Nov 212008
 


I’ll be polite with my quotes here, but in my never-ending research into the history of rock and roll, I’m trying to make sense of the history of profanity in lyrics (as opposed to spoken profanity on rock records—stuff like The MC5‘s “Kick Out The Jams,” the Suzy Creamcheese obscenities on Uncle Meat, offhand stuff in the background like Lennon shouting “f*****g hell” in “Hey Jude,” The Last Poets, etc).

For the moment, leaving out rather obscure or underground acts like The Fugs, Pearls Before Swine, Joy Unlimited (whose 1970 song “Rankness” is probably the most extreme song anyone would do until Marianne Faithfull’s “Why’d Ya Do It”), and so on, I think the earliest use I can find would be The Jefferson Airplane with “bulls**t” on Crown of Creation and two uses of the f-word on Volunteers (the lyric sheets censored all of them, making “fred” one of my favorite euphemisms). Al Stewart made a lot of waves in 1969 with the f-word on Love Chronicles, and I just wish I was old enough to have seen the world’s response to Lennon’s profanities on Plastic Ono Band (or did the earlier Two Virgins cover create a jaded public whom Lennon could no longer shock?).

Anyway, I have a couple of tacks I’d love to see people comment on.

1) Very major acts. All of the very most significant ’60s-into-’70s artists let loose with some at some point. The Stones first, on “Rocks Off” (1972), The Who on “Young Man Blues” on Live at Leeds (1970), Dylan on “Hurricane,” Lennon as mentioned above, Pink Floyd on Animals, etc… Oddly enough, Led Zeppelin and Black Sabbath are, as far as I can tell, wholly obscenity-free, lyrically. Most relatively major artists I can think of have at least something during their ’70s output. Can anyone think of any who were 100% clean throughout?

2) Early usage—anything from, say, 1972 or before in rock or soul/R&B? I’m sure there are plenty I don’t know.

3) Radio edits and non-edits. Starting in the ’90s, obscene lyrics were in tons of popular songs, blipped or wiped completely. But there were a few key ones in the ’70s: Lou Reed’s “Walk On The Wild Side” and Jefferson Starship’s “Miracles” come to mind, where the radio verion was blipped. More interestingly, there are some where to this day classic rock still plays the uncut versions: Pink Floyd’s “Money,” The Who’s “Who Are You,” etc… I remember as a kid being shocked to note that not only did Dylan’s “Hurricane” have swears in it, but that the 45 left them in on both the A- and B-side of the split single. Anyone want to add to either of these lists?

Would you believe that my interest in this topic was recently rekindled by my first listen to Gordon Lightfoot‘s 1974 Sundown album, on which he says s**t on two different songs?

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Holdouts

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Nov 212008
 


Can you imagine the 1970s dollars and pounds that must have been waved in the direction of the former members of The Beatles to reunite? In a memorable parody of those offers that the tightasses who own the rights to Saturday Night Live continually wipe clean from YouTube, producer Lorne Michaels, offered John, Paul, George, and Ringo a whopping $3,000 to come back together. Bless the boys for resisting the temptations they must have faced, although that “Free As a Bird” thing and news of Paul releasing his avant-garde recording, “I Could Have Slept With Yoko First,” have threatened to make that blessed holdout a distant memory.

Recently, the members of ABBA have made much of the fact that they shan’t be working together again for any amount of money or good cause. Good for them! Who really wants to see those once-hot Swedish guys prancing about in silk jumpsuits at 60?
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Nov 202008
 

You’ve been granted the ability to deliver three wishes for the benefit of the music world, one in each of the following categories:

  • A song you’d like a favorite artist to cover
  • An upgraded Look for a treasured musician (please detail upgraded Look)
  • A graceful exit strategy for The Rolling Stones

Rock Town Hall Genies, commence granting!

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Nov 192008
 


I’m a sucker for fuzz guitar and other subtly shit-hot leads! There are plenty of underwritten songs and even entire albums (eg, The Pretty Things’ SF Sorrow) that I otherwise might not give the time of day if not for the soul-stirring fuzztone guitar parts. There are other songs, like The Blues Project‘s version of “Back Door Man,” that are loaded with subtly shit-hot leads that will forever be burned in my mind.

Over the weekend, on the way to a soccer game, Edwin Starr’s “War” came on the radio, and I cranked it up for my son and his friend. I LOVED this song since I was a little kid, but I hadn’t heard it for years. I was pleasantly surprised by the subtle, shit-hot fuzz guitar fills on the choruses, fills that seemed to be a precurssor to the fills The Isley Brothers would put in their early ’70s hits. I’d forgotten about them and how much they added.

Then I thought about the time many moons ago, when Townsman Andyr pointed out to me maybe the most unexpected use of fuzztone and subtle, shit-hot fills: those that appear in the distance midway through Simon and Garfunkle‘s thoughtful “Sounds of Silence.” The song was forever improved for me, and the consciousness of these fills made me aware of Paul Simon’s penchant for working subtle, shit-hot fuzztone leads into his seemingly placcid music. Think about the guitar fill that follows the doobie-smokin’ line in “Late in the Evening.”

I’m sure I’m not alone in my appreciation for fuzztone and shit-hot leads. I’m pretty sure I’m not alone in holding some subtly shit-hot examples of these qualities in mind. What are your favorite uses of unexpected fuzz guitar and other subtle, shit-hot fills?

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Nov 182008
 

ALERT: There’s something happening here. Rock Town Hall is growin’ up. They said sit down and we stood up.

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Welcome to RTH v.3: StickyRhino. The ever-changing world in which we live in. (StickyRhino is best viewed at a screen resolution of 1280 or higher.)

You won’t have to look too hard to orient yourself. The Rhino is a direct budding from DirtWeed and should in fact put to rest the long and hard fought flame wars of the AARP skin.

The gates of steel are being crashed Towsfolk. Hourly, by the throngs, rabid fans hell bent on devouring our unique brand of pablum are arriving. We are stardust. We are golden. We are half a million strong.* We can no longer fly under the radar. This is a call to action, fellow Townsfolk.

How you gonna come? With your hands on your head?

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