Mr. Moderator

Mr. Moderator

When not blogging Mr. Moderator enjoys baseball, cooking, and falconry.

Nov 192010
 

A couple times a year I meet someone at a party, a show, or even here here in the Halls of Rock, get into a deep conversation about music, and then get around to asking this music lover what instrument he or she plays. “Oh, I can’t play an instrument,” the person tells me, “I’ve got no rhythm!”

I usually don’t say much, but inside I’m blown away that this person who knows so much about the music he or she loves, maybe even knows some of the music theory behind it, claims to have absolutely no ability to play any instrument, not even poorly. You’ve got hands, I want to say, you’ll find some kind of rhythm! Maybe I shouldn’t be so idealistic, or presumptuous, but I’d like to hear every music lover take a crack a playing an instrument. I’d like to hear ever music lover’s song, or if not actually hear it know that it’s out there. File Under “Freak Flag.”

Earlier this year Townsman sammymaudlin told me about a new design project he was kicking off for a friend’s album cover and website. The story behind the debut album by Chris Amodeo was like something out of a Hollywood adaptation of an Oliver Sacks book: middle-age Master Rolfer (a body-centered form of psychotherapy) and voiceover artist buys his first guitar at a fundraiser for the dying son of his friends, begins playing Beatles songs to his own kids, is encouraged by his wife to write a song for their son, and soon thereafter is flooded with the gift of songwriting. Song ideas invade his activities of daily living. Less than two years after first picking up a guitar Amodeo is playing his songs for friends at some Oliver Stone-worthy shindig, where it is determined he must enter a studio and record an album of his songs. The resulting album, Homo Luminous, is not just an inspiring testament to a middle-age dog learning new tricks but an accomplished, melodic album of songs expressing the spirit and hopes of a grown man.

In anticipation of his November 20th show at The Coach House, in San Juan Capistrano, CA, I spoke to Chris about his latent awakening as a musician and songwriter, the making of the album, and his recent success in turning our mutual friend, The Back Office’s sammymaudlin, onto the elusive charms of Be Bop Deluxe. We concluded our chat with a round of Dugout Chatter and by looking forward to the completion of voiceover work this VH1 Behind the Music veteran is doing in support of a future Rock Town Hall initiative.

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Nov 172010
 

In a recent comment Townsman alexmagic, always one of the Hall’s finest conceptualists/commentators if not the Main Stage trailblazer we all know he could be (we’ll chalk it up to humility), hinted at his desire to discuss a Once and For All topic that developed from a “weird haircut experience,” in which, as he puts it:

…someone was playing a Stones collection that only had late-period songs on it…

The Once and For All topic is this: Reissues, remixes and live songs excluded, what is the best Rolling Stones single from 1984 on? It is crucial that we settle this issue, which has been implied on numerous rock discussion blogs through the years but not once tackled head on!

The broader, possibly more telling topic that needs to be discussed, however, is that of the rock-themed weird haircut experience. I’m sure I’m not the only one curious to know the details of The Magic Man’s rock-themed weird haircut experience, and because I’ve had two of my own rock-themed weird haircut experiences I know alexmagic is not alone in having such an experience. It’s likely you’ve had one too. These experiences usually aren’t discussed in polite circles, so FUCK YOU – let’s drop all pretense of being polite and come clean. I’m sure we’ll find the trading of our experiences extremely healing. Then we can go back to watching what we say at the dinner table.

I’ll start: Continue reading »

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Nov 162010
 

In honor of Pete Best and Ian Stewart, original members of The Beatles and Rolling Stones, respectively, who were kicked out of the band (or band proper, in Stu’s case) just as their mates were on the brink of major success, let’s commemorate musicians who were replaced shortly before their soon-to-be legendary bands took flight as we know them.

A few exclusions (of course):

  • Band members who died and/or went kee-RAAAY-zee right before their bands broke are disqualified (sorry, original brains behind The Gin Blossoms, whatever your name was). The musician had to have been capable of regretting his or her shot at the big time, and as far as we know the (brain)dead do not retain regrets.
  • Band members who actually made it to the band’s first, less-than-legendary album before the band broke with a bigger album do not count (sorry, Fairport Convention’s original woman singer, Judy Dyble), although the musician is eligible if he or she only appeared on an early single.
  • Original XTC keyboardist Barry Andrews is not eligible because XTC never really broke to any degree that would have caused Mr. Andrews to sit home and nurse his missed opportunity. Same goes for whatever guy or gal just missed the boat on your own band, if said band did not scale enviable heights.
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Nov 162010
 

We just received word that Not Lame Recordings, the indie power pop label and distributor led by true believer and all-around good egg Bruce Brodeen is closing shop on November 24, 2010. However, Bruce and his partner in crime, Jon Bard, are not leaving the music scene they love so dearly. A couple of months ago they launched the middle-age music lovers’ social network Rock and Roll Tribe, and now they’re putting together another power pop network called Pop Geek Heaven. A personal message from Bruce can be found here.

As someone whose small-potatoes releases were supported by Not Lame over the years, even when they were frequently outside their key demographic, I say Thanks and Best of luck in your new ventures! Bruce and his crew were always responsive, responsible, and supportive. Rock on!

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Nov 152010
 

Mom!

Here’s our second episode of Saturday Night Shut-In, the roughly 33-minute, 33-second–Rock Town Hall podcast hosted by yours truly.

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2010/11/RTH-Saturday-Night-Shut-In-2.mp3|titles=RTH Saturday Night Shut-In, episode 2]

Download episode 2 (31 MB).

This week, inspired by a recent conversation with my teenage son, I dip into my childhood singles collection, a scratchy, fingerprinted mess of ’50s through early ’70s nuggets, many of which were given to my by my then-mustachioed, wide-collared velvet shirt-wearing, piano-playing, baseball-and-music–loving uncle. It was a fine preteen rock ‘n roll education, in which I learned the values of kicking it out, midrange, walking basslines, chooglin’, and patience for the big payoff in a 3-minute single that seemed to last forever when I was 11 years old. Through the years I’ve also continued to dig the extra visceral charge provided by the gradient, as my sophisticated son puts it, or surface noise, of these old records. Maybe you will too. Enjoy!

I encourage fellow Townspeople to contribute their own episodes. Contact me off list if you’re interested. We already have a couple of Very Special Guest Shut-Ins lined up!

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