Nov 152010
 

So, I’m sitting at work listening to Tokyo Police Club, who I kinda dig. The reason being, they play super energetic, fun, angular pop-punk, which is kinda my sweet spot. But it brings up a concern I have (or rather a realization) that, after bands get to a certain age, I kinda turn off to them.

This is due to a number of reasons: I think once bands get to a certain age, they understandably mellow and get a larger world view, which, while I respect, I don’t necessarily want from my rock and roll. Is it that all these young bands churning out three-chord rock and singing about love in a naive way really rock in way that older bands … can’t??? Then, as these same bands age, they just don’t come to the plate with that kind of energy. I probably wouldn’t want to have dinner with these young-uns but I respect their youthful musical zeal.

Am I becoming a rock Roman Polanski? Anyone else feel the same way?

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Nov 152010
 

That recent Lou Reed post got me thinking, How does a rock and roller get to be labeled a “poet” anyway?

Do you have to declare it, like Jim Morrison?

Do you have to have a lot of Bohemian affectations and let others christen you as such, like Patti Smith?

Clearly Leonard Cohen is the real deal because before he was a songwriter he won that poetry award in Canada. But are his lyrics poetry?

Dylan will no doubt get mentioned here but I always got the sense that he’s just messing with his fan’s heads because they are so obsessive about trying to find some deep universal truth in everything he writes.

Is Lou Reed, on his best day (say, “Venus in Furs”), really a poet?

And where does all this leave someone like Smokey Robinson, whose lyrics are simple, and perfect for the songs they inhabit?

Part of the problem here is that I haven’t read a lot of poetry outside of Bukowski and some of standards that you have to read for high school, so maybe a lot of this stuff is great Poetry and I just didn’t realize it.

Are there songwriters that you consider Poets (as opposed to just very clever lyricists)? Please include an example of what you consider to be poetry in lyrics. I think the criteria should be that the words stand on their own without the music.

Previously.

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Nov 152010
 

Mom!

Here’s our second episode of Saturday Night Shut-In, the roughly 33-minute, 33-second–Rock Town Hall podcast hosted by yours truly.

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2010/11/RTH-Saturday-Night-Shut-In-2.mp3|titles=RTH Saturday Night Shut-In, episode 2]

Download episode 2 (31 MB).

This week, inspired by a recent conversation with my teenage son, I dip into my childhood singles collection, a scratchy, fingerprinted mess of ’50s through early ’70s nuggets, many of which were given to my by my then-mustachioed, wide-collared velvet shirt-wearing, piano-playing, baseball-and-music–loving uncle. It was a fine preteen rock ‘n roll education, in which I learned the values of kicking it out, midrange, walking basslines, chooglin’, and patience for the big payoff in a 3-minute single that seemed to last forever when I was 11 years old. Through the years I’ve also continued to dig the extra visceral charge provided by the gradient, as my sophisticated son puts it, or surface noise, of these old records. Maybe you will too. Enjoy!

I encourage fellow Townspeople to contribute their own episodes. Contact me off list if you’re interested. We already have a couple of Very Special Guest Shut-Ins lined up!

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Nov 152010
 

What’s up with Lou’s Look in this poetry reading? And what’s going through the mind of the woman up front, in the bottom left corner of the screen when the camera is looking out into the audience? Other than the thoughtful hand placed at chin with forefinger pointed over the lips, what are the appropriate options for facial reactions by audience members while taking in a rocker’s poetry reading?

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Nov 152010
 

B.A.D. production?

Don’t you hate it when there is a really good song that you used to love, but listening to it now you realize that the production sounds horribly dated? Maybe it’s because the production screams, “Hey, this new synthesizer just came out, here is factory patch #11 as the song intro!” Or, “Check out the massive reverse gated snare sound!” Or, “Listen to my new guitar effects processor!” Now, this is not the same thing as a recording that is simply of its time, or from an artist with a unique sound. Whether or not you like the B-52s, the sound is their own, and not really dated. And a crappy song isn’t really hurt by a dated production style. I’m talking about songs that would be great if they just toned down the production, but instead are mediocre or worse. And the opposite: a song so good it overcomes the dated or excessive production.

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Nov 152010
 

We tend to think of grant writing and rock ‘n roll as a practice that only takes place in Scandanavian countries, but surely it is possible for American musicians to apply for grants to fund their high-brow rock excursions. What else would explain the rock-related career of Laurie Anderson?

For the good of musicians hoping to land a grant for their next rock project, please assess this video for its fine demonstration of elements of rock ‘n roll grant writing. I’ll tell you one thing that impresses the organizations awarding these grants: Adrian Belew.

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