Jan 222012
 

In a recent Dugout Chatter, Mr. Moderator mentioned the passing of two great names in music history: Johnny Otis and Etta James. I’d like to mention the recent death of another notable if minor artist. Born in Texas in 1940, Dobie Gray started out in the 1960s as a soul singer. His most notable early hit was his 1965 cover of “The ‘In’ Crowd” (written by Billy Gray), a manifesto of pre-hippie coolness that reached #13 in the Billboard Hot 100. His smooth singing was beautifully complemented by the counterpoint of the backing vocals and a big-sounding, punchy horn section.

Gray continued to record as the 1960s wore on without major success. He also became a stage actor, most notably in the Los Angeles stage production of Hair. However, lightning struck again for Gray in 1973 with his recording of Mentor William‘s “Drift Away.” With a gentle groove and a gospel-influenced chorus, the  song became a big hit in the late spring and reached #5 in the Billboard charts. This is probably his single most-popular song and it still gets wide airplay. It’s not hard to understand why.

Though Dobie never scored another major hit again, he kept on performing and recording and his singles occasionally reached the Billboard charts. After “Drift Away,” he transitioned into becoming a country singer—an unusual move for an African-American artist at the time. Gray also became a notable songwriter, providing material for country and mainstream artists. He toured overseas as a performer with some success and became (at his own insistence) one of the first performers to appear before an integrated audience in apartheid-era South Africa. Gray kept on working over the next few decades. He died of cancer on December 6, 2011, at the age of 71.

So there you have it. Dobie Gray might not be the most famous or most-remembered name in rock history, but he had two genuinely terrific classic hits in him. For that, he deserves a tribute here on Rock Town Hall. Rest in peace, Dobie, and we’ll do our part to make sure you’re not forgotten.

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Jan 212012
 

Sounds of the Hall in roughly 33 1/3 minutes!

In this week’s edition of Saturday Night Shut-In a road-weary Mr. Moderator finds that extra gear and ends up taking the show into overtime. If only he can keep his audience hanging in for 7 minutes beginning around the 11:25 mark

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2012/01/RTH-Saturday-Night-Shut-In-63.mp3|titles=RTH Saturday Night Shut-In, episode 63]

[Note: The Rock Town Hall feed will enable you to easily download Saturday Night Shut-In episodes to your digital music player. In fact, you can even set your iTunes to search for an automatic download of each week’s podcast.]

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Jan 212012
 

A number of new Townspeople have registered in the past week. That’s awesome. I bet I’m not alone in wanting to get a sense of what makes them tick, and I bet they’re looking for any opportunity to show off their rock wisdom and wit. In that case, it’s time for a rapid-fire round of Dugout Chatter. If you don’t know the drill it’s easy: provide your gut answers to the following questions. There’s no wrong answer and probably no right one. Just your answer. Long-time Townspeople, how ’bout you lead by example?

Which lead singer do you least enjoy seeing dance on stage?

What’s the most impressive percussion feat in rock?

What’s the most played-out PR angle in rock:

  1. The keee-raaay-zeeee genius bandleader.
  2. “Is he/she or isn’t he/she” (ie, gay, bisexual, a drug addict, etc)?
  3. “[Artist] sucked so much on Saturday Night Live that you’ve got to check them out!”
  4. [Artist] is “classically trained.”
  5. Other?

If Little Feat is best appreciated hungover, what artist might skeptics best-appreciate after eating too much?

Yesterday both Etta James and Johnny Otis died. They were undoubtedly great men. What do you believe is the reason the Hall has not yet provided a distinct obituary?

  1. The Moderator is sincerely ignorant of their music and no one else has yet written up their deaths.
  2. The Moderator never saw that movie in which Beyoncé played James.
  3. The Moderator saw that movie in which Beyoncé played James.
  4. Their brand of “race music” fell just outside the strict bounds of Rock Town Hall discussion.
  5. I hadn’t heard they died. Thank you, Rock Town Hall, my relatively timely one-stop for all rock ‘n roll-related news!

What treasured and celebrated regional style of music is actually most difficult to grasp for folks outside that region?

  1. Zydeco.
  2. The Sound of Philadelphia.
  3. Heartland Rock.
  4. The zip code-specific soundtrack music selected for use in Garden State.
  5. Other.

I look forward to your responses.

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Jan 202012
 

I’m probably the last person in America to have seen this clip of President Obama singing a bit of Al Green’s “Let’s Stay Together,” but the American President’s Got Talent! Aside from candidate Bill Clinton playing sax on The Arsenio Hall Show so many moons ago, has any presidential candidate displayed his or her musical chops before? Has any sitting President or candidate come close to Obama’s display of musical talent, even caught on camera singning along in a church or something? Who cares about a candidate’s personal life, their stance on controversial issues, or how “presidential” their hair is? I want to know if a candidate’s got any musical chops!

Among our current crop of presidential candidates (and leading political figures), in the US or your own nation, what song would you most like to hear tackled by a particular politician?

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Jan 202012
 

For those whose time isn’t sufficiently wasted, I invite you to remix a few Paul McCartney songs. Especially those who believe he got it all wrong. Call it “Macca as his music was meant to be heard.”

RUDE STUDIO

Actually, I think McCartney got it right most of the time behind the board His drum and bass tones have rarely been matched, even by more experienced producers. The same can’t be said for Jeff Lynne. It must be that giant mound of hair muffling his ears from that horrible glossy drum effect thingy. Agree? If not, I invite to nominate another rock star turned producer who should have left the knob turning to someone else.

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Jan 202012
 

Among our regulars, I’m calling on Happiness Stan to help explain England’s late-1960s skinhead movement. If there are other Townspeople out there who have something to add that I haven’t already learned from that beacon of accurate and original reporting, Wikipedia, please chime in.

How did a rock subculture rooted in an appreciation of Jamaican and African-American music become associated with right-wing politics? Did anyone who lived through this era note a shift in how skinheads were perceived within the rock community? I’ve read that the skinheads were an outgrowth of the mods. How did that shift take place? Continue reading »

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Jan 192012
 

It’s no secret that, like a lot of young teenage boys in the early-to-mid-1970s, I found Carly Simon hot. Although I never cared much for any of her songs beside the outstanding “You’re So Vain” and, OK, I’ll admit it, her duet with James Taylor on “Mockingbird,” there was a sense of anticipation over the release of each new album cover. With her XL smile; sleepy eyes; soft, flowing fabrics; a flexible, acrobatic posture; and a soap operatic personal life Simon was rock’s safe-as-matzo Jewish American Princess. She wasn’t tangled up in that smelly CSNY crowd, like Joni Mitchell. She wasn’t a practitioner of witchcraft, like Stevie Nicks. She made no claims to being “one of the boys,” like Linda Rondstadt. Carly was all woman, more like one of my Mom’s younger waitressing friends than a rock star yet not half as square as a Barbra Streisand, who couldn’t manage an acute angle alongside renegade Kris Kristofferson. For a middle-class boy venturing into the world of sexual longing and rock ‘n roll, she was as pervasive and only mildly daring as a woman’s subscription to Cosmopolitan.

As I got into my later teens and became both more judgmental and daring, the mid-’70s appeal of Carly rapidly diminished. By 1981, when the likes of Debbie Harry and Exene were my maturing notions of rock womanhood, I had no idea the following video ever existed, of a song called “Vengeance,” which thankfully I don’t recall ever hearing. Talk about an ultimate rock soft-on. Let’s examine the moments that would have immediately spelled the end of my young lust for Carly, had I not already been heading in that direction.

In-depth analysis…after the jump!

Continue reading »

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