May 152009
 

UPDATED: FOLLOW COMMENTS FOR CAST OF ROAD HOUSE TRADE CHALLENGE!

Last night, following a very long day of business and pleasure, I got home around 10:15 pm, checked e-mails, confirmed the losing score of the Phillies’ game had not been overturned, and then flipped channels for a spell until I could barely keep awake. Then, just as I was about to call it a day, I saw that Ken Russell‘s Tommy was about to come on! This is one of those train-wreck movies I can’t help but watch whenever it comes on. I was both fascinated and repelled by it when I saw it in the theaters as a kid, and my reactions to the movie have not changed since then on repeated small-screen viewing. I knew from the start that I would pay for staying up an additional hour today—my brain was already starting to throb from overuse—but I rationalized that it had been some time since I saw the opening scenes, with the boy actor as Tommy. Beside, I told myself, it would be good for Rock Town Hall.


I ended up watching through the scenes with the boy and the first, highly influential scene with Roger Daltrey as the deaf, dumb, and blind adults Tommy being taken by his mom, Ann-Margret, to the Marilyn Monroe-worshipping church led by Blooz Minister Eric Clapton. I consider this film highly inspirational on a personal level because Daltrey exemplified what would become one of my most cherished bits of comedy at home: my love for and impersonation of actors acting blind in movies. No offense to our blind Townspeople checking in, but Hollywood really gave you the shaft when it came to a lousy repertoire of approaches to acting blind.
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May 152009
 

Hrrundi V. Bakshi was here.

Last night, I drove the 100 or so miles from DeeCee to Richmond, VA to see a band I get kidded around a lot for ’round these parts: ZZ Top.

Some of you might be surprised to learn that this was the first time I’d ever seen the band, given my fan-boy love for almost all things Zeezy, and particularly Gibbonsian. Nevertheless, there I was, at a peculiar, very small outdoor venue (seemed more like a neighborhood park, and there couldn’t have been more than 1500 people there) — and I was frankly surprised how much the band rocked — with a weird, loping groove they seem to have developed in their dotage. I’ve never heard anything like it. If it weren’t mathematically impossible, I’d say that the whole band was playing behind the beat. Billy’s playing was especially stellar — I was worried what I might see, after witnessing some pretty shambolic TV appearances in recent years. No worries there; the Rev was ON.

Anyhow, the show was definitely worth the $20 I paid to see it, and might have even been worth the five-hour round-trip drive. But that’s not why I write!

I’m writing because ZZ Top was on my increasingly short list of “bands I really need to see while I still can/really should have seen while I had the chance.” I’m here to share my list, indicating whether or not I got to see the artists on it — and I hope you’ll share yours. Please note that historical impossibilities are not allowed — but missed opportunities are. Here, then, is my list, in no particular order, to serve as example:
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May 152009
 

Here’s an oldie but goodie I thought might be worth revisiting. Please read the set-up closely: the Rock ‘n Roll Mendoza line is meant to identify something more than a 1-hit wonder not even worthy of further consideration as a strong artist. The first time this ran we had some good feedback from a number of Townspeople who’ve been less active of late or checked out altogether. Now that you’re here, feel free to extend this discussion.

This post initially appeared 0/13/07.

You know what baseball’s Mendoza Line is, right? Named after former Pittsburgh Pirates’ light-hitting shortstop, Mario Mendoza, it refers to a sub-.200 batting average, the surest sign of offensive failure in the sport.

Today I’d like to hear about Your Rock ‘n Roll Mendoza Line, that point at which an artist who has at least 1 song that you really like yet has by demerit of the bulk of said artist’s output completely failed in your ears and eyes. Is there a particular band or artist that defines Your Rock ‘n Roll Mendoza line?

Click here to watch Frank Black’s “Headache” video. (Thanks, Viacom!)
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May 132009
 

Early poll results, as of 11:05 am EST on 5/13/09.

This is a tough one so I thought I’d create a post to work this thorny issue out in public. I’d need someone with good writing and organizational skills and an eye for detail. They would also have to be reliable.

Springsteen and Buckingham both strike me as control freaks musically. This could be a big benefit if channeled properly. I would imagine that they would really turn in good work product when they were done, and Springsteen in particular has a way with words. My concern with both of them is that they might let Great become the enemy of Good. Seldom are things perfect in life and I can’t be waiting around on a project while they continually revamp it in search of perfection. So, I’ll bring them in for interviews and hang on to their resumes but they wouldn’t be my first choices.

Sheryl Crow and Chrissie Hynde are appealing because they both strike me as team players, notwithstanding Chrissie’s past association with the punks. Also, as women, I could get away with paying them 33% less than a man, and in this economy I have to keep an eye on the bottom line. However, over the years I’ve heard a lot statements that Chrissie has made in support of various causes and I can’t risk her blurting that kind of stuff out during meetings when we are trying to close a deal. As for Sheryl, I suspect there is very little chance that she would pass the drug screening.

Peter Gabriel is out because he bailed on Genesis right as they were on the cusp of getting big. To me, this shows that he will put his own interests before that of the team. Also, I’m uncertain if he’s charmingly eccentric or just plain weird. In either event, I have a business to run and I don’t want to have to revise my office dress code to include the phrase “no fox head hats”.

That leaves us with Seger and Petty. Both seem very dependable. Seger is the ultimate “C curve” guy. He would punch in right at 9 and leave right at 5. He would meet every deadline. He would be a real asset to the company softball team. But I wouldn’t expect any extra effort from him no matter what the circumstances. And there might be union problems.

There’s no question that Petty’s work product is much higher quality than Seger’s. I often tend to underestimate Petty (perhaps it’s the lethargic speaking voice), but he is extremely reliable. You’re rarely going to get “A” quality work with him but you will always have a steady stream of “B’s” and “B pluses”. His loyalty is well demonstrated by the fact that he stuck with his second bass player through his addiction and after Howie died, he hired the original guy back. He’s constantly progressing but in a steadfast way. He seems like he’d put in the extra hours if need be but he wouldn’t let the job take over his life. I don’t want my staff to burn out.

So I’m going with Petty. I’ll offer the low range of the salaries and two weeks vacation but I’ll let him talk me up 10% on the salary and up to 3 weeks’ vacation so he can feel like he’s getting a deal. I’ll need him to start ASAP.

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May 132009
 

In rapid-fire style, Rock Town Hall wants to know what’s NOW PLAYING (or was most recently playing) as you read this post! How is it? Is there a story to tell? Would you recommend this to anyone? There’s not a minute to waste!

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