame that main thrust of his essay overshadowed some sweet memories of a kind-hearted record store clerk who turned him onto The Rolling Stones‘ 12 X 5 album and, in turn, the music of African American forebearers of the Stones’ particular brand of urgent R&B.
In his piece on The Stooges, EPG also managed to take a shot at Led Zeppelin. Being from his generation and the same strata of proto-cool (ie, incredibly nerdy) high school kids, I got where he was coming from. However, times have changed. We’ve grown. Most of us, that is.
My buddies, The Falcons, caught wind of E.’s continued dismissal of Led Zeppelin, and we want to know what his beef is with them? First, let’s examine his dismissal of a fellow English, authentic blues and R&B-loving band, quote:
I saw this performance by Humble Pie the other day, and I keep coming back to it for so many reasons: Steve Marriott’s overalls, his receding shag, his guitar playing and typically amped-up singing style, the rest of the band’s heroically pedestrian backing, and the general bloke-iness of the whole affair. Is there a better example of Block Rock than this?


In second grade, I discovered 12 X 5 in the attic of a friend’s house during a not-so-interesting sleepover. While my buddy and his parents slept (they were heavy drinkers and always passed out early), I wandered around their museum-like house. Anyone’s good stuff was always in the basements and attics. Unfortunately, the basement was off limits because about a fourth of it was flooded, so I headed for the attic. It was teeming with hippie stuff that his older sisters left behind when they moved out: black-light posters, games like “Kerplunk” and “Shenanigans,” ripped up copies of Creem magazine, and best of all, LOTS of records, the highlight being one with a cover featuring the band members’ faces semi-buried in dark lighting. They looked like well-dressed thugs. Printed in the corner of the cover was the word “London.” Man, this was a real find. This thing came all the way from London! Somehow or another, I managed to get it out of the house and home to my white and orange General Electric record player. One spin, and that’s all it took. Each and every visit to the turntable delivered like a roller-coaster ride. From that day on, it was Rolling Stones 24/7, including dreams, night after night, in which I hung out with them, knowing they were probably up to a lot of stuff that was really, really bad, but disregarding all that because just being in their company was such a thrill. Simply put, they were sooooooo cool!
Facebook reminded me that it’s the anniversary of the morning I woke up to this dream, one of my 3 Most Memorable Music Dreams.


Have you ever had a music dream? The other ones that stand out for me are the time I got to meet my childhood heroes The Band in the basement of a club, a basement that wasn’t too different from the one on The Basement Tapes. I met them, however, on one of those post-Last Waltz shows, before band members started dropping, as Robbie Robertson feared they would, if they continued on The Road. One Band member was more out of it than the next. It was a very sad dream.
A joyous music dream I won’t forget is the time I saw David Thomas of Pere Ubu live, wearing a gold lamé suit and singing Elvis Presley‘s “Burning Love.”
Just outside my Top 3 list is an image-free dream I once had of hearing a Frippertronics version of Them‘s “Gloria.” If I had the patience, I might one day be able to make that dream come true.