To celebrate Roger Waters‘ revival of The Wall for a tour that will likely lead to a Glee episode dedicated to the album, a smash Broadway musical, and a film version of the Broadway musical starring Justin Timberlake in the role originally occupied by Bob Geldof, let’s have some Pink Floyd-themed Dugout Chatter. As always, your gut answers are all that matter. If you’ve been following proceedings within the Halls of Rock for some time but have not yet jumped in with a comment there’s no better time to shine on, you crazy diamond.
Next to John Lennon‘s Plastic Ono Band and Pink Floyd‘s The Wall, what confessional album was probably most healing to both its creator(s) and listeners?
Flaming Lips and The Residents are the first two other bands that come to mind that, like Pink Floyd, depend on visuals and concepts as much as music. What’s the third band that should come to my mind?
In their prime, which member of Pink Floyd would you have most likely hired to perform architectural work?
Is Syd Barrett rock’s most powerful martyr? Has any band member’s initial burst of creativity and subsequent long-term suffering provided as much critical tolerance and interest for the surviving band members’ slow recovery?
In the years that have followed punk rock and teenage John Lydon‘s legendary, homemade Pink Floyd SUCKS! t-shirt, what established powerhouse band’s t-shirt would tomorrow’s teenage John Lydon wear?
Next to Roger Waters, what once-irascible rocker comes to mind when you think Wiser, Gentler Elder Statesman of Rock?
I look forward to your answers.



