So the other week, in a fit of nostalgia, I bought a copy of the Saturday Night Fever soundtrack. This movie and it’s accompanying 2-record set made a big impact on me, my brother, and my sister. My younger sister was the coolest one: she convinced my parents to take her to see it (underage, she had to convince my parents to go; years later, she admitted to me that she didn’t understand the movie). But my younger brother and I made do by listening to the soundtrack. I loved that record, and even my parents put up with our playing it (Dad, son of a musicologist, even liked Walter Murphy’s “A Fifth of Beethoven”).
Listening to it again, years later and with a more jaded ear, I was pleased how well the Bee-Gees tunes have stood the test of time. I was never a huge Brothers Gibb fan, but the production and arrangements on their songs are pretty nice. Contrast that to the obvious filler in the album: several David Shire tracks that seem to be a white guy’s approximation of ethnic dance music. And then there’s the stuff in between: second rate but fun KC and the Sunshine Band, Tavares, The Trammps, and Kool and the Gang’s “Open Sesame,” which regardless of it’s B-level status gets a thumbs up in my book due to the repetition of the lyrics “Get down with the Genie!”
Which got me thinking about soundtracks.,,
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