Dec 152010
 

Last night, Mr. Royale and I went to see Australian band Tame Impala perform at a small club here in San Francisco. They focused on their 2010 album, Innerspeaker, which could probably be safely be described as “retro” a la 1967. The show was all out psychedelia: barefoot musicians, long-neglected hair, oscilloscope images morphing in time with the chords, large amounts of medicinal herb wafting around us. And Tame Impala are clearly old-school in their influences: Wikipedia lists, among them, Cream, Love, Blue Cheer, CSNY, Steppenwolf, Jefferson Airplane. So when it came time for the encores, I was expecting something in a similar vein. Instead, as the distinct bass line and rim shots were painted in, we got an amazing, full court press cover of Massive Attack‘s 1997, “Angel.” It was followed by another cover, which neither of us initially identified, but with a little research found to be Blue Boy‘s 1998 dance hit, “Remember Me.”

I’m used to encores or other performed covers being used to cite PREVIOUS musical influences: for example I can recall Grizzly Bear doing a cover of the 1962 Spector song, “He Hit Me (and It Felt Like a Kiss).” So what was with Tame Impala fast-forwarding 30 years to reference a more recent musical genre (although “trip-hop,” which could be seen as a bastard child of the earlier psychedelia, and Remember Me” samples a ’60s single by Marlena Shaw)?

Have you had an experience of an unexpected encore? Did it make you change your mind about the band, for better or for worse?

Share
Dec 142010
 
I don’t know about you, but this time of year brings new meaning to the term “cold season.” In my house something’s been going around that fills our lungs and nasal passages with what feels like rubber cement. We can’t even get a satisfying nose blow out of this cold. In honor of the power of all the stuff flying around and getting folks sick, let’s do a Last Man Standing on sick songs. To qualify, the song title must contain the word sick or otherwise specify a physical illness. Songs of mental illness that do not have sick in the title will not be accepted. I’ll kick things off with one of my favorite childhood singles, Huey “Piano” Smith’s “Rockin’ Pneumonia and the Boogie Woogie Flu,” performed today by Jerry Lee Lewis.
Share
Dec 142010
 

What inspirational singer who came to prominence in the 1980s is missing from this Pearl Jam/U2 celebration of the Free World, as envisioned by The Godfather of Grunge? I’m thinking the inclusion of Michael Stipe would serve as the perfect bridge between Bono and Eddie Vedder.

Don’t let your answer to this question be the only use of this All-Star Jam space. Add your own verse; the more electric guitars strumming along the better!

Share
Dec 132010
 

I will go on record here and now and say that I really like this song, when U2 does it. I know it isn’t cool to like U2 and I’m not a big U2 fan at all and yes Bono frequently bugs blah, blah, blah. But I do like this song, when U2 does it. That’s the nice thing I can say about this performance.

What nice things can you say?

Share

Ra-moaning

 Posted by
Dec 122010
 

So, I’ve never been the hugest Ramones fan. I found their brand of 3-chord rock to be kind of timid. Well, I picked up their greatest hits CD at a flea market Saturday, thinking “OK, now I’ll have a chance to hear their best, hand-picked by folks who know much better than me.”

Well, I’m hear to report that after the first 3 songs that covered most of their biggies, ie, “Blitzkrieg Bop,” “Judy’s a Punk,” “Beat on the Brat,” the CD–with another 20 songs and bonus–simply sounded like it was on skip. EVERY song was EXACTLY the same–wow, they go G to A to E. Then G to E to A. Or, wow, the more adventurous E to A to F. All played with the SAME lackluster drum sound, the same doo-woopy vocal hooks, and the same guitar wash. It really started to give me a headache. I was almost embarrassed for them.

I know people say that the Ramones are the god fathers of punk–and that the Pistols would be nothing without them–but damnit, the Pistols, the Undertones and every Minor Threat wannabe band has done more with the formula than these so-called pioneers.

So, are they the most overrated band in the history of music? Can’t believe they played at the same time as Television, Richard Hell, etc… and never picked up on the spikey, loudness of it all.

Anyone want a free Best of Ramones CD?

Share
Dec 122010
 

After the family party I attended Saturday night wrapped up I waited through a couple of seemingly horrible skits (I had the sound turned off) on Saturday Night Live to see what Paul McCartney had in store for viewers. I was treated to a sluggish, pointless version of “Jet,” then I went to bed rather than wait out more cue-card reading from the likes of Bill Hader and that one-trick pony of a poor woman’s Carol Burnett, Kristen Wiiiiigggg, or whatever her name is. (I’m no fan of mugging, self-satisfied Mr. Nice Guy, Paul Rudd, either.) Ugh! Then I learn that I missed some other McCartney goodies, just days after missing what sounded like an interesting appearance on Jimmy Fallon‘s show. Did he play the additional four songs at the end of the night, 1975-era SNL mini-concert style, or did he do stuff before I turned on, at 11:50? What did you think?

Share

Lost Password?

 
twitter facebook youtube