Oct 192010
 

Hey man, you can take your country rock and leave the best parts of The Flying Burrito Brothers to me! I love the band’s first album, The Gilded Palace of Sin, for its heavy bass, fuzz guitars, and reedy vocals. No offense, but I could give a damn about the whole “country” thing. My favorite country music usually sounds like rock ‘n roll anyhow.

As much as I love the band’s debut, it’s all a little hokey and dated, the way many “psychedelic” albums are bound to be. Better yet is the band’s 1970 follow-up album—and the last one with St. Graham ParsonsBurrito Deluxe. It’s actually way more country rock, with future Eagles member Bernie Leadon joining the band on lead guitar and vocals. As much as I hate Eagles (not The Eagles, as we recently learned), Burrito Deluxe explains why anybody else may have cared to make such music. (Thank god some of the pub rockers, like Brinsley Schwarz, actually had the spirit and playfulness to nail this approach!) Maybe some fans like the more traditionally country songs, but for me the album centers around a few pinky-rock classics: “Lazy Days,” a breakneck cover of Dylan’s “If You Gotta Go, Go Now,” and the song with this super-hokey video that I just found, “Older Days.” (The album also featurs a nice version of “Wild Horses,” but I’m afraid to tell you that for fear that your mind will run to a series of glorified Stones cliches.)

There are few musical styles that more readily hit my soul than chooglin’ pinky rock. When done by The Flying Burrito Brothers on Burrito Deluxe I get the perfect mix of the best parts of the intersection of The Grateful Dead’s occasional pinky-rock workouts and The Velvet Underground‘s Loaded. And that Bernie Leadon was something else! I remember seeing an old Eagles performance of one of the few songs by them that doesn’t make me throw up, and Leadon was on fire. How’d that guy get lost in the rock ‘n roll shuffle?

I’ve long sought videos of the band from this period with no luck. Tonight, after a pretty trying day that, unfortunately, looks to be headed for an equally trying tomorrow, I hit paydirt! Here’s an actual live clip of “Lazy Days,” from the time shortly after Parsons left the band.

Continue reading »

Share
Oct 182010
 

Clean living!

Have you seen anyone in concert lately? Tell me about it.

Over the weekend I had to give up my tickets to see Nick Lowe, a show I’d been looking forward to seeing for months, so that  I could, uh…maybe you don’t want to know what came between me and seeing Lowe. Allow me to live vicariously and add to my recent regrets. Thanks.

Share
Oct 182010
 

Rundgren plays his symbolic guitar.

A recent discussion of Prock futurist Todd Rundgren got me thinking about well-known guitarists who play custom-shaped guitars. I’m not talking about guitars like B.C. Rich models that are a variation on a well-known guitar model, like a Flying V, but custom guitars made in a shape that especially suits the player’s identity. Also, the player needs to be an established pro guitarist, not some wacky dude who designed his own penis-shaped axe.

All entries must be accompanied by a link to an image of the player with his guitar. (Yes, bass guitars also count.)

Rundgren’s guitar, pictured above, is off the board. Play on!

Share
Oct 182010
 

Granted, there’s much that needs to be explained regarding Todd Rundgren, but can anyone explain Utopia? I’ve heard the occasional good song by that band (eg, “Feet Don’t Fail Me Now”), songs no different from and as enjoyable as the best Rundgren songs, but was the futuristic thing necessary?

This gets to a larger question: Excluding David Bowie‘s forays into space, which actually use space scenarios as a metaphor for the songs, has the futuristic thing ever been necessary or relevant? I’m not a sci-fi guy, so help me out. Has a rock band ever moved society forward by the powers of its space-rock-continuum concept album and/or offshoot band? Jefferson Starship was launched as one of these brilliant ideas, right? I feel like I’m missing some others. Although a totally different style of music, didn’t Sun Ra play the space card? Is it that much fun to wear sci-fi uniforms and play space-age instruments?

Share
Oct 172010
 

Sounds like...

Dear RTH’ers, please reflect on the following quote by uber music journalist, Sasha Frere-Jones:

Spending the nineties in a working indie band, my bandmates and I developed a shorthand for identifying other groups that we played with. After 1995 or so, there wasn’t a whole lot of variation. “Pavement or Stereolab?” we would ask, trying to discover who had inspired the act in question. Eighty percent of the time, the answer was “Pavement.”

As my educational brethren are currently wont to say, this quote provides a perfect opportunity for “think pair share.” Please reflect and discuss the accuracy of Mr. Frere-Jones’ comment. If you believe that his paradigm is a load of bollocks, please provide examples of other mid-to-late ’90s bands that would provide a template (divisive or not) that may be missing from his perspective.  Note to self and readers, these are two of my favorite bands…but seriously!

Share
Oct 172010
 

I saw it in passing the other day, but I never got around to posting notice of the passing of General Johnson, driving force of the Chairmen of the Board and other late-’60s/early-’70s AM radio soul-pop acts that kept an increasingly outdated mode of music on the shelves a little bit longer than it might have been kept otherwise.

As a boy, hearing this stuff fresh on the AM radio, mixed in with classic Motown hits from 5 years earlier, it never occured to me that Johnson’s contributions were those of a sort of anti-visionary, or a rearview-mirror visionary. Understandably we often applaud artists for their ability to be “5 years ahead of their time,” but I think it’s time to applaud Johnson for his ability to be 5 years behind his time—in a good way. For those not quite ready to leave behind razor-sharp hooks, blatant downbeats, and songs composed for their strength of their catchy titles/choruses rather than any deep, personal meaning, General Johnson had set about the task of, as Ray Davies might put it, “preserving the old ways from being abused.” I don’t know if this occurred to anyone at the time of the songs’ releases, but as I think about it now, hits like “Give Me Just a Little More Time,” “Patches,” and “Want Ads” may have been the slightest bit “old fashioned” compared with the “happening” music of its time, but the recordings had all the life of their times. They were of the moment, the way a middle-aged person still hopes he or she can be now and then. More power to the General for this unusual knack.

If you don’t get what I’m getting at, here’s Honey Cone‘s “Want Ads,” one of those slightly past expiry date hits I’m talking about. In 1970 even The Supremes were attempting to move beyond the standard Motown template, but this song epitomizes the label’s mid-’60s innocence. Also for comparison, at this time, think about the funky hits of The Jackson 5. “Want Ads” has just enough funk to sound contemporary, but it stops short of that added oomph that would characterize contemporary funk, such as one of those instrumental breakdowns in any of the early J5 hits.

NEXT: Rock Town Hall’s Official Eulogy…
Continue reading »

Share
Oct 162010
 

Yeah, baby!

Recently, Rock Town Hall’s Erocktica division came across a Carlos Santana sex tape. To our knowledge this is the first public airing of this professionally produced but long-supressed group sex scenario in front of a live audience.

After taking the necessary legal precautions, we feel confident that the following clip is as legitimate as it is sexy. As lovely as you are likely to find this performance, however, it is definitely NSFW. Even on a weekend we only feel comfortable posting it after the jump…

Continue reading »

Share

Lost Password?

 
twitter facebook youtube