Oct 092013
 

Our friend and Nixon’s Head guitarist Jim McMahon passed on Tuesday morning. We hope the following “24-string salute” and link to one of the final recordings he did with us do some justice to the man.

Jim McMahon making like the fadeout from "Maggie May."

Jim McMahon making like the fadeout from “Maggie May.”

Our friend and bandmate Jim McMahon passed away Tuesday morning after a year-long battle with cancer. Almost a year ago to the day we received notification that Jim had been diagnosed. For a group of old music friends hovering around what we generously call “middle age,” this was chilling news. We knew Jim would face this challenge head on, fully prepared, and surrounded by loving friends and family.

No one in the band showed up better prepared to learn and record a new song than Jim. He was the first to arrive at my house for practice or recording session. “I hope you don’t mind me showing up early to set up and give my gear some time to breathe,” he’d say in his cheerful, slightly mischievous Philadelphia accent. Jim would carve out his turf in our tight space, begin unpacking his perfectly organized chords and effects boxes, and tell me about the characteristics he felt the guitars he brought might lend to our night’s work.

Jim owned a lot of gear and chose his artillery wisely. The rest of us were more focused on the aesthetics of his gear. We anxiously awaited the unpacking of his black guitar with the flames and the dice for volume and tone knobs. We dreaded the rare occasions he’d unpack a “pointy” guitar, something from his ‘80s metal-loving side. Jim packed what he felt the songs needed, not paying any mind to whether we were turned on by how an instrument looked. Often his hand-painted green Strat decorated with a big Woody the Woodpecker sticker would get the call. That was the first guitar we knew Jim by. Continue reading »

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Oct 092013
 

I was notified that Andy Partridge of XTC, one of my rock heroes, took umbrage to this 2009 Rock Town Hall “news” item:

https://www.rocktownhall.com/blogs/andy-partridge-retroactively-recording/

Partridge posted his dismay with my throwaway lark on his Twitter feed. For possibly the first time ever I used my Twitter account to respond to something. I don’t like seeing us called an “arse site.”

Not the way I ever intended to interact with one of my musical heroes.

Not the way I ever intended to interact with one of my musical heroes.

Sorry, Andy. Not a word of that post was true. My apologies to you and to any fans who went hunting for the release of those fictional fictional demos. My comments in that post on my love for your music, even the “tough love” I give to some of your works, are still completely true and sincere to how I feel. If I could I’d show you what’s stirred in my heart through the years while listening to your music. Take care.

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Oct 072013
 

BlackFlagSixPack

We know a 1-hit wonder when we see one, but are there instances where, for you, a single song adequately represents an entire genre?

Six Pack

As ill-informed and narrow-minded as this notion can be, that’s how I feel about Black Flag‘s “Six Pack” adequately representing the entire genre of hardcore punk. The song begins with mildly threatening intro before exploding into a furious rush of tongue-in-cheek, self-deprecating, faux-angry humor. It’s the perfect response to a state of being for many American, middle-class, intelligent, slightly off-center dudes in their late teens and early 20s. To my hardcore punk–limited sensibilities, “Six Pack” says it all for the genre. There are easily a half dozen other hardcore songs I could see myself compiling on my iPod, but, for me, “Six Pack” is a 1-hit genre.

Is there a genre you don’t normally appreciate that is is positively encapsulated in just 1 song?

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Oct 042013
 

yokobetty

Listen, I’m not one of those misogynist Yoko haters who blame her for breaking up the Beatles. As much as I grew up loving—and still love—the band, I think they broke up at the right time. By 1974, it would have stunk to have seen them go through their worst solo phases collectively. Imagine if they’d done like the Stones and survived into the ’80s and beyond? No thank you! There are enough 50-year-old fanboys still trying to pull off a variation of the moptop to carry on their would-be sagging legacy.

I’ll go one step further in making it clear that I’m not a Yoko hater: I think that, next to dropping acid, Yoko is the best thing that happened to John. It was cool seeing John grow up and become a somewhat peaceful family man. It gave me some hope during tough times. She seemed like a great match for John, and a cool person in her own right.

What I am is a music fan who is completely sick of Yoko’s attempts at making music—or perhaps I should say our attempts at liking it. I like Yoko’s first Plastic Ono Band album. It’s a great “F-U!” album, with John and that raw, minimalist band cranking out a racket behind Yoko’s screeching. She did some other screeching recordings in that format in the early ’70s that I also enjoy. Then she got the bright idea that she should sing actual lyrics with something resembling a melody. Beside her lone vocal line in “Bungalow Bill” and her chorus vocals on “Happy X-Mas (War Is Over)” I have felt that Yoko has no business going anywhere near actual lyrics and anything resembling a melody.

I mourned for the widowed Yoko as much as the next Beatles fan when John was murdered at the release of their Double Fantasy album, but I gladly skipped every one of Yoko’s songs. As a singer, she’s well beneath “rank amateur.” The likes of the B-52s could rave all they wanted about the influence Yoko had on them. They had a chance of getting a dinner invitation. What did I have to gain by pretending to like that shit? Julian wasn’t her kid, and I was way too old to have a play date with Sean.

Yoko’s still at it, and my Facebook feed is ablaze with people raving over her performance on the Late Show With David Letterman, backed by the so-cool-I-can’t-believe-I’m-worthy-of-living-in-the-same-world-with-them Flaming Lips (and Sean). If she’s not already, I bet Yoko will be trending today. Have you seen this yet? Check it out:

Continue reading »

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Oct 042013
 

amboy_dukes_journey

So I’ve been going through another Nuggets binge. I’ve always dug the Amboy Dukes and would love to buy Journey to the Center of the Mind, but I’m conflicted. I really, really hate almost everything about Ted Nugent and what he stands for politically, socially, and musically

Should I put all my prejudices away for the sake of the music? I like Woody Allen, for instance, but feel skeevy about his personal marriage, yet I still watch his films. Am I a hypocrite? Would it be better to “steal” the album off the web so I don’t have to put a dime in Nugent’s pocket? Or is that a blurry line I don’t want to cross?

Or does the album not live up to the 2 to 3 great Amboy Dukes songs I’ve heard?

Help me, friends of the Hall?

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