Jan 232012
 

Play continues in our tournament to determine—once and for all—rock’s greatest backing band ever.

The first two rounds have been completed. We enter the final conference matches in the Regional round of play. The attached grid shows where we stand as the Regionals round is played out: backingband-tournament-64

Feel free to think ahead to coming Regional battles as you begin work on the present conference match up. Meanwhile, tournament play for the Rebel Conference has begun. Four backing bands remain: The Wailers vs The Rumour and The Maytalls vs The Attractions.

Regionals: Rebel Conference

Because the selections from this point forward are so crucial to future generations’ understanding of rock history, play will follow a different course of action in this round. Before any voting can take place, Townspeople are encouraged to post comments and YouTube clips of the backing bands you support in this round. You may begin launching your campaigns now. After a day or two of lobbying and counter-lobbying the polls for this conference’s regional round will open. We don’t want any rash votes on Day 1 that you may regret on Day 3 of discussion. Dig?

UPDATED: POLLS OPEN THROUGH 11:59 pm on THURSDAY, JANUARY 26, 2012!

Regionals, Rebel Conference: The Wailers vs The Rumour

  • The Wailers (58%, 18 Votes)
  • The Rumour (42%, 13 Votes)

Total Voters: 31

Loading ... Loading ...

Regionals, Rebel Conference: The Maytals vs The Attractions

  • The Attractions (89%, 34 Votes)
  • The Maytals (11%, 4 Votes)

Total Voters: 38

Loading ... Loading ...
Share
Jan 232012
 

On January 17, 1971. Robert James Ritchie was dragged from his mother’s womb kicking and screaming into this world. Little did he loving parents know that this was the same technique their son would employ to forge a career in music for himself. The self styled “rock-rapper” would not achieve his desire until the release of the 1998 album Devil Without a Cause, released by Atlantic Records, which sold a whopping 11 million albums, apparently. It was followed by a slightly less successful album: History of Rock, in 2000, which featured the hit single “American Badass.”

Now let me make one thing perfectly clear. I am no fan of raining on the parade of a dude or dudette that is making a living out of “Living The Dream”; good luck to them. And even if I had the means to go back in time and undo such atrocities I don’t think I would because at the end of the day it’s only rock ’n roll, and I like it. But there is a but.

The unholy fusion of “Cock-Rock” with “Gangsta-Rap” produces a sound that I can only be likened to listening to a migraine headache. I only say this because I am convinced that Kid Rock takes himself seriously, which on the face of it seems impossible, but nevertheless I fear it to be true. The worst crime that Kid Rock is guilty of is the crime of fraud: he is a teeny-bopper in rocker’s clothing no matter how good his credentials are and no matter how many truly hard rockin’ amigos he has. So here’s my question: Why do people like “The Kid” exist? Are they genuine musicians trying to carve their way in the world or are they walkin’ the walk and talkin’ the talk to bag the cash? Whatever the popular vote favors I accept, but with no prejudice at all. Guy’s like Kid Rock leave a bad taste in my mouth. Maybe I need to be educated in this musical area.

So I say that Kid Rock is guilty of “sucking up to the man.”

Evidence for the prosecution follows the jump…

Continue reading »

Share
Jan 222012
 

In a recent Dugout Chatter, Mr. Moderator mentioned the passing of two great names in music history: Johnny Otis and Etta James. I’d like to mention the recent death of another notable if minor artist. Born in Texas in 1940, Dobie Gray started out in the 1960s as a soul singer. His most notable early hit was his 1965 cover of “The ‘In’ Crowd” (written by Billy Gray), a manifesto of pre-hippie coolness that reached #13 in the Billboard Hot 100. His smooth singing was beautifully complemented by the counterpoint of the backing vocals and a big-sounding, punchy horn section.

Gray continued to record as the 1960s wore on without major success. He also became a stage actor, most notably in the Los Angeles stage production of Hair. However, lightning struck again for Gray in 1973 with his recording of Mentor William‘s “Drift Away.” With a gentle groove and a gospel-influenced chorus, the  song became a big hit in the late spring and reached #5 in the Billboard charts. This is probably his single most-popular song and it still gets wide airplay. It’s not hard to understand why.

Though Dobie never scored another major hit again, he kept on performing and recording and his singles occasionally reached the Billboard charts. After “Drift Away,” he transitioned into becoming a country singer—an unusual move for an African-American artist at the time. Gray also became a notable songwriter, providing material for country and mainstream artists. He toured overseas as a performer with some success and became (at his own insistence) one of the first performers to appear before an integrated audience in apartheid-era South Africa. Gray kept on working over the next few decades. He died of cancer on December 6, 2011, at the age of 71.

So there you have it. Dobie Gray might not be the most famous or most-remembered name in rock history, but he had two genuinely terrific classic hits in him. For that, he deserves a tribute here on Rock Town Hall. Rest in peace, Dobie, and we’ll do our part to make sure you’re not forgotten.

Share
Jan 212012
 

Sounds of the Hall in roughly 33 1/3 minutes!

In this week’s edition of Saturday Night Shut-In a road-weary Mr. Moderator finds that extra gear and ends up taking the show into overtime. If only he can keep his audience hanging in for 7 minutes beginning around the 11:25 mark

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2012/01/RTH-Saturday-Night-Shut-In-63.mp3|titles=RTH Saturday Night Shut-In, episode 63]

[Note: The Rock Town Hall feed will enable you to easily download Saturday Night Shut-In episodes to your digital music player. In fact, you can even set your iTunes to search for an automatic download of each week’s podcast.]

Share
Jan 212012
 

A number of new Townspeople have registered in the past week. That’s awesome. I bet I’m not alone in wanting to get a sense of what makes them tick, and I bet they’re looking for any opportunity to show off their rock wisdom and wit. In that case, it’s time for a rapid-fire round of Dugout Chatter. If you don’t know the drill it’s easy: provide your gut answers to the following questions. There’s no wrong answer and probably no right one. Just your answer. Long-time Townspeople, how ’bout you lead by example?

Which lead singer do you least enjoy seeing dance on stage?

What’s the most impressive percussion feat in rock?

What’s the most played-out PR angle in rock:

  1. The keee-raaay-zeeee genius bandleader.
  2. “Is he/she or isn’t he/she” (ie, gay, bisexual, a drug addict, etc)?
  3. “[Artist] sucked so much on Saturday Night Live that you’ve got to check them out!”
  4. [Artist] is “classically trained.”
  5. Other?

If Little Feat is best appreciated hungover, what artist might skeptics best-appreciate after eating too much?

Yesterday both Etta James and Johnny Otis died. They were undoubtedly great men. What do you believe is the reason the Hall has not yet provided a distinct obituary?

  1. The Moderator is sincerely ignorant of their music and no one else has yet written up their deaths.
  2. The Moderator never saw that movie in which Beyoncé played James.
  3. The Moderator saw that movie in which Beyoncé played James.
  4. Their brand of “race music” fell just outside the strict bounds of Rock Town Hall discussion.
  5. I hadn’t heard they died. Thank you, Rock Town Hall, my relatively timely one-stop for all rock ‘n roll-related news!

What treasured and celebrated regional style of music is actually most difficult to grasp for folks outside that region?

  1. Zydeco.
  2. The Sound of Philadelphia.
  3. Heartland Rock.
  4. The zip code-specific soundtrack music selected for use in Garden State.
  5. Other.

I look forward to your responses.

Share
Jan 202012
 

I’m probably the last person in America to have seen this clip of President Obama singing a bit of Al Green’s “Let’s Stay Together,” but the American President’s Got Talent! Aside from candidate Bill Clinton playing sax on The Arsenio Hall Show so many moons ago, has any presidential candidate displayed his or her musical chops before? Has any sitting President or candidate come close to Obama’s display of musical talent, even caught on camera singning along in a church or something? Who cares about a candidate’s personal life, their stance on controversial issues, or how “presidential” their hair is? I want to know if a candidate’s got any musical chops!

Among our current crop of presidential candidates (and leading political figures), in the US or your own nation, what song would you most like to hear tackled by a particular politician?

Share
Jan 202012
 

For those whose time isn’t sufficiently wasted, I invite you to remix a few Paul McCartney songs. Especially those who believe he got it all wrong. Call it “Macca as his music was meant to be heard.”

RUDE STUDIO

Actually, I think McCartney got it right most of the time behind the board His drum and bass tones have rarely been matched, even by more experienced producers. The same can’t be said for Jeff Lynne. It must be that giant mound of hair muffling his ears from that horrible glossy drum effect thingy. Agree? If not, I invite to nominate another rock star turned producer who should have left the knob turning to someone else.

Share

Lost Password?

 
twitter facebook youtube