Nov 292012
 

While searching for something completely unrelated I stumbled across this Frank Zappa performance of “Dumb All Over,” (sorry, the YouTube poster doesn’t seem to allow embedding) a song I’d not previously known existed. As usual, I can appreciate Zappa’s intelligence and wit, but the song raised a question that gets at the root of why I can never embrace Zappa’s records: Did Frank Zappa actually like music?

By “music,” I mean the musical elements at the root of songs: melody, rhythm, and harmony. At the 4:20 mark he sits down, shuts up, and fires off an excellent guitar solo. Clearly there was a side to Zappa that at least liked the music that could be made on a guitar. The rest of this song, however, displays no appreciation for music itself. He seemed to have a penchant for hiring shit-hot musicians and then punishing them by making them play stuff they could have been playing had they accepted offers to join Loverboy or a second-rate rock-fusion band. Was this Zappa’s twisted way of punishing dedicated musicians?

I look forward to other examples of Zappa’s direct connection with music, points in his songs that indicate that the music itself was more than a vehicle for his stand-up comedy act.

Here’s another video featuring sophomoric humor and dumb rock music.

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Nov 272012
 

The Joy of Soloing

What makes for a great soloing face? We know one when we see one, but is there a combination of facial structure and timed facial expressions that ensures successful face solos?

The following clip of bluesman Freddie King got me thinking about the science of face soloing. We’ve touched on this topic in some detail a few times in the past, such as herehere, and here (the last link being NSFW), but there may be more to learn from Freddie King. I open this conversation to our researchers in RTH Labs, that is, you.

King’s got a face for every lick he plays. It’s as if the notes are sweating out of his face. Along with his timing and pathos he’s blessed with jowls and bushy sideburns. I think they bring a lot out in his face soloing.

Babyfaced Mike Bloomfield also gave great face. What he lacked in jowls he made up for by eagerly leaning forward at all times. The man aimed to please.

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Nov 262012
 

Well, I’m glad they actually made a real video because it actually seems like they’re working. As far as Rock videos go, I think this one is pretty good, especially if you think about that Bjork video I just watched. I think they may have a different take or mix on this version, too. The guitars sound more bitey and I like this a lot more than I did a few weeks ago. Oh, there’s brief boobity in it, so it may not be safe for work.

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Nov 262012
 

I know very little about Mike Bloomfield. I know he could play. I know he appeared on some bad jam session albums with his old bud Al Kooper. I know he burned out way too soon. I’d never heard him speak until stumbling across this clip. He comes off as a good egg. I’m not happy that I’m headed back to work after a long holiday weekend and that my colleagues and I have a ton of stuff to do before the year is up, so I’ll take all the good eggs I can get to start this week. Thankfully my colleagues are good eggs too. Start your work week with a good egg.

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Nov 252012
 

We here in the Halls of Rock Town are sometimes taken to task for being overly negative, snarky, hyper-critical, and all too often, just downright rude. As part of our collective efforts to bring a bit of sunshine and light to the world wide web, we occasionally make an extra effort effort to find something good to say about, you know, stuff that is clearly godawful.

It is in that spirit that we embark on yet another effort to bring some positivity to our proceedings. Please spend some quality time with the video above, then—if you can—please find something nice to say about it. You’ll feel a whole lot better, I promise you.

I look forward to your comments. Just remember, if you can’t say anything nice about this video… please don’t say anything at all.

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